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Brandishing perhaps the greatest handle in photography history, Dylan sits down with The Tinfoil Biter to delve into their history as a concert photographer. A chance opportunity to photograph Down opened the gate and their dynamic shots have highlighted the already heavy presence of such artists as Crowbar, High on Fire, Child Bite, Weedeater, and Osees. We go through some select sets of their photos while also touching on the highs and lows of living in Michigan in the 90s, how drawing lead them to photography, the dreaded purple light, knowing when to put the camera down, and randomly becoming acquainted with Henry Wilson from Floor*.
You can check out more of The Tinfoil Biter's photography over at her website.
*NOTE: There was a slip of the tongue and we meant to say Henry WILSON of Floor. Mr. Vasquez is correctly from Saint Vitus, not Floor. Our bad!
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Brandishing perhaps the greatest handle in photography history, Dylan sits down with The Tinfoil Biter to delve into their history as a concert photographer. A chance opportunity to photograph Down opened the gate and their dynamic shots have highlighted the already heavy presence of such artists as Crowbar, High on Fire, Child Bite, Weedeater, and Osees. We go through some select sets of their photos while also touching on the highs and lows of living in Michigan in the 90s, how drawing lead them to photography, the dreaded purple light, knowing when to put the camera down, and randomly becoming acquainted with Henry Wilson from Floor*.
You can check out more of The Tinfoil Biter's photography over at her website.
*NOTE: There was a slip of the tongue and we meant to say Henry WILSON of Floor. Mr. Vasquez is correctly from Saint Vitus, not Floor. Our bad!