In The Ally—a new play at the Public Theater by Itamar Moses—an Israeli American adjunct professor is forced to confront the limits of his solidarity when his decision to support a Black student seeking justice for the police murder of a cousin becomes entangled with questions of Israel and Palestine. Though set before October 7th, the play is undoubtedly “ripped from the headlines,” taking up questions of campus antisemitism and liberal Jewish discomfort with left politics, and giving every “side” in the argument—hardline Zionists, Palestinians, young Jewish leftists, Black activists, and Jewish liberals—a chance to state its case. But does the play actually push liberal audiences beyond their preconceived biases, or does it allow them to remain in a state of comfortable ambivalence? In this episode, Jewish Currents editor-in-chief Arielle Angel, contributing writer Alisa Solomon, and artist-in-residence Fargo Nissim Tbakhi discuss what The Ally reveals about liberal America’s view of the left, and the opportunities and limitations of theater in spurring action.  

Thanks to Jesse Brenneman for producing and to Nathan Salsburg for the use of his song “VIII (All That Were Calculated Have Passed).” 

Plays Mentioned and Further Reading:

The Ally by Itamar Moses at The Public Theater

Disgraced by Ayad Akhtar

“Who Is Tom Stoppard’s “Jewish Play” For?,” On the Nose, Jewish Currents 

“Jewish Groups Condemn Black Lives Matter Platform for Accusing ‘Apartheid’ Israel of  ‘Genocide,’” Sam Kestenbaum, Haaretz