Byzantine Music Electroacoustic Music Musicology Education

A field recording soundscape capturing the sonic environment of a building under construction. The piece focuses on the raw textures of labor—tools, machinery, rhythmic impacts, and human presence—forming an evolving acoustic structure as the building rises.

The post Rising concrete appeared first on Byzantine Music Electroacoustic Music Musicology Education.

My ambient electronic composition, created with Arturia’s Synthx, focuses on soft evolving textures and spacious atmospheric layers.

The post Arturia Synthx synthesizer appeared first on Byzantine Music Electroacoustic Music Musicology Education.

A restrained Holy Week sound study built around bell tones from Diva and the DX7. The Gaia provides the underlying pads, while the bells carry the weight and clarity of the piece—slow, deliberate, and focused.

The post Μεγάλη Εβδόμαδα 2026 appeared first on Byzantine Music Electroacoustic Music Musicology Education.

Analog Piano is an ambient electronic composition created as an experimental exploration using the J74 Progressive tool. The piece focuses on evolving harmonic textures and subtle chord movement, blending analog warmth with generative progression techniques. Through minimalism and atmospheric layering, it reflects a process-driven approach where technology and musical intuition interact fluidly.

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Ηχογράφηση πεδίου από τις καμπάνες στο Πρωτάτο Αγίου Όρους (2015).
Καταγραφή στο πλαίσιο έρευνας για το ηχητικό περιβάλλον της βυζαντινής λατρείας.

Το ηχητικό υλικό καταγράφηκε με μικρόφωνα Rode NT4 και καταγραφέα Fostex.
Η ηχογράφηση αποτυπώνει το ηχητικό τοπίο του Πρωτάτου και τη λειτουργική χρήση των καμπανών.

The post Καμπάνες Άγιον Όρος appeared first on Byzantine Music Electroacoustic Music Musicology Education.

A study of a waveform that refuses to stay still.
The synthesizer becomes a lens: oscillators drifting, filters bending,
LFOs reshaping every contour before it can take form.
Sound in continuous transformation.

The post Study of an impossible waveform appeared first on Byzantine Music Electroacoustic Music Musicology Education.

An ambient electronic composition for bells in 19-EDO with gentle rhythmic patterns articulated through percussion.

https://www.g-culture.org/ioannis/wp-content/uploads/2026/01/Bells-19-EDO.mp3

The post Bells in 19-EDO appeared first on Byzantine Music Electroacoustic Music Musicology Education.

This electronic music composition was created using the Korg Modwave synthesizer, exploiting advanced wavetable synthesis, real-time modulation and evolving sound textures.

https://www.g-culture.org/ioannis/wp-content/uploads/2026/01/Korg-Bells.mp3

Part of the works of Ioannis Spyrakis

The post Korg Bells appeared first on Byzantine Music Electroacoustic Music Musicology Education.

https://www.g-culture.org/ioannis/wp-content/uploads/2025/12/Where-the-air-remembers.mp3

The post Where the air remembers appeared first on Byzantine Music Electroacoustic Music Musicology Education.

The post Analogue style appeared first on Byzantine Music Electroacoustic Music Musicology Education.