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George Lyons invites listeners into The Church of Music—a meditative late-night soundscape blending experimental electronica, jazz, and spoken-word philosophy. Between selections from Tori Amos, Fela Kuti, Portishead, and The Clash, Lyons weaves in the hypnotic monologues of Joe Frank, exploring power, corruption, and the contradictions of human nature. What begins as a sermon of rhythm evolves into a philosophical broadcast on control, chaos, and redemption.
(Featured tracks include “Witness” by Tori Amos, “House of the Rising Sun” by The Animals, “My Lady Frustration” by Fela Kuti, and selections from The Clash’s “Revolution Rock.”)
By George LyonsGeorge Lyons invites listeners into The Church of Music—a meditative late-night soundscape blending experimental electronica, jazz, and spoken-word philosophy. Between selections from Tori Amos, Fela Kuti, Portishead, and The Clash, Lyons weaves in the hypnotic monologues of Joe Frank, exploring power, corruption, and the contradictions of human nature. What begins as a sermon of rhythm evolves into a philosophical broadcast on control, chaos, and redemption.
(Featured tracks include “Witness” by Tori Amos, “House of the Rising Sun” by The Animals, “My Lady Frustration” by Fela Kuti, and selections from The Clash’s “Revolution Rock.”)