Alina Birzache's article "Cinematic Holy Foolishness: Orthodox Peacemaking in Russian Film" explores the concept of reconciliation through the lens of Orthodox spirituality and its representation in Russian cinema. The author analyzes how the "holy fool" archetype, deeply rooted in Russian Christianity, functions as a peacemaking figure in films by Tarkovsky, Konchalovsky, and Lungin. Birzache argues that these films present a model of peacemaking that begins with inner reconciliation and extends to relationships with others and God. She examines how these films portray the struggle against human passions and the embrace of charity as paths toward healing and unity. Ultimately, the article suggests that the "holy fool" offers a unique perspective on conflict resolution by prioritizing personal transformation and divine love over worldly concerns. Birzache suggests this foolishness can be a manifestation of the human spirit.