Kali Bateman has worked on films such as Elvis, Dune and 1984 Wonderwoman. We discuss her colloboration with Baz Luhrman, co-colouring Elvis with Kim Bjoge, building LUTS and the colourist process.

ACS President Erika Addis discusses a world first survey on the the Australian Camera Department. A Wider Lens has some confronting data on a number of issues such as lack of diversity, income inequality, discrimination, sexual harassment and unhealthy working conditions. The report also contains recommendations by the ACS and Deakin University to solve these issues.

Mystery Road: Origin has been turning heads around the country. I talk to Cinematographer Tyson Perkins on what its like to prepare for your first major drama series, his non-tradtional path to becoming a DP and his collaboration with Director Dylan River and Colourist Matt Fezz.

By purchasing the 7th Movi ever made Brett Harrison became one of the first gimbal techs in Australia. This led to working as a specialist on award winning productions such as Lion with Greig Fraser ACS ASC and Yellowstone with Ben Richardson ASC. We talk about the early days of Gimbal technology, being thrown in the deep end as an operator and his progression into steadicam.

From James Bond to Star Wars, Aaron Corera has been traveling the world with XM2, a company that specialises in remote heads for action units. We discuss Aarons background in engineering, how XM2 originally started as a heavy lift drone company and then evolved into remote heads.

Based in Rio De Janeiro, Pedro Pinto is a full time Camera Operator for Globo, the largest TV network in Latin America. We talk about his journey from broadcast to drama and how Globos film crews keep up with the fast pace of Brazillian soap operas.

A new chapter is here with the launch of the Alexa 35. Kiran Menon from the Arri Australia team joins me to talk through the features of Arri's new flagship camera.

3 years at film school isn't enough. Whatever your goals may be you need to be trained and coached by the best to get there. This episode I chat about work ethic and the most efficient ways to learn skills in the industry.

Theres a lot more to data wrangling than you may think, I certainly learnt a lot on this episode. Camera Assistant Diana Mandic takes us through roles and responsibilities of the Data wrangler, working with a DIT, how to structure your day and the systems she uses to cross check and communicate with post production.