A countdown, a cheer, and then a white bloom in the sky. We start with that January morning when Challenger lifted off with a teacher aboard and a nation watching, and we unpack how a routine launch became a rupture—O-rings, cold air, and the way live TV freezes time. The story isn’t just technical; it’s personal. Sneaking a screen at work, bargaining for a miracle, and remembering how hope hangs on for a few impossible seconds. From there, we follow the thread of wonder into a brighter palette.

Cue the Batman theme. Adam West’s deadpan responses and the pulpy poetry of Bam and Pow show how camp can be both silly and exacting. We dig into the Batmobile’s improbable lineage—from the 1955 Lincoln Futura.

Then it’s a crate-dig through the Beach Boys Party album, where Barbara Ann’s singalong charm and Dean Torrance’s cameo capture a band between eras, loose and luminous before Pet Sounds. We jump to Elton John’s Your Song and the city-streaked cinema of Dire Straits’ Skateaway—drums, Roy Bittan’s piano, and a roller girl writing her own movie. We also get candid about taste with Blondie’s shift to The Tide Is High and Rapture.

Finally, the volume tilts toward Public Image Ltd.’s Rise and the notorious Album project. “May the road rise with you” meets “anger is an energy,” a split-screen of blessing and bite, wrapped in no-frills packaging that turned the grocery aisle into a design joke.

Learn Something New or
Remember Something Old

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