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…If you haven't seen him at his worst…
WHERE'S MY SHIT?!
…yo…you are so evil…
[*breaks everything*]
…Then you don't deserve him at his best.
I'm your host, Jimmy Fallon
And this—
Is
TRUTH OR DARE?! ‘
This dude is easily the best villain ever.
Easily.
{Enter The Multiverse}
Blue eyes, it is.
I wish, I wish,
Be careful what you wish for,
Or cook in a Petri dish
The world is a stage,
The people a plague
The magic was gone,
The days were the same.
[The Festival Project ™]
Blonde hair, blue eyes;
Live once, lose twice—
Brown skin, brown eyes
Die inside.
(Or just die.)
{Rewind}
Captain
Captain!
Oh, Good, come in, Cannon.
You've—changed.
…as you know, Monday we disembark.
Yes, I'm aware.
And as you know, the details of the mission have been classified, even to us.
Yes.
I find that alarming. And so, without anymore thought I've decided to masquerade as my old self.
How old are you, anyway?
You should never ask a woman her age, LT.
Sargent. * or the other way around, I clearly don't know.
Sorry. Your recent promotion keeps slipping my mind; I…haven't been myself lately…
Obviously not, if you've decided to publicly dress like that.
I'm still very much in the privacy of my office.
You can consider me the spokesperson on behalf of the public.
Never as a woman her age!
You're not a woman; you're my captain.
We'll see about that after tonight.
Being a woman, or being my captain?
Both, probably.
Hm.
By any chance would you be interested in joining me?
As your subordinate, or as a man.
Both, probably.
Or neither… presumably.
As my escort.
I beg your pardon.
I've been known to become rather out of sorts in this condition.
—er, your condition, captain?
Dead drunk and blind with fear out of my mind.
[he ponders for a moment, knowing that the mission could very well be their last.]
Consider it done.
Great. Get dressed, and meet me with the car out front in half an hour.
Half an hour?
Sharp. Bonus points for showing up early.
We're earning points?
We are now.
Very well then. What am I wearing?
Something sharp.
Sharper than the inside of a half hour.
On your mark.
I'll—see you soon.
He exits the captain's office, letting out a sigh of relief otherwise previously congested, he looks around as if not to be caught, regains his composure with the shake of his head, somewhat in disbelief of what he's witnessed. He casually places his hands in his pockets, walking down the hall and passing one of his crew mates, who quickly stops to salute him.
Sergeant.
Almost forgetting to salute back, mindlessly drifting passed in ‘off' mode, he slowly and squarely, almost still casually, salutes back.
Oh.
I had glimpsed at a picture of the man once more that had forced me to wonder— “Jesus Christ, is he okay?” It would be odd to think of a man who has spent a better part of the last two decades and most of his careers on camera as unphotogenic, then again—I had been tricked by the media before into thinking a certain way, and therefore was cautious, and still—I began to wonder about the man and his misery, and his mistresses—not out of jealousy or obsession, but simply because I knew he had them. He was old Hollywood, or old New York—or maybe a bit of both, and there was something about it all, perhaps even my own darkness, that danced with the flicker of sinful lust that motioned me towards not a yearning, or the act of doing so—I was at least wise enough to know nothing good could come from doing harm to oneself or another— but with the intensity of burning desire to know the man behind the mask—the actor inside the actor, to whom all the world's a stage.
Whatever, though. Doesn't matter.
At least I was still somehow youthfully resilient to what might have otherwise been torture,
TVP
S2- after Esha's promotion to head writer.
DAEMON DALLAS, aka “DASH” is a quick witted, fast-talking comic powerhouse— his legendary stand up and acting career has made him a legendary force in movies, film, and television; he has been booked on the show to sit down with his longtime friend Patrick about his new stand up comedy tour.
—
Who's this beautiful sister.
My head writer; don't even think about it.
I dont think. I just do.
Esha approaches— Dash politely bo s and kisses Esha's hand
Should I get tested?
—and funny.
Against Patrick's wishes, Esha accepts a date with daemon dash, furious Patrick means to interrogate her
Why would you even date that asshole
Because—Pat. He's a comedian.
I'm a comedian! So?
So, he's funny.
And?
And he said things to me—
What kind of things
Charming, funny things—
Okay?
Things he wouldnt say to you over dinner— because, I'm
—you're a woman.
—and your head writer. So naturally.
Esh, you're a genius,
So is he. We have—some new material to work through.
Ahq!
Your monologue tonight.
Oh yes. Oh yes.
You can thank me later. Broken bottles. :9'd one stop her
Walkin walking
God knows I don't belong here
And I don't want to
Passover was April 21-30
Global War on Terrorism
Aka WWIII
Oh, indeed.
Don't look left
Take a deep breath
My heart beats differently
I think it might be the end
I think it might be
I think I might be the enemy.
The pushing mechanism
When i breath him in
I levitate
And gravitate to what it meant
The sake of the art,
The hurt of the heart
As sacred as it ever was
The turning or the Torah talks of
Gestures, since the fall of Rome
The toga on the alter
Solid hands unwrap us all
From falling over
Old and awkward
No award for wisdom
No rest for the wiser
No love for the troll
Since thunder struck from under us,
Delivered all but what we wanted
So we talk of karma sutra,
Surely we can't talk at all
Of what we know
As once was bonded
Laughed it off
To come from what
The call to us,
Fair serve governors fortress
I work up in mentions
Carved the scarlet letter out of
Cannons, of course
MA.
WHAT. I'm BUSY.
ITS ON.
The what?
The show we watch!
The one that—
YES,
Oh, my GOD.
Yes.
YESSSSSSSSS.
Usnavi, get your popcorn
This is some worth watching
Up in arms for forwards
Causing sore arms,
Numb thumbs
From crucifixes
Are you wondering what God
Would walk about the horned carving
A kamazake walk of tall corn—
Follow me, dear mantra
Your whole house is watching.
Sacre.
It's happening again isn't it.
I do want ice cream.
All I need is a divorce
And an Amazon woman 10 foot tall
To rub me off at the stroke of
Nevermind what the clock says
In God's house they're all wrong
The blsphomoous for Catholics
Has begun,
So strum your number into the teleprompter
And just hope no one gets hurt
By the hook on the next song
—like the hook of my last surviving bra
digs into my back does,
Or the skin on my lack of tummy
Has rubbed off under the suicide
Of the cycle—
It's getting tighter
A loss of interest is equal to
A loss of conciousness
And I'm 21 days drunk
On the alternate, though—
I'm sober and feeling less
Loved.
The animal I've become is all cardio
And karma sutra
For karma comes
To the weak of heart
To use the world as swords
To cause harm
To the calm artists
I thought I told you off once.
(Already)
You look awful.
lol.
You look terrible, broh.
But my album sound fire.
#producerholes
[portal]
It's coffee time!!
It's not coffee time!
It's not coffee time.
Iiiiits coffee time.
Damn.
Where's the cat.
Gestating.
{Enter a the Multiverse}
Wake up in a wet bed,
sweat pouring
engine strikes
Disaster, roaring
Ranting, raving,,
Lunatics, icons
Ione, eye color
No warning:
I want you
Adonis
New Adonis
I got something for you;
It's got four doors,
I know you can't afford it,
Come on,
Only one offer
Come on,
You know I want you
What I want a car in New York for?
Even the scorecard,
Cork off the bottle, huh?
Go figure.
I got sharp numbers,
No harm no foul ball;
Still stick in the Capstone,
There's a sandstorm
On the first montage.
Pitch up,
With the fever pitch
With the fever pitch
downstroke
UP
Pitch down
With the force
With the force
Or
What have you
Play ball,
No–
playfair
Payboy model
Wayfair value
Strict non-orders
Foreigner syndrome
Alcohol bottle
Palinstrome, Astronomy
No, Farquad
Noah's Ark and all
Going door to door,
the doctor
Doing more and more
The Talk show host
Losing more the Mortimer,
Call it
Losing more,
The Watchamacalit,
Chocolate bar,
So far,
Hard to forget
No,
Hard Ball,
Soft pitch
Watch this.
THE COSMIC AVENGER
(V.O)
I cannot resist a chocolate cake!
Huh.
Seriously, I'm telling you.
*sniffs*
hm.
{Enter The Multiverse}
Yo, i'm telling you: she's spot on.
Like, scary accurate.
Precise. Always right. Even on Tuesdays.
Why would it matter if it's Tuesday or not?
Most Psychics are wrong on Tuesdays.
Really.
You didn't know about this?
Never heard that.
Most of them.
Last I saw Kurt he seemed to be okay—doing well for a place so cold, and still, almost enjoying his time, somewhere cold enough that the chill on his breath grasped at mine, as I was prone to waking in these moments.
Anymore ghosts?
Who'd you want!?
More players.
And as it turns out,
Strike force five was nothing but a simple game,
Played by a group of—
MOM
Boys?! Supper!
INT. BASEMENT- THE SUBURBS, ANYEAR
In a distant parallel, it is a nondescript year of a indeterminable past time— in non linear time, we could be anywhere, but for period's sake, it appears to be anywhere between the 1930's and the early 1960's, the home itself adorned with qualities of any of these given eras; the clothing classic, dreamlike— pre or post war? Was there a war at all in this parallel; and it seems a partially imagined place altogether — it is, in fact, a dreary and almost comic book other world— a cross- parallel.
The boys vary in ages from 8 to about 12, and between the five of them, brash little Irish lads, besides one English chap, whom anyone would probably bet at least at some point in his lineage was probably also Irish (or Irish enough) have summoned up, though amidst a flurry of baseballs cards and other boyish relics, seem to have assembled from old newspaper cuttings and superhero memoriabilia—some sort of game on the basement floor, though, they bicker and argue so much about how the game should be played that it is unclear whether they're playing any game at all, or just rapid-firing ‘jokes' at one another with absolute disconcert for anyone's feelings.
They call themselves
—
Nevermind, it can wait.
{Enter The Multiverse}
What is this nonsense
You fucking dork.
I'm a key player.
Speaking of keys—
Wasn't me.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. The Complex Collective ©
…If you haven't seen him at his worst…
WHERE'S MY SHIT?!
…yo…you are so evil…
[*breaks everything*]
…Then you don't deserve him at his best.
I'm your host, Jimmy Fallon
And this—
Is
TRUTH OR DARE?! ‘
This dude is easily the best villain ever.
Easily.
{Enter The Multiverse}
Blue eyes, it is.
I wish, I wish,
Be careful what you wish for,
Or cook in a Petri dish
The world is a stage,
The people a plague
The magic was gone,
The days were the same.
[The Festival Project ™]
Blonde hair, blue eyes;
Live once, lose twice—
Brown skin, brown eyes
Die inside.
(Or just die.)
{Rewind}
Captain
Captain!
Oh, Good, come in, Cannon.
You've—changed.
…as you know, Monday we disembark.
Yes, I'm aware.
And as you know, the details of the mission have been classified, even to us.
Yes.
I find that alarming. And so, without anymore thought I've decided to masquerade as my old self.
How old are you, anyway?
You should never ask a woman her age, LT.
Sargent. * or the other way around, I clearly don't know.
Sorry. Your recent promotion keeps slipping my mind; I…haven't been myself lately…
Obviously not, if you've decided to publicly dress like that.
I'm still very much in the privacy of my office.
You can consider me the spokesperson on behalf of the public.
Never as a woman her age!
You're not a woman; you're my captain.
We'll see about that after tonight.
Being a woman, or being my captain?
Both, probably.
Hm.
By any chance would you be interested in joining me?
As your subordinate, or as a man.
Both, probably.
Or neither… presumably.
As my escort.
I beg your pardon.
I've been known to become rather out of sorts in this condition.
—er, your condition, captain?
Dead drunk and blind with fear out of my mind.
[he ponders for a moment, knowing that the mission could very well be their last.]
Consider it done.
Great. Get dressed, and meet me with the car out front in half an hour.
Half an hour?
Sharp. Bonus points for showing up early.
We're earning points?
We are now.
Very well then. What am I wearing?
Something sharp.
Sharper than the inside of a half hour.
On your mark.
I'll—see you soon.
He exits the captain's office, letting out a sigh of relief otherwise previously congested, he looks around as if not to be caught, regains his composure with the shake of his head, somewhat in disbelief of what he's witnessed. He casually places his hands in his pockets, walking down the hall and passing one of his crew mates, who quickly stops to salute him.
Sergeant.
Almost forgetting to salute back, mindlessly drifting passed in ‘off' mode, he slowly and squarely, almost still casually, salutes back.
Oh.
I had glimpsed at a picture of the man once more that had forced me to wonder— “Jesus Christ, is he okay?” It would be odd to think of a man who has spent a better part of the last two decades and most of his careers on camera as unphotogenic, then again—I had been tricked by the media before into thinking a certain way, and therefore was cautious, and still—I began to wonder about the man and his misery, and his mistresses—not out of jealousy or obsession, but simply because I knew he had them. He was old Hollywood, or old New York—or maybe a bit of both, and there was something about it all, perhaps even my own darkness, that danced with the flicker of sinful lust that motioned me towards not a yearning, or the act of doing so—I was at least wise enough to know nothing good could come from doing harm to oneself or another— but with the intensity of burning desire to know the man behind the mask—the actor inside the actor, to whom all the world's a stage.
Whatever, though. Doesn't matter.
At least I was still somehow youthfully resilient to what might have otherwise been torture,
TVP
S2- after Esha's promotion to head writer.
DAEMON DALLAS, aka “DASH” is a quick witted, fast-talking comic powerhouse— his legendary stand up and acting career has made him a legendary force in movies, film, and television; he has been booked on the show to sit down with his longtime friend Patrick about his new stand up comedy tour.
—
Who's this beautiful sister.
My head writer; don't even think about it.
I dont think. I just do.
Esha approaches— Dash politely bo s and kisses Esha's hand
Should I get tested?
—and funny.
Against Patrick's wishes, Esha accepts a date with daemon dash, furious Patrick means to interrogate her
Why would you even date that asshole
Because—Pat. He's a comedian.
I'm a comedian! So?
So, he's funny.
And?
And he said things to me—
What kind of things
Charming, funny things—
Okay?
Things he wouldnt say to you over dinner— because, I'm
—you're a woman.
—and your head writer. So naturally.
Esh, you're a genius,
So is he. We have—some new material to work through.
Ahq!
Your monologue tonight.
Oh yes. Oh yes.
You can thank me later. Broken bottles. :9'd one stop her
Walkin walking
God knows I don't belong here
And I don't want to
Passover was April 21-30
Global War on Terrorism
Aka WWIII
Oh, indeed.
Don't look left
Take a deep breath
My heart beats differently
I think it might be the end
I think it might be
I think I might be the enemy.
The pushing mechanism
When i breath him in
I levitate
And gravitate to what it meant
The sake of the art,
The hurt of the heart
As sacred as it ever was
The turning or the Torah talks of
Gestures, since the fall of Rome
The toga on the alter
Solid hands unwrap us all
From falling over
Old and awkward
No award for wisdom
No rest for the wiser
No love for the troll
Since thunder struck from under us,
Delivered all but what we wanted
So we talk of karma sutra,
Surely we can't talk at all
Of what we know
As once was bonded
Laughed it off
To come from what
The call to us,
Fair serve governors fortress
I work up in mentions
Carved the scarlet letter out of
Cannons, of course
MA.
WHAT. I'm BUSY.
ITS ON.
The what?
The show we watch!
The one that—
YES,
Oh, my GOD.
Yes.
YESSSSSSSSS.
Usnavi, get your popcorn
This is some worth watching
Up in arms for forwards
Causing sore arms,
Numb thumbs
From crucifixes
Are you wondering what God
Would walk about the horned carving
A kamazake walk of tall corn—
Follow me, dear mantra
Your whole house is watching.
Sacre.
It's happening again isn't it.
I do want ice cream.
All I need is a divorce
And an Amazon woman 10 foot tall
To rub me off at the stroke of
Nevermind what the clock says
In God's house they're all wrong
The blsphomoous for Catholics
Has begun,
So strum your number into the teleprompter
And just hope no one gets hurt
By the hook on the next song
—like the hook of my last surviving bra
digs into my back does,
Or the skin on my lack of tummy
Has rubbed off under the suicide
Of the cycle—
It's getting tighter
A loss of interest is equal to
A loss of conciousness
And I'm 21 days drunk
On the alternate, though—
I'm sober and feeling less
Loved.
The animal I've become is all cardio
And karma sutra
For karma comes
To the weak of heart
To use the world as swords
To cause harm
To the calm artists
I thought I told you off once.
(Already)
You look awful.
lol.
You look terrible, broh.
But my album sound fire.
#producerholes
[portal]
It's coffee time!!
It's not coffee time!
It's not coffee time.
Iiiiits coffee time.
Damn.
Where's the cat.
Gestating.
{Enter a the Multiverse}
Wake up in a wet bed,
sweat pouring
engine strikes
Disaster, roaring
Ranting, raving,,
Lunatics, icons
Ione, eye color
No warning:
I want you
Adonis
New Adonis
I got something for you;
It's got four doors,
I know you can't afford it,
Come on,
Only one offer
Come on,
You know I want you
What I want a car in New York for?
Even the scorecard,
Cork off the bottle, huh?
Go figure.
I got sharp numbers,
No harm no foul ball;
Still stick in the Capstone,
There's a sandstorm
On the first montage.
Pitch up,
With the fever pitch
With the fever pitch
downstroke
UP
Pitch down
With the force
With the force
Or
What have you
Play ball,
No–
playfair
Payboy model
Wayfair value
Strict non-orders
Foreigner syndrome
Alcohol bottle
Palinstrome, Astronomy
No, Farquad
Noah's Ark and all
Going door to door,
the doctor
Doing more and more
The Talk show host
Losing more the Mortimer,
Call it
Losing more,
The Watchamacalit,
Chocolate bar,
So far,
Hard to forget
No,
Hard Ball,
Soft pitch
Watch this.
THE COSMIC AVENGER
(V.O)
I cannot resist a chocolate cake!
Huh.
Seriously, I'm telling you.
*sniffs*
hm.
{Enter The Multiverse}
Yo, i'm telling you: she's spot on.
Like, scary accurate.
Precise. Always right. Even on Tuesdays.
Why would it matter if it's Tuesday or not?
Most Psychics are wrong on Tuesdays.
Really.
You didn't know about this?
Never heard that.
Most of them.
Last I saw Kurt he seemed to be okay—doing well for a place so cold, and still, almost enjoying his time, somewhere cold enough that the chill on his breath grasped at mine, as I was prone to waking in these moments.
Anymore ghosts?
Who'd you want!?
More players.
And as it turns out,
Strike force five was nothing but a simple game,
Played by a group of—
MOM
Boys?! Supper!
INT. BASEMENT- THE SUBURBS, ANYEAR
In a distant parallel, it is a nondescript year of a indeterminable past time— in non linear time, we could be anywhere, but for period's sake, it appears to be anywhere between the 1930's and the early 1960's, the home itself adorned with qualities of any of these given eras; the clothing classic, dreamlike— pre or post war? Was there a war at all in this parallel; and it seems a partially imagined place altogether — it is, in fact, a dreary and almost comic book other world— a cross- parallel.
The boys vary in ages from 8 to about 12, and between the five of them, brash little Irish lads, besides one English chap, whom anyone would probably bet at least at some point in his lineage was probably also Irish (or Irish enough) have summoned up, though amidst a flurry of baseballs cards and other boyish relics, seem to have assembled from old newspaper cuttings and superhero memoriabilia—some sort of game on the basement floor, though, they bicker and argue so much about how the game should be played that it is unclear whether they're playing any game at all, or just rapid-firing ‘jokes' at one another with absolute disconcert for anyone's feelings.
They call themselves
—
Nevermind, it can wait.
{Enter The Multiverse}
What is this nonsense
You fucking dork.
I'm a key player.
Speaking of keys—
Wasn't me.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. The Complex Collective ©