“The Farewell” premiered at the Sundance Film Festival in January and quickly became one of the most talked-about films in Park City. Soon after the premiere, A24 bought the distribution rights to this beautiful, personal family story.
The film, based on an actual lie, tells the story of a family that is brought back together in their native China to say goodbye to their matriarch after she receives a terminal cancer diagnosis. The only trouble is, Nai Nai doesn’t know she is dying and, following Chinese custom, the family has no intention of telling her.
Awkwafina stars as Billi alongside well known Chinese actors Tzi Ma and Diana Lin with newcomer Shuzhen Zhao plays Billi’s grandmother.
The Farewell is based on the real-life experience of writer/director Lulu Wang. After trying for several years to turn this experience into a feature film, she had the opportunity to tell her family’s story on the NPR show, “This American Life.”
I recently had the chance to sit down with Awkwafina, Tzi Ma, Diana Lin and Lulu Wang to talk about their journey through this film, what it meant to each of them, and what they learned about themselves. First, Wang describes the feeling of taking her family’s story to Park City, Utah.
Here is a part of each of these conversations. You can find the full audio of our interviews below.
Karen Peterson/Awards Circuit: What was it like opening your film at Sundance?
Lulu Wang: Very surreal. Obviously a dream for any independent filmmaker to premiere their film at Sundance, but you know, my parents were there. They were seeing the film for the first time. My brother was there. So it was really intense. You know, just not knowing if it was going to resonate with people. In many ways, if people hated characters, they were really hating my family because I worked so hard to properly represent them. So I was just hoping that no one did.
KP: And I don’t think anyone hated it or hated them. It’s a wonderful, beautiful film. I remember when you were introducing it, you were telling the story about the journey to get it made and you were talking about being on “This American Life.” Could you recap that journey of finding a distributor and the process?
LW: In the beginning, I wanted to make the film but when I was first pitching the story, people…were asking is it an American film, is it a Chinese film? I didn’t know how to answer that. I would say it’s an American film, but I do want to cast it 100% Asian/Asian-American. And I want a lot of it to be in the Chinese language, which meant subtitles. So then people would say, “No, it’s not an American film then, it’s gotta be a foreign film.” But then Chinese investors would say, “Yeah, but if it’s a Chinese film we can’t see it through the perspective of Billi, because Chinese audiences are not necessarily going to connect with her perspective of the situation.”
It really took “This American Life” to say, “This is an interesting story. Let’s tell it, and let’s dig deeper.” And we interviewed my family members and my great aunt. For them, because they have a fast turn around and it doesn’t take millions of dollars to tell the story, they were really able to just tell the story for what it is. A human story, a family story. It also gave me the ability to choose my producer for the movie. Because many producers heard the radio story, they approached me after and wanted to make the film.
I said, “You know, I had such a pure storytelling experience doing ‘This American Life,’ which I’ve never had in Hollywood. I don’t want to make the film unless I can have that same kind o...