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In this episode of "Church After Mars Hill," host Joel Kiekintveld is joined by Dr. Chelle Stearns to focus on the intersection of art, expression, and theology within the modern Western church.
Many churches invest heavily in elements like worship teams, video production, and visual presentations. However, this often lends itself to one-way communication, prioritizing the leaders and visuals at the front of the room, rather than fostering genuine community-building and open conversations among the congregation.
The conversation centers on the modern church’s tendency to view art and worship in a consumer-oriented manner, rather than tapping into their potential to create communal connections.
What if we shifted away from using artistic expression as a transactional or manipulative tool, solely flowing from the stage to the congregation? What if, instead, we invited a communal expression of art, beauty, and wonder - even when it challenges our established beliefs?
By embracing art as a means of encountering the divine, deepening spirituality, and embracing the diverse expressions of beauty within our congregations, churches can create more meaningful and transformative experiences for their congregants and the community they serve.
Listener Resources:
Read works referenced in this conversation: The Return Of the Prodigal Son by Henri Nouwen; The Pastor in the Secular Age by Andrew Root; The Ethics of Beauty by Timothy Patitsas
View Rembrandt’s The Return of the Prodigal Son
5
66 ratings
In this episode of "Church After Mars Hill," host Joel Kiekintveld is joined by Dr. Chelle Stearns to focus on the intersection of art, expression, and theology within the modern Western church.
Many churches invest heavily in elements like worship teams, video production, and visual presentations. However, this often lends itself to one-way communication, prioritizing the leaders and visuals at the front of the room, rather than fostering genuine community-building and open conversations among the congregation.
The conversation centers on the modern church’s tendency to view art and worship in a consumer-oriented manner, rather than tapping into their potential to create communal connections.
What if we shifted away from using artistic expression as a transactional or manipulative tool, solely flowing from the stage to the congregation? What if, instead, we invited a communal expression of art, beauty, and wonder - even when it challenges our established beliefs?
By embracing art as a means of encountering the divine, deepening spirituality, and embracing the diverse expressions of beauty within our congregations, churches can create more meaningful and transformative experiences for their congregants and the community they serve.
Listener Resources:
Read works referenced in this conversation: The Return Of the Prodigal Son by Henri Nouwen; The Pastor in the Secular Age by Andrew Root; The Ethics of Beauty by Timothy Patitsas
View Rembrandt’s The Return of the Prodigal Son
640 Listeners