CarrWaxx

You should already know I’m a fan of Lupe. The last time I’ve heard anything from him was “Drogas Wave” in 2018. Very deep. and worth the listen just for the historic and spiritual side. But this EP attracted me because of the production by Kaelin Ellis which always grabs my attention. And of course the lyrical genius of Lupe. Outside of that take a listen to the commentary by Virgil Abloh as well. Pretty damn good.

Continuing with showing love to diverse producers, DJ’s, beat makers. The Laid back creative flow of Glenn Boothe aka - Knxwledge fell into my lap with his new 2020 release while trying to find a Corona Virus groove. My introduction to Knxwledge was his 2015 release HUD Dreams so this was a welcomed surprise. Thus finally getting to talk about this creative artist that caught my attention 2 years ago.

I didn’t do a review of Tek’s highly enjoyable “allow it” released in 2018. I wasn't feeling the earlier  EP release Blood, but now with the release of Dweeb. The B’more native has been moving forward with his sound so I wanted to hear what this one would sound like. He goes a different route and flavors his multi layer tracks with more vocals, trap beats and for sure his signature synthesized sound. At the same time I ran into his group NASA 8 so I had to show some love this year.

Sean and I jumps into one of my favorite southern rappers. This new release is full of features and Sean reveals the secret sauce. J. Cole produced album. Interesting review and our different perspective.

Sean and I finally get to YBN Cordae and we discuss where he ranks with the freshman of the year and the type of release he has out right now. With the amount of features he has on this new release. do we really get to hear his talent?

2 years ago, Sean introduced me formally to Big K.R.I.T  with his release "4eva is a mighty long time."  Now he drops something in this weak season of releases for us to digest and see how this release refers back to his 2010 mixtape "K.R.I.T Wuz Here".  My thoughts is, I'm judging it on what he is releasing now.  I didn't go back but Sean has his opinion.  Especially since he's a fan.

Sean introduces the new release by MAXO Kream. The Houston story teller gets personal but for some reason still sounds familiar like a Quality Control production. We jump on this 15 track release.

You already know we criticize Dreamville for lack of promotion and weak promotion. But mad love to a lot of their artist and the King sitting on top J.Cole. So this massive compilation release with so many surprises that I couldn't get to the end until I rewinded so many of these cuts that it too me a few days to take it all in. Any way here it is.

Sean and I wanted to review the Smith children since they both came out around the same time.  First we give our take on Willow and a style that we weren't expecting to hear.  Also since she is more of a veteran than her brother.  We didn't know what we would get.  Then we drop in Jaden.  He had a few releases after his well received debut album (for the record, those other releases I was not feeling) So for 2019 we get a listen to another one of these long ass releases with long ass 4 min. average songs. 

Being a fan of Freddie Gibbs, during our last review it was mentioned that he needed some serious production help as well as a few features. In jumps super producer Madlib. Following a lot of his instrumental albums I have been a fan for a while but lately he has been producing a lot of others. With this combination we looked forward to hearing this release