Cinema World Interviews

Unser Interview mit Edwin Wendler vom 27.03.2013

00:00 Musikalischer Werdegang

05:18 Umzug nach USA & Österreich

08:03 Vorbilder

12:00 Letztes Soundtrack-Album in der Sammlung

15:21 Lieblingsinstrument

18:27 Inspiration

20:55 Komponieren: Handwerk oder Kunst

24:43 Das Schönste am Komponieren

27:07 Das weniger Schöne am Komponieren

29:42 Erstes Projekt und Zeitfrage

32:58 LieblingsGenre & Komponieren: Charaktere/Handlungsorte oder Filmstimmung

36:35 Zusammenarbeit mit Paul Haslinger, John Ottman und Stephen Trask

41:32 "Home The Horror Story"

44:08 "Cheshire Adventure" & Kurzfilme allgemein

48:20 Regisseurtyp

50:56 Die moderne Filmindustrie

55:26 Lieblingsfilm & Traumgenre

58:02 Kommende und aktuelle Projekte

60:37 Fünf Begriffe

Our Interview with John Ottman about "Non-Stop" & "X-Men: Days of Future Past" (2014-05-24)

00:00 Non-Stop

04:34 X-Men Days of Future Past

Our Interview with John Ottman about "Jack the Giant Slayer" (2013-01-14)

Our interview with John Ottman (2011-07-15)

00:00 Musical Education

03:38 Star Trek

05:30 X-Men 2

07:40 Work as an Editor

10:35 The best thing about composing

12:09 The less beautiful thing about composing

15:59 Working with the Orchestra

16:51 Favourite Film Genre

17:29 The first commercial work as a Composer

19:07 The first big film as a Composer

19:34 Role models

21:08 The Memory of the first soundtrack he bought

22:24 The work as a Director

24:18 The first work as a Director

26:00 Bryan Singer

27:15 Fan question: Can we expect something like his music for "Ususal Subjects" or "Incognito" from him again?

28:21 Superman Returns

30:28 Superman

32:53 Comic Books

33:47 Fantastic Four

35:40 Jack the Giant Slayer

37:30 Choral parts in his music

38:55 Composer, editor or director

39:50 Next projects (2011)

40:51 Five terms

Translated with www.DeepL.com/Translator (free version)

Our interview with Arthur B. Rubinstein (2013-12-16)

Inhalt:

00:00 Musical Education

49:30 Observations

50:57 Working with Leonard Nimoy

51:31 Halloween Concert

55:54 Modern film industry

01:00:37 Stakeout (fan question)

01:02:14 Scarecrow and Mrs King (Fan Question)

01:03:41 Confusion with the pianist of the same name

01:10:27 Favourite instrument

01:12:41 Composing art and/or art

01:15:03 The most beautiful thing about composing

01:18:00 2nd Album of Symphony In The Glen

01:19:20 Dream Project

01:28:44 Five terms

Unser Interview mit Fabian Römer vom 11.12.2015

Inhalt:

00:00:00 Kurze Vorstellung

00:02:57 Werdegang

00:07:15 Lieblingsinstrument

00:08:20 Vorbilder

00:11:49 Inspiration

00:14:25 Themen- die Stimmung des Films?

00:16:14 Komponieren: Handwerk oder Kunst

00:18:49 Komponieren (Teil 1 - über das Eintauchen in das Projekt)

00:20:42 Komponieren (Teil 2 - Subjektivität und neue Wege)

00:24:09 Komponieren (Teil 3 - Wechsel zwischen Underscore und Vordergrund)

00:25:48 Komponieren (Teil 4 - Wie viel Musik braucht ein Film)

00:27:34 Komponieren (Teil 5 - Anekdote 90 Minuten Spannung)

00:29:25 Komponieren (Teil 6 - Schwierigkeiten, was weniger Spaß macht)

00:31:03 Lieblingsgenre (Teil 1)

00:33:46 Lieblingsgenre (Teil 2) & das Temp Tracks-Thema

00:36:12 Die Tatort-Filme

00:40:46 Unsere Mütter, unsere Väter

00:47:15 Tannbach

00:50:28 CD-Verkäufe

00:53:42 Das Wissen weitergeben (Tätigkeit als Dozent bzw Professor)

00:56:54 GEMA

01:00:41 DEFKOM & CINEMA WORLD

01:03:34 Deutsche Filme & die Qualität der Filme

01:07:12 Ennio Morricone

01:09:05 Lieblingsfilm

01:09:59 Die Kraft der Filmmusik

01:15:08 Traumprojekt & Probleme der Komponisten (Teil 1)

01:16:23 Probleme der Komponisten (Teil 2 - seltsame Forderungen)

01:19:54 Probleme der Komponisten (Teil 3 - Vorgaben und Ähnlichkeiten; Kritik an Trailern)

01:22:58 Kommende Projekte

01:25:56 Fünf Begriffe

Our Interview with Tony Hinnigan (11-19-2020)

00:00:00 Musical Education  

00:02:49 Learning all these different musical instruments

00:07:24 The Mission & Willow

00:10:05 Learning all these different musical instruments (bonus)

00:15:01 Finding special instruments

00:19:07 Working with Michael Nyman  

00:22:13 The first meeting with James Horner  

00:27:11 The relationship with James Horner as a colleague and a friend  

00:31:31 Writing music for the musicians

00:32:11 The first meeting with Eric Rigler  

00:34:22 His opinion of what makes a score timeless and his role as a solo musician in this

00:45:50 Improvisation at the James Horner scores

00:51:14 Celtic music elements  

00:54:48 Mighty Joe Young  

00:57:13 Working on Horner projects as music producer, assistant, etc.  

01:02:45 The work on the last James Horner score  

01:05:12 The album "Camera" and the "Young Guns" track  

01:09:51 Hitting on chairs and other non-musical objects

01:14:04 Collaborating with only a few film score composers   

01:16:22 Concert projects  

01:17:13 Music preferences  

01:19:15 The best scoring session  

01:23:06 The worst scoring session  

01:25:06 Current and next projects  

01:26:24 Five terms

01:27:50 A Message for the James Horner Fans: Tony Hinnigan about James Horner