Cartoon Logic

Yes, at long last, the long-anticipated return of the only good classic cartoon podcast! We break down last fall's surprise disc from Warner Archive of the remaining releasable MGM Tex Avery cartoons. It's a cross-selection of some of the finest, wildest animated shorts ever made - and find out what Bob's personal favorite Tex short is to boot!

It's the conclusion of our Bugs Bunny 80th Birthday Blu-Ray review! Our favorite cartoon hero runs on autopilot with Friz Freleng, Bob McKimson, and (occasionally on this set) Chuck Jones trying to keep interest in Bugs alive. We do see some bright moments with a few masterful Yosemite Sam encounters, countered with more TV parodies and cheaters than one can humanly stomach. Also: possibly the shortest dissection of What's Opera, Doc? ever recorded on human record.

November's Blu-ray release of Bugs Bunny cartoons is so jam-packed with Technicolor animated perfection we have to do two episodes about it! In part one, we discuss what made the character take off immediately, and all the highlights of the set's first disc of 1940s cartoons, in which very different filmmakers managed to have individual takes on Bugs, yet maintain a singular vision that made him Warner Animation's eternal foundation.

We discuss the newest Tex Avery collection from Warner Archive! Despite some substandard presentation, the laughs come faster and furious in this volume, thanks in no small part to animator Mike Lah and MVP Spike. Immortal works like Little Rural Riding Hood and Magical Maestro headline this volume, with Droopy in peak (and non-peak) form. Witness in real time as Tex literally snaps and falls back on softer, designy humor. You'd have to be a real screwball not to love this disc - or listen!

Our first (of few) forays into TV animation, examining the early days of Bill Hanna and Joe Barbera's "planned" animation empire! We talk about what went wrong at Hanna-Barbera, and what went right in the early days, thanks to folks like Ed Benedict (whom Bob met), Daws Butler, Alan Reed, and Carlo Vinci. We also dissect "The Flintstone Flyer", the first-aired episode of the first primetime adult cartoon show, which shows just how elegantly crude and inventive a prehistoric Laurel & Hardy knockoff can be!

Here to guide us through the history of NYC's Van Beuren Studio in the '20s and '30s is our most qualified special guest, historian and musician Charlie Judkins! Learn how Paul Terry, John Foster, and Jim Tyer shaped cartoons that never came close to matching the Fleischers (despite being right across the street!), and how their endearing weird crudeness occasionally turned out a pre-code gem like our highlighted Halloween-appropriate cartoon, The Magic Mummy (1933), starring the pre-MGM Tom and Jerry.

Warner cartoon legend Art Davis was a long-term animator and had an exceptionally memorable three-year run directing the studio's "D-unit" in the late '40s. We discuss Davis' history that began in the silent era as an errand boy on Mutt & Jeff; how he became the business' first assistant/inbetweener; his many years working on the strange Columbia cartoons; his suspicions of a certain studio's antisemitism; and just what makes his contributions to Looney Tunes history so fun.

Our breakdown this month: Davis' Two Gophers from Texas, which pits the genial Goofy Gophers against a contemptible conceited dog who hinges on utter derangement.

Because no one asked for it, we're givin' you some CRINGE. We return to the subject of Famous Studios to zero in on what exactly made their cartoons of the 1950s so infamously unfunny. What's your favorite Famous cringe? Herman mutilating Katnip? Popeye trying to seduce Poopdeck Pappy? Just Casper? Or Little Audrey's laugh? Guys like Dave Tendlar, Al Eugster, and Irv Spector weren't untalented, though, and could once-in-a-while turn out a classic despite (or because?) of its cringe. We discuss all this and more...

In lieu of our regular episode this week, we're offering the first episode of Spinach Skrewtny, our Patreon-exclusive chronological examination of the Popeye cartoons made by the Fleischer Studio. We hope this sample entices you to join us!

In our premiere, Bob gives a summation of his lifelong history (re: obsession) with Popeye the Sailor. We talk about the character's origins in Segar's strip and why incidental elements like spinach and Bluto became staples of the animated series. We were astounded at how rich this first year of six Popeye cartoons was, and we're sure you'll agree and learn more than you ever wanted to know about what made this sailor (and the animators who brought him to life) so special, even in the beginning!

Cartoons discussed: Popeye the Sailor, I Yam What I Yam, Blow Me Down, I Eats My Spinach, Seasin's Greetinks!, and Wild Elephinks.

We return to Ub Iwerks, this time to take a look at his uniquely raunchy cartoons he did at his own studio, like Flip the Frog, Willie Whopper, and the ComiColor series... But other than pre-code filth, did these films have much else to offer? Our single cartoon analysis is the Cinecolor Hell's Fire, the Willie Whopper cartoon that proves Hell is fun, prohibition is evil, and it pays to be Satan's stooge!