
Sign up to save your podcasts
Or


American composer Elliott Carter has a reputation for writing some of the thorniest, most abstract and most technically difficult orchestral scores of the 20th century.
But for a few moments at least, during the opening of Carter’s Symphony of Three Orchestras, which had its premiere performance on today’s date in 1977 at a New York Philharmonic concert conducted by Pierre Boulez, audiences must have been surprised by an impressionistic, almost Romantic tone. In notes for the new piece, Carter admitted the opening of the new work was inspired by the poetry of Hart Crane, specifically Crane’s description of the New York harbor and the Brooklyn Bridge. Both those New York landmarks were a short walk away from Carter’s lower Manhattan apartment.
Carter’s 15-minute Symphony of Three Orchestras quickly shifts into his more recognizably dense style, however, and, as the title indicates, employs three orchestras on one stage, playing with and against each other at various points.
As the New York Times reviewer wrote: “It will take many hearings for the relationships of the score to assert themselves, though one can be confident that Mr. Carter, one of the most accomplished constructionists of the age, has assembled everything with pin-point logic.”
Elliot Carter (1908-2012): Symphony for Three Orchestras; New York Philharmonic; Pierre Boulez, conductor; Sony 68334
By American Public Media4.7
176176 ratings
American composer Elliott Carter has a reputation for writing some of the thorniest, most abstract and most technically difficult orchestral scores of the 20th century.
But for a few moments at least, during the opening of Carter’s Symphony of Three Orchestras, which had its premiere performance on today’s date in 1977 at a New York Philharmonic concert conducted by Pierre Boulez, audiences must have been surprised by an impressionistic, almost Romantic tone. In notes for the new piece, Carter admitted the opening of the new work was inspired by the poetry of Hart Crane, specifically Crane’s description of the New York harbor and the Brooklyn Bridge. Both those New York landmarks were a short walk away from Carter’s lower Manhattan apartment.
Carter’s 15-minute Symphony of Three Orchestras quickly shifts into his more recognizably dense style, however, and, as the title indicates, employs three orchestras on one stage, playing with and against each other at various points.
As the New York Times reviewer wrote: “It will take many hearings for the relationships of the score to assert themselves, though one can be confident that Mr. Carter, one of the most accomplished constructionists of the age, has assembled everything with pin-point logic.”
Elliot Carter (1908-2012): Symphony for Three Orchestras; New York Philharmonic; Pierre Boulez, conductor; Sony 68334

6,854 Listeners

38,830 Listeners

8,787 Listeners

9,248 Listeners

5,808 Listeners

930 Listeners

1,388 Listeners

1,290 Listeners

3,149 Listeners

1,976 Listeners

528 Listeners

182 Listeners

13,753 Listeners

3,072 Listeners

246 Listeners

28,186 Listeners

434 Listeners

5,490 Listeners

2,186 Listeners

14,131 Listeners

6,427 Listeners

2,515 Listeners

4,839 Listeners

578 Listeners

251 Listeners