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Join Trevor and his buddy Brad from the Cinema Speak podcast for a "Kaleidoscope of Kills", where we'll be talking about gnarly/memorable kills from movies in our collections!
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It's once again time for Catching Up On Cinema's monthly Catching Up On Blu-Ray episode!
In this episode, Trevor takes a look at the physical media releases for the month of October 2024.
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It's once again the spooky season, which means it's time for “Kyle's Killer October” at Catching Up On Cinema!
All month long, the horror enthusiast among us, Kyle, will have creative control of the podcast, selecting each of the movies we review from month to month.
The unifying theme for this year's edition of “Kyle's Killer October,” is “contemporary horror,” wherein we'll be reviewing horror films released within the past few years.
Today, in a special Halloween edition of the program, we review the hotly anticipated, and wildly successful, Damien Leone's, Terrifier 3 (2024)!
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We weren't able to get out to the theater to see Terrifier 3 (2024) just yet, so you'll have to wait until Halloween for that episode to drop!
This week on Catching Up On Cinema, in lieu of a proper review episode of the show, Trevor and Kyle talk about some of the movies and shows that they've been watching on their own time, in a little something we'd like to call “Catching Up On Catching Up On Cinema”!
Depending on how warmly this show format is received, this might be adopted by us as a recurring episode format.
Movies discussed this time around include Hereditary, The Big Lebowski, No Country for Old Men, Venom, Take Cover, The Prowler, the Maniac Cop series, and Bad Boys: Ride or Die, among many others!
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*WARNING* FULL SPOILERS FOR THE SUBSTANCE! *WARNING*
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It's once again the spooky season, which means it's time for “Kyle's Killer October” at Catching Up On Cinema!
All month long, the horror enthusiast among us, Kyle, will have creative control of the podcast, selecting each of the movies we review from month to month.
The unifying theme for this year's edition of “Kyle's Killer October,” is “contemporary horror,” wherein we'll be reviewing horror films released within the past few years.
This week, we review Coralie Fargeat's, The Substance (2024)!
Sincere apologies for Trevor's persistence in referring to star Margaret Qualley as "Margot Qualley".
Rest assured, he is a dumbass, and has been soundly punished for his stupidity.
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
linktr.ee/CatchingUpOnCinema
It's once again the spooky season, which means it's time for “Kyle's Killer October” at Catching Up On Cinema!
All month long, the horror enthusiast among us, Kyle, will have creative control of the podcast, selecting each of the movies we review from month to month.
The unifying theme for this year's edition of “Kyle's Killer October,” is “contemporary horror,” wherein we'll be reviewing horror films released within the past few years.
This week, we review Osgood Perkins', Longlegs (2024)!
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
linktr.ee/CatchingUpOnCinema
It's once again the spooky season, which means it's time for “Kyle's Killer October” at Catching Up On Cinema!
All month long, the horror enthusiast among us, Kyle, will have creative control of the podcast, selecting each of the movies we review from month to month.
The unifying theme for this year's edition of “Kyle's Killer October,” is “contemporary horror,” wherein we'll be reviewing horror films released within the past few years.
This week, we review Gary Dauberman's feature length adaptation of Stephen King's, 'Salem's Lot (2024)!
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
linktr.ee/CatchingUpOnCinema
It's once again the spooky season, which means it's time for “Kyle's Killer October” at Catching Up On Cinema!
All month long, the horror enthusiast among us, Kyle, will have creative control of the podcast, selecting each of the movies we review from month to month.
The unifying theme for this year's edition of “Kyle's Killer October,” is “contemporary horror,” wherein we'll be reviewing horror films released within the past few years.
First up this month, is our review of modern horror maestro, James Wan's, Malignant (2021)!
Follow us on Instagram @catchinguponcinema
Follow us on Twitter @CatchingCinema
Like, share, subscribe, and we'll catch you next time!
Join Trevor and his buddy Brad from the Cinema Speak podcast as they talk
Trevor's Picks:
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This month is Masterclass Month at Catching Up On Cinema!
September 2024 marks our 6th anniversary of podcasting, and to commemorate the occasion, we take a month to do a deep dive on a popular, long-lived movie franchise.
For this year's Masterclass, we'll be reviewing the Hannibal Lecter series of films!
Created by author Thomas Harris, Hannibal Lecter is a charismatic serial killer that, across multiple novels, films, and most recently, TV series, has consistently captivated global audiences since his inception in 1981.
This week, our Masterclass continues with a review of confirmed piece of shit, Brett Ratner's, Red Dragon (2002)!
The second adaptation of the first of Thomas Harris' Hannibal Lecter series of novels, Brett Ratner's, Red Dragon (2002) is a sanitized, and by the numbers adaptation of the classic novel of the same name.
Once again produced by mega producers Dino and Martha De Laurentiis (who also produced Hannibal), Red Dragon, in spite of also featuring the talents of cinematographer, Dante Spinotti (who also shot Manhunter), and Ted Tally (screenwriter of Silence of the Lambs), is somewhat bland, and considerably less stylized rendition of Thomas Harris' novel than Michael Mann's, Manhunter (1986).
Just a short year after the release of Hannibal (2002), Anthony Hopkins returns to reprise his role as Hannibal Lecter, with Edward Nortion starring as Will Graham, previously embodied on screen by William Petersen.
An early example of a fanservice oriented prequel/sequel, Red Dragon goes out of its way to remind viewers at every turn, of the vastly superior Silence of the Lambs. Cast members, characterizations, iconography, and locations from Silence are all exploited, not without justification, but quite readily, and in a fashion that was not yet en vogue in Hollywood.
In spite of its weaker presentation as compared to Manhunter, Red Dragon nevertheless benefits greatly from the novelty factor of its adaptation featuring additional scenes with Hannibal Lecter, and from ,pre greatly emphasizing the characterizations of Francis Dolarhyde and Reba McClane (played by Ralph Fiennes and Emily Watson respectively), who in Manhunter were given considerably less screen time.
Blunt, and not especially confident in it's presentation or storytelling, Red Dragon is almost entirely buoyed by the efforts of its exemplary cast of players, with Ralph Fiennes and the late Philip Seymour Hoffman both making enormous contributions to the entertainment value of the film, in spite of the otherwise pedestrian filmmaking from director and confirmed piece of shit, Brett Ratner.
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From the publisher's feed