The Happy Book

Chapter 8 : Illustrator Next Level


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HELLO!
Welcome to Chapter Eight of The Happy Book. In this chapter, I'll be talking to you, illustrators! I'll be talking about becoming a next level illustrator, about how rapidly I've grown my own illustrator journey and the book contracts I've secured.
I'll then shine the laser light on you and how you can hone your own illustration skills, my thoughts on character development and movement, understanding colour, and ideas for both expanding your skillset and illustrating a narrative (which can be very different to just creating a stand-alone image).
We'll also cover portfolios and how to put something eye-catching together-both online and in a bricks and mortar folio you can take with you to conferences, festivals and maybe even to the offices of a particularly desired publisher.
Fire up your device, cram in those earbuds and enjoy this foray into the magical world of kids' book creation. If you have any questions or comments, you can say hello at [email protected].
I'm Tania McCartney and I'm an author, illustrator and editor of children's books. I've always wanted to live inside a book, and now I practically do. Welcome to The Happy Book.
SHOW NOTES
00:35 Introduction
01:37 A delicious flat white thanks to a good husband
01:52 Reconnecting with your 8-year-old self
03:54 Losing connecting with illustration
05:15 The birth of the 52-Week Illustration Challenge
07:12 Being in your path of flow-miracles unfold
07:26 The opportunities and contracts that appeared when I dared reconnect with illustrating
08:44 Expanding my career as both author and illustrator
09:26 Illustration style
11:15 Mimicking the illustration style of others
12:20 Feeling like a fraud
13:14 Developing your digital skills
14:00 Digital illustration resources
14:52 Illustration courses
15:19 Practice is everything
16:14 More course ideas
16:54 Thinking you can't draw
18:11 Children are natural artists
18:58 Hating the work you create
19:50 Non-dominant hand drawing
20:42 Blind contour drawing
21:55 A big glass of mineral water
22:01 Colour is EVERYTHING
23:29 Ideas for your colour palettes-Australia Illustrated
24:50 Colours that qualify as neutrals
25:04 Tonal values
25:35 The use of neutrals
25:55 Use of patterning
26:22 Texture
27:03 Transparency
27:34 Muddy, dull colours
29:05 Paint sample cards
29:59 How colour aligns with a narrative-At the End of Holyrood Lane and Smile Cry
31:32 Colour in books for babies and toddlers
32:00 Colour for junior fiction and chapter books
32:39 Illustrators with beautiful colour palettes
33:04 Using a limited colour palette
33:29 Contrast, depth, light and shadow
34:55 Use colours you like and enjoy-I hated purple until Hip Hip Hooray
36:38 Backgrounds
38:10 White space as breathing space
39:30 A caffè lattè
39:37 Illustrating to narrative
40:43 Using Mamie as an example of illustrating to narrative
45:10 Those little visual extras
47:08 Ivy Bird's sub narrative
47:59 Wordless spreads
51:06 Creative Tools
52:45 Tools for digital illustration
53:23 Illustration portfolios
101:16 Digital portfolios
101:51 A pile of fresh Queensland figs
1:02:04 Illustrator confidence
1:03:57 A Bear a Day 90 auction
1:04:36 The 52-Week Illustration Challenge 'likes'
1:05:54 Art is not...
...more
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The Happy BookBy Tania McCartney