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"Good reviewing," writes Carmine Starnino in the not-to-be-missed introduction to his A Lover’s Quarrel Essays and Reviews, "... reviewing that believes in literary failure – is invaluable because by calling one poem good and another less good, and adducing clear reasons for those claims, it offers one writerly interpretation of a particular achievement, and invites the reader to sypathetically tag along; his or her senses momentarily borrowing the reviewer’s responses."
We met in a somewhat echoey corner of the National Gallery in Ottawa to hold Starnino’s most recent collection of poetry, This Way Out, up to scrutiny, naming names: which of his poems are good, which bad. In addition: who are the best and worst contemporary Canadian poets. Listen as we walk the walk of A Lover’s Quarrel.
Photo credit: Gaspereau Press
"Good reviewing," writes Carmine Starnino in the not-to-be-missed introduction to his A Lover’s Quarrel Essays and Reviews, "... reviewing that believes in literary failure – is invaluable because by calling one poem good and another less good, and adducing clear reasons for those claims, it offers one writerly interpretation of a particular achievement, and invites the reader to sypathetically tag along; his or her senses momentarily borrowing the reviewer’s responses."
We met in a somewhat echoey corner of the National Gallery in Ottawa to hold Starnino’s most recent collection of poetry, This Way Out, up to scrutiny, naming names: which of his poems are good, which bad. In addition: who are the best and worst contemporary Canadian poets. Listen as we walk the walk of A Lover’s Quarrel.
Photo credit: Gaspereau Press