Celluloid Skeletons – The Telstar Film Review

This month Celluloid Skeletons looks at a huge movie star of the 80s and 90s who has, through his own behaviour, fallen by the wayside a little. That’s right it’s ‘Mad’ Mel Gibson, star of action classics like Mad Max and Lethal Weapon, and Oscar winning director of films like Braveheart and Apocalypto.

Join Joe and his guests Rory Drummond and Jeff Kennedy as they talk about Gibson’s hugely successful career and skirt delicately around his later notoriety as an angry drunk. Plus, this week’s Celluloid Skeleton is based on a story idea by Bono, and was directed by art-house darling Wim Wenders, what could possibly go wrong? Listen on to found out.

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This month’s episode is about a man so iconic that you only need to hear his first name. Just like Cher.

Join Joe and his guests Ian Thomson and Sophie Watson for a chat about classic Clint movies like The Good, The Bad and The Ugly, Dirty Harry and Unforgiven, and find out when Clint’s hair was its most majestic and whether he looks like a good kisser or not.

After all of that, talk turns to this month’s Celluloid Skeleton; the Cold War spy thriller Firefox starring Clint as a traumatised Vietnam veteran sent on a daring mission to Moscow. Should you go hunting for Firefox, or is it yesterday’s news like the web browser it shares a name with? Listen on to find out.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

This month’s episode is about a man so iconic that you only need to hear his first name. Just like Cher.

Join Joe and his guests Ian Thomson and Sophie Watson for a chat about classic Clint movies like The Good, The Bad and The Ugly, Dirty Harry and Unforgiven, and find out when Clint’s hair was its most majestic and whether he looks like a good kisser or not.

After all of that, talk turns to this month’s Celluloid Skeleton; the Cold War spy thriller Firefox starring Clint as a traumatised Vietnam veteran sent on a daring mission to Moscow. Should you go hunting for Firefox, or is it yesterday’s news like the web browser it shares a name with? Listen on to find out.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

After a lengthy hiatus, Celluloid Skeletons is back with an all new episode!

This month, Joe is joined by guest Liam Callander as they look at the career of Kathy Bates, a woman renowned for playing formidable female characters in the likes of Misery, Primary Colors and The Waterboy. So, what kind of skeleton could Ms Bates have lurking in the background of her filmography? How about Tyler Perry’s soapy melodrama The Family That Preys? Listen now to hear Liam and Joe wax lyrical about Misery before they try to untangle the multitude of plots found in The Family That Preys.

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How do you turn an unfilmable novel by Kurt Vonnegut’s into a film? Not like this anyway…

Join Joe and guests Michael Clancy and Sophie Watson as they look over the career of blue-collar action hero Bruce Willis and then try and make sense of the mania that is Breakfast of Champions.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

Ever wondered what Helen Hunt would be like as a punk rocker? Well wonder no more as Joe and his guests Jeff Kennedy & Tom Rennie look at Hunt’s first ever film performance in 1984’s Trancers.

Listen here to find out why Jeff thinks As Good as it Gets is overrated & just how hilarious Tom thinks What Women Want really is. Also, will anyone figure out exactly what a Trancer is? There’s only one way to find out…

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

Ever wondered what Helen Hunt would be like as a punk rocker? Well wonder no more as Joe and his guests Jeff Kennedy & Tom Rennie look at Hunt’s first ever film performance in 1984’s Trancers.

Listen here to find out why Jeff thinks As Good as it Gets is overrated & just how hilarious Tom thinks What Women Want really is. Also, will anyone figure out exactly what a Trancer is? There’s only one way to find out…

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

Towering, imperious, intense. These are some of the words that regularly crop up when discussing three time Oscar winning actor Daniel Day-Lewis. Naturally then this month’s episode focuses on Stars and Bars, a lightweight fish out of water comedy with Day-Lewis channeling his inner Hugh Grant as a bumbling Englishman in America.

Joe is joined by guests Rory Drummond and Iain Newlands for a discussion of Day-Lewis’ method madness, Irish accents and total immersion in his characters, as well as Stars and Bars‘ insane hotel and oddly Yankee specific target audience.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

The 1990s were one long hot streak for Kevin Spacey. From his breakthrough work in Glengarry Glen Ross to his Oscar winning turn in American Beauty, it seemed that ‘The Spaceman’ could do no wrong. Which might be why Ordinary Decent Criminal, his first film of the 00s is such a turkey.

Join Joe and his guests Alice Andrews and Sinead Sheridan as they discuss bad Irish accents, poorly planned heists and the bastardisation of a Caravaggio masterpiece.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.

The 1990s were one long hot streak for Kevin Spacey. From his breakthrough work in Glengarry Glen Ross to his Oscar winning turn in American Beauty, it seemed that ‘The Spaceman’ could do no wrong. Which might be why Ordinary Decent Criminal, his first film of the 00s is such a turkey.

Join Joe and his guests Alice Andrews and Sinead Sheridan as they discuss bad Irish accents, poorly planned heists and the bastardisation of a Caravaggio masterpiece.

Subscribe to Celluloid Skeletons here and be sure to rate and review us on iTunes.