Welcome to a sneak preview of "Worst Songs Ever," the podcast where we dive into hits from any era, unearthing musical disasters that inexplicably topped the charts.

Each episode, one host picks a song they believe is a true abomination, and we all endure a listen before tearing it apart. It's as much a celebration of musical train wrecks as it is a brutal takedown, where we mock, defend, and sometimes, against all odds, fall for these tracks.

Tune in and join us as we reevaluate the songs we've hated—and occasionally uncover a twisted appreciation along the way!

In this episode, the Cinema Laser Club takes a deep dive into the 1984 comedy classic, The Lonely Guy. Join us as we explore the delightful absurdity of one of Steve Martin's early films, a comedic gem that perfectly showcases his unique brand of humor. Inspired by the recent Steve Martin documentary on Apple+, Andrew was reminded of just how brilliant Steve Martin is. His appreciation for Martin's comedic genius adds a rich layer of insight to our discussion. We're all delighted to revisit Steve Martin's early absurd films, and The Lonely Guy is no exception. Its blend of sharp wit and whimsical humor makes it a standout in Martin's filmography.

The film, directed by Arthur Hiller and written by Neil Simon, stars Steve Martin and Charles Grodin and was produced by Universal Pictures. Set against the vibrant backdrop of New York City, The Lonely Guy follows Larry Hubbard (Steve Martin), a greeting card writer suddenly thrust into the world of single life after being dumped by his girlfriend. Through a series of hilariously absurd situations, Larry navigates the highs and lows of loneliness, friendship, and the search for love.

In this episode, we delve into how The Lonely Guy fits into Steve Martin's early career and his evolution as a comedic actor. We analyze Arthur Hiller's directorial choices, Neil Simon's witty and sharp writing, and the film's use of New York City as a dynamic backdrop. We also discuss the film's impact on comedy and its place in Steve Martin's legacy. Join our conversation by watching The Lonely Guy and sharing your thoughts with us on social media using #CinemaLaserClub.

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In this episode, we dive into the 1992 film "Glengarry Glen Ross," where words cut deeper than knives and every character is teetering on the edge of desperation. We examine David Mamet's screenplay, known for its biting dialogue and brutal honesty, and the toxic male archetypes it lays bare—from the washed-up Shelly Levene to the ruthlessly slick Ricky Roma.

We'll discuss the powerhouse performances that elevate this film into a masterclass of acting. Al Pacino’s Ricky Roma signals his early 90s comeback, and Andrew contends there’s a clear progression from Roma to Vincent Hannah in "Heat." Jack Lemmon, Alec Baldwin, Ed Harris, and Kevin Spacey each bring a unique portrayal of men on the brink.

While two of us are enamored with the film’s ferocity and intense character dynamics, one of us remains less impressed, providing a dash of skepticism to the discussion.

Our rating system? Simple.

Cadillac—top-notch, cream of the crop.

Steak Knives—sharp, but no Citizen Kane.

You're Fired!—Not a fan.

Was Andy Kaufman a comedian, a performance artist or both. In this episode, we look at Andy through the documentary "Andy Kaufman: I'm From Hollywood" and try to break down Kaufman’s avant-garde comedy, his wild obsession with wrestling women, and the subversive brilliance behind his style of comedy.

We'll rip apart the world of wrestling, questioning what's real, what's not, and what it all means for our grasp on reality. Plus, we'll dig into how Kaufman blew up traditional comedy and created something entirely new and raw. It's an edgy, no-holds-barred pile driver of a conversation about a true maverick in entertainment.

This week we grip it and rip it, finding ourselves at a rare crossroads, embarking on a heated yet playful debate over the 2018 documentary 'Free Solo.'

This film, which captures Alex Honnold's breathtaking ascent of El Capitan without ropes, splits the room like never before.

Join us as one host dismisses the film as a schlocky reality-show stunt, critiquing its approach as artless and exploitative of what they see as just a dangerous spectacle. Another host champions the film as a cinematic masterpiece, praising its raw portrayal of human determination and the awe-inspiring feat of Honnold's climb. Caught in the middle, our third host navigates both perspectives, acknowledging the film’s dual nature as both an adrenaline-fueled stunt and a profound exploration of human limits.

Dive into this spirited conversation that's as vertiginous as the climb itself. Tune in to hear all sides of the story—

Our rating system? Simple.

Today we discuss "Cronos," Guillermo del Toro's debut film that kickstarted his remarkable career. Join us as we unpack the movie's intriguing themes and discuss whether it fits neatly into the vampire genre or not. Along the way, we'll also shine a spotlight on Ron Perlman's standout performance and its impact on his career trajectory.

Expect a lively and entertaining discussion as we dissect the nuances of "Cronos," from its unique blend of horror and fantasy to its thought-provoking narrative, there's plenty to explore and enjoy in this cinematic gem. So grab raw, bloody plate of meath and settle in for an engaging conversation about Cronos.

Our rating system? Simple.
Cadillac—top-notch, cream of the crop.
Steak Knives—sharp, on the road to greatness.
You're Fired!—Not a fan.

This week on Cinema Laser Club, "Evil Dead 2," Sam Raimi's cult classic that blends horror and comedy into a concoction as potent today as it was in the 80s. "Evil Dead 2" is more than just a movie; it's a revolutionary force that influenced visionaries from the Coen Brothers to Quentin Tarantino.

A master class in tone, pacing, and sheer, unadulterated creativity, the film's outrageous body horror served as a bizarre mirror to our personal battles. We'll dissect its iconic scenes, delve into its creation, and reveal how this masterpiece got made in the first place.

Strap in for a wild ride as we dissect "The Dead Zone," where Christopher Walken turns the emo dial up to eleven with his portrayal of Johnny Smith, a man cursed with foresight after a coma.

Directed by psychological horror master, David Cronenberg, and based on Stephen King's spine-tingling novel, this 1983 thriller gives us psychic drama with a side of political nightmares. We're all about Walken's hauntingly cool vibe, even as we squirm through the delightful scissors scene.

Get ready for a deep dive into one of cinema's coolest characters. Walken fans, this one's for you!

Our rating system? Simple.

Get ready to launch into the cosmic depths with "Interstellar," Christopher Nolan's epic sci-fi masterpiece that takes storytelling to a whole new dimension—literally.

Join us as we navigate through wormholes, time dilation, and cornfields to uncover the heart of this intergalactic adventure. It's a tale of love, sacrifice, and the survival of humanity, all wrapped up in a mind-bending space odyssey.

So, strap in and prepare for liftoff as we dissect the science, the drama, and the sheer cinematic magic of one of Nolan's boldest journeys yet.

Our rating system? Simple.

Love it? It's a Cadillac—top-notch, cream of the crop.

On the fence? That's Steak Knives—sharp, but not quite cutting it.

Hate it? You're Fired!—straight out of Glengarry Glen Ross.

For our inaugural episode, we ascended "The Holy Mountain," Alejandro Jodorowsky's mind-bending cinematic trip from 1973, where surrealism meets a spiritual quest on steroids. This cult classic takes you on a wild ride with a Christ-like protagonist and his eclectic band of planet-themed followers, all searching for enlightenment on the legendary Holy Mountain.

It's a visual feast of bizarre and provocative imagery, a satirical poke at everything from consumerism to the quest for immortality, and a storytelling style that throws the rulebook out the window. "The Holy Mountain" isn't just a film; it's an experience—a kaleidoscopic journey through the absurd, the mystical, and the utterly unforgettable.