This week, Andy and Nick discuss the new stage recording of Hamilton and review Apocalypse Now, which Andy has finally gotten around to watching.

This week, Andy and Nick reflect on the Pirates of the Caribbean series, the value of Superman as a character, and Nick's impressions of the James Baldwin documentary I Am Not Your Negro.

This week, Andy revisits the hit miniseries Tiger King with a new perspective, while Nick shares his experience watching the mountain-climbing doc Touching the Void for the first time.

Plus several other unplanned topics that weren't supposed to run that long. As per.

This week, Nick and Andy discuss some of the fundamental changes between Phillip Pullman's His Dark Materials novels and the film and TV adaptations that followed, and review Ari Aster's promising yet problematic debut feature Hereditary.

This week, Nick and Andy discuss how audience positioning can make a sympathetic protagonist out of an inherently unlikeable character, and Nick reviews Insidious to find out whether modern mainstream horror is really all that bad.

This week, Andy finally watches David Lean's desert epic Lawrence of Arabia, and Nick analyses Alex Garland's cosmic horror Annihilation.

This week, Nick discusses the morals of animal abuse in older films, while Andy shares his thoughts on his first viewing of The Texas Chain Saw Massacre.

This week, Nick muses on the importance of audience engagement over critical quality and discusses the cinematic context behind the American classic Breakfast at Tiffany's, while Andy expresses his contempt for pretentious European film movements.

This week, Nick and Andy discuss a fundamental change in Spielberg's dinosaur classic Jurassic Park and analyse the sociological horror of Ari Aster's Midsommar.

This week, Nick and Andy discuss the recent boycott of NBC Universal by Odeon and Cineworld, review the Chris Hemsworth action-thriller Extraction, and exchange their reactions to the ending of the sublime animation Gravity Falls.