We just watched Henry Selick's stop-motion fantasy The Nightmare Before Christmas, a little animated experiment that became an everlasting cult favourite.

We just watched Jennie Livingston's iconic, controversial documentary Paris is Burning, an underground exploration of a time and a place that became revolutionary.

We just watched Maria Schrader's true story She Said, based on the book by New York Times journalists Jodi Kantor and Megan Twohey about their part in the downfall of Miramax producer Harvey Weinstein and the rise of #MeToo.

We just watched Tobias Lindholm's new drama The Good Nurse, about serial killer Charles Cullen.

We just watched Beth de Araujo's debut feature Soft & Quiet, one of the hits of SXSW earlier this year.

We just watched Nicole Holofcener's simple but sweet romantic drama Enough Said, starring Julia Louis-Dreyfuss and - in his final role - James Gandolfini.

We just watched Glenn Gordon Caron's forgotten gem Clean and Sober from 1988, starring Michael Keaton and Kathy Baker.

We just watched Maggie Gyllenhaal's brand new film The Lost Daughter, starring Olivia Colman and Dakota Johnson.

We're coming live from the WWEN Weather Centre with a look at Gus van Sant's 1995 kinda sorta mockumentary To Die For.

This month we're taking a long look at a very special film - Martin Bell, Mary Ellen Mark and Cheryl McCall's stunning documentary Streetwise.