Cited

The town of Buxton, North Carolina loves their lighthouse. But in the 1970s, the ocean threatened to swallow it up. For the next three decades, they fought an intense political battle over what to do. Fight back against the forces of nature, or retreat? It’s a small preview of what’s to come in a time of rising seas. We team up with 99% Invisible to tell the story.

———-PROGRAMMING NOTE———-

This is a rebroadcast from January 2018. We’ll have a new episode of Cited for you next week.

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To keep up with Cited, Secondary Symptoms, and our upcoming show: follow us on Twitter and Facebook. Tweet at us, or email your feedback to [email protected]–we might just read it on the show.

———-CREDITS———-

Today’s episode was produced by Gordon Katic, and edited by 99% Invisible’s Delaney Hall and Cited’s Sam Fenn.

Also from 99% Invisible’s staff: mix and technical production from Sharif Yousef, music by Sean Real, and the text from this post is from their digital director Kurt Kohlstedt. The rest of the staff includes Katie Mingle, Avery Trufleman, Emmiett Fitzgerald, Taryn Mazza, and Roman Mars. From Cited, Josh GD, Alexander B. Kim, and John Woodside assisted in the production.

Special thanks to Mike Booher, Phil Evans, and Stavros Avromeedees. Thanks to WRAL-TV for letting us use their documentary. “The Cape Light: Away from the Edge.”

Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

The Battle of Buxton (Rebroadcas 

This week, we put the pieces together and solve a different kind of mystery at the heart of Tiger King.

I liked the show so much because it felt like the escapism I needed during a brutal pandemic. But actually, it wasn’t escapist at all. Because according to our best theories, Covid-19 is the result of unsafe practices in the exotic animal trade. So we were all watching a documentary about the very industry that put us in isolation, and we didn’t seem to realize it!

Labour studies scholar Kendra Coulter did realize this. She hopes that Covid-19, and Tiger King, just might change the way we think about zoonotic diseases. We have a wide-ranging conversation about animal welfare and workers rights, and what that has to do with Covid-19.

We also talk factory farms with Alex Blanchette, author of the new book Porkopolis. It’s a dystopian ethnography of a small company town that is home to an enormous pork processing plant. This is not what you expect; it’s not a searing expose of abuse, but rather a description of business as usual. Alex reveals the grand technoscientific ambitions of these companies; how they hope to exert total control over the pig, and over the workers who process them.

You can find a transcript of this episode here.

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To keep up with Cited, follow us on Twitter and Facebook. Plus, send us your feedback to [email protected].

———-CREDITS———-

This episode was produced by Jay Cockburn and Gordon Katic.

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project challenging ideas in liberal environmental thought. The project was advised by Jessica Dempsey at the University of British Columbia, and Rosemary Collard from Simon Fraser University.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

When genetically modified corn was found in the highlands of Mexico, Indigenous campesino groups took to the streets to protect their cultural heritage, setting off a 20-year legal saga.

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This two of our series on genetically modified maize. If you haven’t already, listen to the first episode first. You can find it in this feed.

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This episode has loads more information, citations, and resources. You can find those on our website, citedpodcast.com. Research assistant James Rhatigan has an article on the promise and limitations of the precautionary principle, and another on the intellectual history of liberal environmental thought. Also, we have a transcript.

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For more, follow Cited on Twitter, Facebook, and citedpodcast.com. Plus, send us your feedback to [email protected]–we might just read it on the show.

———-CREDITS———-

This episode was produced by James L. Frederick and Polly Leger. Editing by Acey Rowe and Gordon Katic. James Rhatigan was our research assistant. Fact checking by Aurora Tejeida

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

Thank you to: Ana de Ita Rubio , Santiago Muñoz  and Daniela Moreno from the Maizajo tortilla shop, Silvia Ribeiro from ETC Group, and Natasha Pizzey Siegert.

This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project challenging ideas in liberal environmental thought. The project was advised by Jessica Dempsey at the University of British Columbia, and Rosemary Collard from Simon Fraser University.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

How the accidental finding of genetically modified corn in the highlands of Mexico set off a twenty-year battle over scientific methods, academic freedom, Indigenous rights, environmental law and international trade. Part one of two.

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This episode has loads more information, citations, and resources. You can find those on our website, citedpodcast.com. Research assistant James Rhatigan has an article on the promise and limitations of the precautionary principle, and another on the intellectual history of liberal environmental thought. Also, we have a transcript.

———-FOLLOW CITED———-

For more, follow Cited on Twitter, Facebook, and citedpodcast.com. Plus, send us your feedback to [email protected]–we might just read it on the show.

———-CREDITS———-

This episode was produced by Polly Leger and James L. Frederick. Editing by Acey Rowe and Gordon Katic. James Rhatigan was our research assistant. Fact checking by Aurora Tejeida

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

Thank you to: Ana de Ita Rubio, Santiago Muñoz  and Daniela Moreno from the Maizajo tortilla shop, Silvia Ribeiro from ETC Group, Topher Routh at Berkeley Advanced Media Studio for recording assistance,  and Martin Gepp, Benji Shieh and Alexander Kim for help voicing. Katrina Hiibackof the University of Toronto, Professor Dave Ng of UBC and Dr. Sophie Comyn helped us untangle plant genetics.

Fernando Ortiz Monasterio’s account of his meeting with Ignacio Chapela comes from an interview with Caitlin Shetterly, in her 2016 book, “Modified.”

This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project challenging ideas in liberal environmental thought. The project was advised by Jessica Dempsey at the University of British Columbia, and Rosemary Collard from Simon Fraser University.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Last time we opened up too fast, we paid dearly. There were celebratory parades when Americans thought the 1918 Spanish Flu was over and done with. Unfortunately, the second wave was even worse.

So this week on Secondary Symptoms, the secondary symptom we’re looking at… it’s a symptom you might call pandemic amnesia. We’re asking: what have we learned from our history of pandemics, and what have we forgotten? 

We speak to Cindy Ermus, a historian of disasters and pandemics, about past disasters and what we should learn from them. It’s a wide ranging conversation about the politics of pandemic memory–about what we choose to remember, and what we choose to forget. Next, Michael Willrich tells us about his book “Pox: An American History,” which chronicles the long-forgotten American smallpox outbreaks at the turn of the last century. It’s a story of extraordinary state overreach — of vaccination by gunpoint, of forced separation, and of police repression — in the name of fighting a deadly disease. Pox asks us: how do we balance individual freedom with public health? 

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To keep up with Cited, follow us on Twitter and Facebook. Tweet at us, or email your feedback to [email protected]–we might just read it on the show. 

———-CREDITS———-

This episode was produced by Jay Cockburn and Gordon Katic. 

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This episode was funded in part by the Social Science and Humanities Research Council. It’s part of a larger project on the politics of historical commemoration. Professor Eagle Glassheim at the University of British Columbia is the academic lead on that project.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Expo 1967 was the centrepiece of Canada’s 100th birthday. In a country of only 20 million, 50 million people attended Expo ’67. Amid the crowds and the pageantry, one building stood out. The Indians of Canada Pavilion. This was more than a tall glass tipi. It revealed (at least partly) Canada’s sordid colonial history, and it challenged the myth of Canada being a peace-loving and tolerant society. We tell the surprising story of the historical experts who put this thing together, and the public’s reaction to their work.

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This episode has loads more information, citations, and resources. You can find those on our website, citedpodcast.com. Including articles about: the history of indigenous peoples at World’s Fairs, thoughts on ‘objectivity,’ and the limits of trauma narratives. Also, we have a transcript.

———-CORRECTION———

05/27/2020: In an earlier version of this podcast, we mistakingly mentioned that Canada’s Truth and Reconciliation Commission was led by Senator Gordon Sinclair. In fact, it was Senator Murray Sinclair.

———-FOLLOW CITED———

To keep up with Cited, follow us on Twitter and Facebook. Tweet at us, or email your feedback to [email protected]–we might just read it on the show.

———-CREDITS———

This piece was produced by Polly Leger. Edited by Gordon Katic and Sam Fenn. 

Our theme song and original music is by our composer, Mike Barber. With other music by Bear Fox and the Kontiwennenhawi – Akwesasne Women Singers. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

Thank you to: the hostesses who shared their time with us, Barbara Wilson, Janice Antoine, Velma Robinson and Vina Starr; Romney Copeman and the Deslile Family; the Marjoribanks family for sharing their father’s memoir; the Russ Moses Archive, and Russ’s son, John Moses; Doreen Manuel and the estate of George Manuel; the York University Archives; Jane Griffith and Greg Spence; and to Clinton L.G. Morin and L. Manuel Baechlin for production help in Ottawa.

This episode was funded in part by the Social Science and Humanities Research Council. It’s part of a larger project on the politics of historical commemoration. Professor Eagle Glassheim at the University of British Columbia is the academic lead on that project.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

In 2011, an American psychologist named Daryl Bem proved the impossible. He showed that precognition — the ability to sense the future — is real. His study was explosive, and shook the very foundations of psychology.

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This episode was produced by Alexander B. Kim. Edited by Sam Fenn and Gordon Katic, with production support from from Polly Leger, Tom Lowe, and Emma Partridge. Research advising from Dr. Dave Ng, Dr. Candis Callison, and Dr. Ed Kroc.

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This episode was initially made in partnership with the program Ideas, from CBC Radio. Nicola Lucsik of Ideas helped edit it, and the CBC shared production costs with Cited Media. This partnership was made possible with a grant from the Social Sciences and Humanities Research Council. It was part of a wider project looking at the politics of science in post-truth times, and was advised by Dr. Dave Ng at the University of British Columbia.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

Growing up, Chris Dum has a morbid fascination with ‘deviant behavior.’ It led him down an unusual career path: he decided to study most reviled people in our society. Sex offenders. But it wasn’t enough to study them from a distance. No, abstract crime statistics or rigorously controlled laboratory experiments would not suffice. Rather, Chris wanted to know what their lives were actually like. So as a PhD student, he decided to actually live with them. He moved from his home near the university to a run-down motel on the rough part of town. Over the next year, he learned a thing or two about sex offenders, but he learned more about all us. He learned that the process of reintegrating sex offenders into society is a total mess, and it isn’t helping anyone. 

———-PROGRAMMING NOTE———-

This episode originally aired in November 2016. Our newest episode of this season comes out Wednesday, May 6th. It’s called “the Pavillion,” and you can listen to a trailer on our website.

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To keep up with Cited, follow us on Twitter and Facebook. Plus, send us your feedback to [email protected].

———-CREDITS———-

This piece was produced by Gordon Katic and edited by Sam Fenn, as well as Alison Cooke of the CBC. Further support from Alexander B. Kim. Research advising from University of Washington Sociologist Katherine Beckett.

Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This project was made in partnership with the University of Washington Centre for Human Rights, which also provided some financial support. Further grant support from the Social Sciences and Humanities Research Council.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

It’s going to take a while, but we find glimmers of hope. 

We speak to Guardian journalist Sumanth Subramanian. He tells the story of one lab’s push for a Covid-19 vaccine, and the promising new technology they’re using. It just might revolutionize vaccine development. But don’t get too excited, because the fastest vaccine ever… well, it took about four years. While we wait, the US political system is going through a pretty radical transformation. Wired science journalist Adam Rogers tells us how states are forming new regional alliances, threatening to create what he calls “a new cold civil war.” Plus, Rogers gives us an update on how academic publishing is changing during the pandemic. 

———-FOLLOW CITED———-

To keep up with Cited, follow us on Twitter and Facebook. Tweet at us, or email your feedback to [email protected]–we might just read it on the show. 

———-CREDITS———-

This episode was produced by Jay Cockburn and Gordon Katic. 

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project looking at the politics of science in post-truth times. Dr. Dave Ng at the University of British Columbia is the research lead on that project.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples. Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

We never planned for this. Cited was going to just make documentaries for you this season, but then the whole world changed. So, we had to change too. For at least the next two months, we’ll be releasing a weekly news-magazine style show about the Covid-19 pandemic. We’re calling it Secondary Symptoms.

In medicine, secondary symptoms (sometimes called ‘secondary complications’) are symptoms that might arise from the disease, but are not directly of the disease. We’ll be talking about the secondary symptoms of Covid-19. Not so much the disease itself, and what it does to one’s respiratory tract; rather, what other things Covid-19 is doing to all of us–what it is doing to our politics, our economy, and our social fabric.

On this episode, we continue the theme of Cited‘s first documentary, “the Science Wars.” The secondary symptoms of today’s episode are misinformation, distrust, and conspiratorial thinking.

Guests include:

———-FOLLOW CITED———-

To keep up with Cited, follow us on Twitter and Facebook. Tweet at us, or email your feedback to [email protected]–we might just read it on the show. 

———-CREDITS———-

This episode was produced by Jay Cockburn and Gordon Katic.

Our theme song and original music is by our composer, Mike Barber. Dakota Koop is our graphic designer. Our production manager is David Tobiasz, and executive producers are Gordon Katic and Sam Fenn.

This episode was funded in part by the Social Science and Humanities Research Council of Canada. This is part of wider project looking at the politics of science in post-truth times. Dr. Dave Ng at the University of British Columbia is the research lead on that project.

Cited is produced out of the Centre of Ethics at the University of Toronto, which is on the traditional land of Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat Peoples.  Cited is also produced out of the Michael Smith Laboratories at the University of British Columbia — that’s on the unceded territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.