This week inside The Lyon’s Den on 91.5 KUNV Las Vegas, George Lyon may have lost his voice — but the music does all the talking. Broadcasting from UNLV’s Greenspun Hall, George curates a four-hour journey of deep cuts, rare grooves, remixes, and legendary performances, delivering the unmistakable soundscape that makes The Lyon’s Den one of Las Vegas’ most distinctive late-night radio experiences.

The night opens with atmospheric, downtempo, and trip-hop selections from the James Taylor Quartet, Kruder & Dorfmeister, Rockers Hi-Fi, Lamb, and Olano, weaving a cinematic blend of techno-organic grooves. From there, George digs into essential cuts by Morcheeba, Depeche Mode, Saint Germain, Portishead, Willie Nelson, and Bob Dylan, adding context, history, and signature storytelling between the mixes.

A highlight of the episode is George’s tribute to guitar virtuoso Uli Jon Roth, including personal memories from touring Japan with him and insights into Roth’s iconic 32-fret Sky Guitar — a technical marvel matched only by his musicianship.

The centerpiece of the show features an uninterrupted live Grateful Dead concert set, recorded November 17, 1973, at UCLA’s Pauley Pavilion — sourced from the exclusive Dave’s Picks archival series curated by Dead archivist David Lemieux. The entire first set plays out as it was performed, offering Deadheads a rare, immersive experience.

George closes the show with reflections on the healing force of music, a preview of next week’s live set, and a reminder that The Lyon’s Den continues the tradition of old-school FM radio: long sets, deep catalogs, and a passion for sharing the treasures of the music world.

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This week’s episode of The Lyon’s Den brings some of the most candid, heartfelt, and thought-provoking conversation yet. George Lyons and the crew open the hour by diving straight into the events shaping our world — confronting global tensions, political polarization, and everyday struggles with honesty, emotion, and the signature Lions Den real-talk listeners count on.

From personal reflections to passionate debate, the episode explores:

• 🌍 War, geopolitics, and the human cost of global conflict
• 💬 Unfiltered discussion about media narratives and misinformation
• 🧠 Mental health, emotional burnout, and the toll of constant tragedy
• 🇺🇸 Concerns about leadership, justice, and America’s direction
• 🤝 What community support looks like in difficult times
• 🎙️ Listener reactions, raw emotion, powerful testimony, and no holding back
• 🎵 A musical reset featuring Miles Davis, Dinah Washington, and timeless jazz selections

The conversation moves between heavy world issues and moments of warmth, humor, and humanity, reminding listeners that even in chaotic times, music and community offer grounding, healing, and connection.

Whether you tune in for the commentary, the soul-reviving jazz, or the honest perspectives rarely heard anywhere else, this episode is one of The Lyon’s Den’s most powerful and emotionally charged broadcasts of the season.

George Lyons invites listeners into The Church of Music—a meditative late-night soundscape blending experimental electronica, jazz, and spoken-word philosophy. Between selections from Tori Amos, Fela Kuti, Portishead, and The Clash, Lyons weaves in the hypnotic monologues of Joe Frank, exploring power, corruption, and the contradictions of human nature. What begins as a sermon of rhythm evolves into a philosophical broadcast on control, chaos, and redemption.
(Featured tracks include “Witness” by Tori Amos, “House of the Rising Sun” by The Animals, “My Lady Frustration” by Fela Kuti, and selections from The Clash’s “Revolution Rock.”)

This week on The Lion’s Den, host George Lyons welcomes back longtime collaborator DJ Steve Snookas for an electrifying two-hour Euro Den Mix, broadcast all the way from Luxembourg. A UNLV alum and global music curator, Snookas brings a seamless blend of international grooves—fusing jazz, rock, ambient, and experimental electronica into one hypnotic soundscape.

The first hour dives into deep textures from artists like My Sleeping Karma, Tosca, and Thievery Corporation, while the second half crescendos through classics by Pink Floyd, Bjork, and David Bowie. Between sets, George and Steve reflect on their shared history at UNLV, the origins of the Euro Den sessions, and the transcendent power of music as a universal language.

Following the mix, The Lion’s Den closes with an exclusive one-hour Preservation Hall Jazz Band special, celebrating the timeless spirit of New Orleans jazz and the musicians keeping its legacy alive.

Tune in for four hours of pure musical exploration—from the trance-inducing Euro Den to the soul-stirring Preservation Hall. As George reminds us: “Music is the healing force—and if it makes you feel good, then it is good.”

 In this week’s Lion’s Den, host George Lyons takes listeners on a four-hour odyssey through one of rock’s most transcendent moments—the Grateful Dead’s 1978 concerts beneath the Great Pyramid of Giza. Blending live cuts from Rockin’ the Cradle: Egypt 1978 with commentary, historical notes, and the signature Lion’s Den groove, George explores how this legendary performance bridged cultures, sound, and spirituality. Along the way, he weaves in deep cuts from Massive Attack, Peace Orchestra, Little Feat, and Ben Harper, creating a seamless journey through jazz, psychedelia, and soul.
Turn it up—you’re in The Lyon's Den

In this week’s powerful edition of The Lion’s Den, host George Lyons takes listeners on a deep musical and emotional journey through the life and legacy of Dennis Wilson, the often-overlooked genius of The Beach Boys.

Featuring a special one-hour radio documentary from Sony BMG, the episode explores Wilson’s groundbreaking 1977 solo album Pacific Ocean Blue and the hauntingly unfinished follow-up Bamboo. Through rare interviews and commentary from friends, family, and collaborators — including Brian Wilson, Carly Muñoz, and producer Greg Jacobson — listeners discover the creative brilliance, generosity, and turbulence that defined Dennis’s short but unforgettable life.

George complements the feature with an inspired mix of classic and eclectic tracks from The Black Crowes, Walter Trout, Herbie Hancock, The Doors, Toots & the Maytals, and Ray Charles, all woven together with his signature insight and storytelling flair.

💿 From the beaches of California to the depths of a restless soul, The Lion’s Den celebrates the music, the man, and the enduring mystery of Dennis Wilson

George Lyons opens The Lion’s Den on KUNV 91.5 with a salute to the late, great George Carlin—dropping classic bits (“Wonderful Wino,” “Indian Sergeant,” selections from FM & AM and Occupation: Foole) between deep-cut sequences of reggae, acid-jazz, downtempo, and alt favorites. Early sets flow from the Ethiopians’ vintage skank into Grace Jones’s “I’ve Seen That Face Before (Libertango),” Seal’s “Still Love Remains,” and left-field gems by Night Trains, Sofa Surfers, and more—each segue stitched with Lyons’ trademark “turn it up” energy and station IDs.

Hour three pivots to an archival burner: Bob Weir & RatDog, recorded live at PNC Bank Arts Center (Holmdel, NJ — Aug. 22, 2007). The band tears through a jam into “Shakedown Street,” “New Minglewood Blues,” “Señor,” “Cassidy,” “Bird Song,” “Big Railroad Blues,” acoustic takes on “A Hard Rain’s A-Gonna Fall” and “Looks Like Rain,” and a fiery “Scarlet Begonias.” Special guests Derek Trucks and Oteil Burbridge jump in, with Warren Haynes joining for “Come Together” and “Not Fade Away”; the encore glows with “Ripple.” Lyons closes with his Sunday-night benediction—good music for the mind, body, and soul—reminding Vegas to look out for one another (and to keep the volume up). 

Step inside The Lion’s Den with George Lyons for a four-hour journey that bridges the cosmic and the classic. This week’s broadcast opens in deep-space mode with God Is an Astronaut, The Mars Volta, Mercury Rev, and Blue States, then drifts through poetic word-jazz and the vintage haze of Donovan’s “Mellow Yellow.”

The second act cranks up the amps as George spins Led Zeppelin, The Black Crowes, and a funk-driven Jamiroquai mini-concert recorded live in London. Capping the night, The Lion’s Den transports listeners to Chicago’s Riviera Theatre for a full-throttle archival performance by The Kinks—featuring “Come Dancing,” “Working at the Factory,” “Misfits,” “Celluloid Heroes,” and “You Really Got Me.”

Through every segue, George weaves artist insights, live-show energy, and his trademark sign-off reminding Las Vegas to care for one another—and themselves.

Tune in, turn it up, and rediscover why The Lion’s Den roars as UNLV’s late-night soundtrack for music lovers who crave depth, discovery, and a little distortion.

 George Lyons welcomes listeners into The Lion’s Den for an unforgettable four-hour journey of deep grooves, rare gems, and a full-length radio special honoring the Man in Black himself. This episode blends George’s signature eclectic opening set with a one-hour feature, Johnny Cash – The Greatest, exploring Cash’s music, spirit, and cultural legacy. Hear iconic tracks like “Ring of Fire,” “Folsom Prison Blues,” and “Sunday Morning Coming Down,” alongside candid reflections from Willie Nelson, Lucinda Williams, Sheryl Crow, Chris Christopherson, and more. From personal stories to powerful performances, this tribute captures the rebel heart, timeless voice, and enduring influence of Johnny Cash. 

 George Lyons takes you deep into The Lion’s Den for an epic night of music, stories, and live history. Broadcasting from UNLV’s Greenspun Hall, George spins an eclectic opening mix before diving into a rare treat—a complete Grateful Dead concert from March 22, 1990, recorded live at Copps Coliseum in Hamilton, Ontario. This limited-edition box set gem features both sets in full, including standout moments like Scarlet Begonias > Fire on the Mountain, the seldom-played Believe It or Not, and a surprise Hey Jude performance. Along the way, George shares insights on the band’s evolving sound, rare tracks, and the legacy of Brent Mydland in his final year with the Dead. Whether you’re a Deadhead or a curious newcomer, this ride through the Spring 1990 tour is a journey worth turning all the way up.