Cadaver Dogs

Sup Vagasil? School’s out for the millennium, and everyone is possessed. Demons and aliens run amok in the Dogs’ After School Special where the possession metaphor is used to describe the hell that is being a teen. In this episode, we take a look at JENNIFER’S BODY and THE FACULTY. We’ll discuss how the media either idolized or failed American teenagers in the late 90s / early 00s, obsess over our love for Kevin Williamson - the teen slasher king, and we’ll make you ask what the hell Tommy Hilfiger has to do with any of this. Later, Monistat.

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05:45 - Jennifer’s Body

33:14  - The Faculty

52:40 - Comparisons

1:06:00 - Bone Reviews

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Up Next: DRACULA’S DAUGHTER / THE STORY OF TEMPLE DRAKE

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“You Probably Owe "Jennifer's Body" An Apology’” by Louis Peitzman

https://www.buzzfeednews.com/article/louispeitzman/jennifers-body-diablo-cody-karyn-kusama-feminist-horror

Tommy Hilfiger Ad Campaign for The Faculty

https://www.youtube.com/watch?v=5TxeVgKYV5Y&feature=youtu.be

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Send us your film suggestions at:

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Cover art by Omri Kadim. Theme by Adaam James Levin Areddy.

Announcing next month's films: 

JENNIFER'S BODY (2009, dir. Karyn Kusama) - available on HBOMax.

THE FACULTY (1998, dir. Robert Rodriguez) - available on HBOMax.

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Presenting this after school special! I was a teenage demon - or maybe was I an alien? Huh. Maybe both are accurate metaphors to describe the horrors of being a teenager. Through these films, we'll discuss how the media either idolized or failed American teens at the turn of the millennium. Ah... memories.

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[email protected]

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Cover art by Omri Kadim. Music featured in this episode: 80s Synth by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.

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Minisode: Top Horror Mothers w/ Rakefet Abergel

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Tell your mom you love her, because she's been through HELL! The Dogs are joined by award-winning genre filmmaker Rakefet Abergel to rank our favorite mothers in horror. And bring out your notebooks for this one, because we have a lot to learn about female anatomy. Say hi to your mother for me.

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09:43 - Number 3s

21:33 - Number 2s

37:57 - Number 1s

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Support Still: www.seedandspark.com/fund/stillshortfilm

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Rakefet will be donating 5% to:

https://www.teenytears.org/

https://www.thefinleyproject.org/

https://www.evermoreblooms.org/

https://www.emptycradle.org/

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Find Rakefet at:

www.facebook.com/rakefetabergel

www.instagram.com/cyclamenfilms

www.twitter.com/cyclamenfilms

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Who is your top horror mommy? Let us know at:

instagram.com/cadaverdogspod

twitter.com/cadaverdogspod

facebook.com/cadaverdogspod

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Send us your film suggestions at:

[email protected]

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Theme by Adaam James Levin Areddy. Cover art by Omri Kadim

What makes a house haunted? Hi Mutts, join the Dogs as we dig into our newest episode and one of the strangest films ever directed with HOUSE (1977) directed by Nobuhiko Obayahsi and inspired by his 10-year-old daughter Chigumi Obayashi followed by an American movie of the same title HOUSE (1985) directed by Steve Miner. It’s not the ghosts that make these houses haunted but something a whole lot more ubiquitous. See ya soon mutts!

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Time Stamps.

Intro Chat

13:16 House 1977

39:42- House 1985

1:00:26- Comparisons

1:15:39- Bone Reviews

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Social Progress Through Horror

Fright Club 233: Social Progress Through Horror - Maddwolf

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twitter.com/cadaverdogspod

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Send us your film suggestions at:

[email protected]

Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: “Radiation Storm” by White Bat Audio and “Horror Synth wave” by Haddonfield Horror

Announcing Next Month's Films:

HOUSE (1977 Dir. Nobuhiko Obayashi)

Available on HBO Max

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HOUSE (1985 Dir. Steve Miner)

Available on Pluto, Sling, Roku and Youtube Premium

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Don't you wish you could just forget the past? Every generation has its skeletons in the closet, too bad we they sometimes come out. We're covering two films this month with a twist, they have the same title!  This is HOUSE 1977, also known as Housu, and HOUSE 1985. New Episdoe drops next Thursday April, 6! 

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[email protected]

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Cover art by Omri Kadim. Music featured in this episode: 80s Synth by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.

Move over Ant-Man: David and Rob are discussing the original shrinking Scott, of THE INCREDIBLE SHRINKING MAN (1957). In director Jack Arnold and writer Richard Matheson’s scifi classic, a man exposed to stray radiation begins to steadily shrink, as his humanity is stripped away layer by layer. What makes a man, a man? We’re talking emasculation and the artificiality of the American Dream.

Meanwhile, jumping across the Pacific, GODZILLA (1954, a.k.a. GOJIRA) uses its kaiju to directly comment on the atomic bomb and its fallout. The Cadaver Dogs want to see how both America and Japan evolved and responded to the devastation that followed Hiroshima and Nagasaki. The climactic ending of World War II changed the world forever… and unleashed a giant nuclear lizard monster upon Tokyo.

0:06:38 - The Incredible Shrinking Man

0:27:10 - Godzilla

0:46:04 - Comparisons

1:01:39 - Bone Reviews

Up Next: HOUSE (1977) / HOUSE (1985)

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twitter.com/cadaverdogspod

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“Revisiting THE INCREDIBLE SHRINKING MAN,” by Maria Tatar

blogs.harvard.edu/tatar/2022/11/05/revisiting-the-incredible-shrinking-man-and-it-still-holds-up-after-65-years/

“The Incredible Shrinking Man Saw Beyond the Material Facade of Post-War Prosperity,” by Dan Persons

tor.com/2021/09/15/the-incredible-shrinking-man-saw-beyond-the-material-facade-of-post-war-prosperity/

“How American Occupation Changed Japanese Culture,” by The Cold War

youtu.be/olR9sOeR8oQ

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Send us your film suggestions at:

[email protected]

Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: Radiation Storm by White Bat Audio and March of Midnight by Scott Buckley.

Announcing next month's films: 

THE INCREDIBLE SHRINKING MAN (1957, dir. Jack Arnold) - available to rent on Amazon.

GODZILLA (1954, dir. Ishiro Honda) - available to stream on HBO Max, Pluto TV, or Crackle.

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The atomic bombs dropped on Hiroshima and Nagasaki killed hundreds of thousands of Japanese citizens, ended World War II, and initiated the nuclear arms race that continues to this day. Yet the world carried on. A decade later, how did both countries reckon with the ever-present fear of annihilation? How did they assign culpability? Could Americans really just return to a simple life of domestic bliss? Could Japan ever finish mourning the loss?

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instagram.com/cadaverdogspod

twitter.com/cadaverdogspod

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Send us your film suggestions at:

[email protected]

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Cover art by Omri Kadim. Music featured in this episode: 80s Synth by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.

The Mother Shelley of all questions: who is the monster - the creature or the man who made them? Or, in this episode, who is the barbarian and who is the muse?? 

Looking back at two top films from the past year, the Cadaver Dogs examine how the post #metoo era is presented in horror… through a male perspective. Travis Stevens’ artistic film A WOUNDED FAWN (starring Josh Ruben of Werewolves Within and Scare Me) sends us to a time when the Furies were feared by all and muses used their sexuality to inspire artists. We analyze the presence of ancient myths today, focusing in on the #MeToo movement with men’s abuse of female artists, how the women reclaimed their power, and how the men are adjusting. Then, join us down in the tunnels for BARBARIAN (starring scream kings Bill Skarsgaard and Justin Long). Down here, we have cancel culture, Frankenstein’s monster, male fragility, and false redemption. All-in-all, what we really ask is: do male filmmakers have a right to tell these stories now? And, what do they mean? At Cadaver Dogs, we ask the hard questions and have the hard conversations, but it’s all fun down here - we have cookies! And t-shirts!

07:06 - A Wounded Fawn

24:43: - Barbarian

48:48 - Comparisons

1:19:42 - Bone Reviews

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Up Next: GODZILLA (1954) / THE INCREDIBLE SHRINKING MAN (1957)

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T-SHIRT LINK! use code "MUTTS15" to get 15% off!

https://www.etsy.com/listing/1394291308/cadaver-dogs-podcast-official-2022-tour?click_key=3f68cb7ac6f829df6e75670cf9faae40865477bf%3A1394291308&click_sum=8b5ccb72&ref=shop_home_active_1

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“Travis Stevens Discusses the Exaggerated Reality and Surrealist Inspirations Behind A Wounded Fawn’” by Jonathan Dehaan

https://nofspodcast.com/interview-travis-stevens-discusses-the-exaggerated-reality-and-surrealist-inspirations-behind-a-wounded-fawn

“Barbarian: Urban Decay, Horrific Gender Dynamics, and the Fall of Empires”

https://fathersonholygore.com/2022/11/06/barbarian-urban-decay-horrific-gender-dynamics-the-fall-of-empires/

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Send us your film suggestions at:

[email protected]

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Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. 

Announcing next month's films: 

BARBARIAN (2022, dir. Zach Cregger) - available on HBOMax.

A WOUNDED FAWN (2022, dir. Travis Stevens) - available on Shudder.

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#MeToo changed the film industry, society, and of course, horror. Next month, the Dogs are diving yet again into gender politics to analyze men's response to #MeToo through horror films. How did male filmmakers represent gendered terror through their male leads and female monsters? Was it nuanced?

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facebook.com/cadaverdogspod

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Send us your film suggestions at:

[email protected]

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Cover art by Omri Kadim. Music featured in this episode: 80s Synth by White Bat Audio. Licensed under Creative Commons: By Attribution 3.0 License.

Are you really going to re-use those needles? That’s the question we ask in this episode of Cadaver Dogs podcast where we cover not one but two reboots of classic horror franchises. First up, EVIL DEAD (2013), the Fede Alvarez remake of the Sam Raimi Classic. Does the classic cabin turned demon rehab hold up to the original violent entry? Second, we chain ourselves up for HELLRAISER (2022), the 11th entry and newest reboot of the Clive Barker series. Do these reboots do justice to these 80s classics?

Hellraiser compares the pain of drug addiction to the highest highs of sensual sensation, and Evil Dead revisits possession using the metaphor of the overpowering effects of substance abuse. Listen to hear more!

Up Next: BARBARIAN (2022) / A WOUNDED FAWN (2022)

Follow us at: 

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facebook.com/cadaverdogspod

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0:06:42 - Evil Dead

0:27:35 - Hellraiser

0:43:36 - Comparisons

1:00:28 - Bone Reviews

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Fright Club 233: Social Progress Through Horror - Maddwolf

maddwolf.com/frightclub/fright-club-233-social-progress/#sthash.OdX4gNdE.WlFaiFUy.dpbs

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Send us your film suggestions at:

[email protected]

Cover art by Omri Kadim. Theme by Adaam James Levin Areddy. Music featured in this episode: “Raditation Storm” by White Bat Audio and “Horror Synth wave” by Haddonfield Horror