James and Allan let this episode simmer low and slow for more than six months and the result is a delectible casserole of 1960's greatness including Chimes at Midnight; Juliet of the Spirits, A Thousand Clowns, Kiss Me, Stupid, and a double dose of RINGO!

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On this episode of Cinema Shame, James and Allan celebrate the life and work of Diane Keaton by watching a bunch of her movies they really should have seen by now.

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Happy Halloween! Allan straps James down and forces him to watch a triple bill of his favorite North American slasher films: Just Before Dawn (1981), Happy Birthday to Me (1981), and Slumber Party Massacre 2 (1987).

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Allan watches ON HER MAJESTY'S SECRET SERVICE (1969) for the first time, dragging James back into #Bond_age_ podcasting. They discuss the film's unfortunate reception and ultimate rediscovery, the anti-menace of Blofeld, Diana Rigg, the beauty of an untrained Lazenby, and James cracks when one of them says "SPECTRE."

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James and Allan dissect the New York Times' Best Films of the 21st Century list. They talk about what the list got right, what it got wrong, and then fix a few of their own blind spots. If you like to yell at your podcasts, this one will certainly inspire emotions.

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Another Allan and James hangout episode in which an offhand skeet from James results in the duo watching JUST GO WITH IT (2011) and CACTUS FLOWER (1969) before reciting Dorothy Parker's famous quip and dissecting how her wit may have influenced the history of the infamous anti-spectacles makeover movie trope.

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Allan and James hang out and talk Superman (2025), Superman & The Mole-Men (1951), James Gunn, Rachel Brosnahan, and sincerity in cinema to determine, once and for all, which Superman owns the title of "most woke."

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Jason Bailey, writer and author of Gandolfini: Jim, Tony, and the Life of a Legend, stops by the Shamequarters to leak the PWIT PIP and Allan first-time watches Armando Iannucci's IN THE LOOP (2009). Meanwhile, James goes off on a Steve Coogan lovefest.

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Allan's second Cinema Solo questions the appeal of Hulkamania and looks at the folly and appeal of Hogan's 1989 star vehicle NO HOLDS BARRED.

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Allan and guest Claire Sewell, writer and Official Golden Girls Librarian, strap James to a chair and make him watch Coralie Fargeat's THE SUBSTANCE (2024), but their conversation isn't all kumbaya around the old spinal sutures.

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