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In this public News Brief, we discuss the nominally progressive news network's lies and omissions when covering efforts to reduce the US's unprecedented jail and prison population.
"Increasing Numbers of US Students Look for a 'Real' World," read a 1965 headline from the magazine Moderator. "Academics: Get Real!," the Harvard Business Review implored in 2009. "'Defund the police' runs into reality," the Washington Post warned in 2021. "As Latin America Shifts Left, Leaders Face a Short Honeymoon," the New York Times declared in 2022. We're often reminded that anyone who espouses some degree of left-wing politics – whether a student, activist, political leader, or anyone in between – is at odds with the "real world." Academics, especially those in the humanities, sit in their ivory towers. Organizers and demonstrators against state violence have their heads in the clouds. Elected leaders campaigning on elevating living standards don't know what they're in for.
But who's in charge of determining what's 'realistic'? Or what "the real world" is exactly? Why is studying theory, fighting for better healthcare, or working toward poverty reduction any less 'real' than plugging away at a spreadsheet for a weapons manufacturer or venture capital firm? And how did this pat and folksy concept of the "real world" emerge as a go-to dunk on eggheads and activists? On this episode, we seek to answer these questions, as we examine the canard that anyone to the left of a Goldman Sachs executive isn't living in or contributing to the "real world."
Our guest is Street Fight Radio's Bryan Quinby.
A white collar worker wrestles with whether to accept a promotion or help his co-workers organize. Salt miners stand up to the company that's taken over their town. A factory worker exposes her employer's union-busting tactics.
Stories like these represent something we don't often see in Hollywood: Unions and labor organizers as the good guys. Not as egomaniacs or zealots, thugs or grifters—but as heroes willing to risk their health, homes, and livelihoods for the greater good.
This is in contrast to the anti-union depictions in pop culture we explored in Episode 164, part one of a two-part series on depictions of labor in film and television. We discussed Hollywood's emphasis on corruption in labor organizing, focusing on depictions of bloated bureaucracy, organized crime, and autocratic union bosses in On the Waterfront (1954), Blue Collar (1978), and The Irishman (2019), among others.
On this episode we address the inverse of that, looking at the rare but nontrivial examples that pop film has celebrated the accomplishments of labor movements, centered beleaguered workers with everything to lose, positioned abusive employers as the villains, and embraced themes of worker courage and heroism. While very often not perfect, these examples show that compelling, award-winning narratives can be crafted out of tales of collective action and collective bargaining.
Our guest is Angela Allan.
In this public News Brief, we detail the strange quadrennial tradition of acting like the US is "abandoning its principles" by reaffirming decades-long alliances with Israel and Saudi Arabia.
In this public News Brief we catch up with the latest far right attacks on the liberal state and Democratic Party leadership's pathological inability––or unwillingness––to meet the moment.
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