Citizen Dame

Citizen Dame

By Citizen DameTV & Film
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Citizen Dame episodes

  • 308: Catching Up With the Dames

    Welcome to 2025! As we gear up for a new year of exciting episodes and so many movies to talk about, we take a little look back at some of the films we have been watching lately, from Lauren's Hitchcock Year to Will & Harper and Wallace & Gromit, this wide-ranging conversation covers a lot of recent and upcoming releases as well as some of our favorite rewatches.

    End clip: Demi Moore wins the Best Female Actor - Motion Picture Musical/Comedy award for The Substance at the 82nd Annual Golden Globes. Courtesy of the Golden Globes.

    Check out Karen's interview with Wallace & Gromit: Vengeance Most Fowl directors Nick Park and Merlin Crossingham.

    1 hr 16 min
  • Episode 307: The Apartment (1960)

    Happy New Year from Citizen Dame! For our final episode of 2024, we talk about the hilarious and melancholic The Apartment, directed and written by Billy Wilder, starring Jack Lemmon as an office worker who lets executives use his apartment for extramarital affairs, and Shirley Maclaine as the elevator girl he develops feelings for (without knowing she's having an affair of her own). Come for the Billy Wilder dialogue, stay for Fred MacMurray being The Worst.

    (Available to stream for free on Prime and Tubi. TW for discussion/depiction of attempted suicide.)

    We hope you have a wonderful New Year and we'll talk to y'all in 2025!

    1 hr 2 min
  • 306: Carol (2015)

    This week, we celebrate the season with Todd Haynes' 2015 holiday romance, Carol. Cate Blanchett and Rooney Mara star in this adaptation of the 1952 Patricia Highsmith novel.

    1 hr 13 min
  • 304: L'assassinat du Père Noël/Who Killed Santa Claus? (1941)

    The Dames are kicking off a month of holiday movies, beginning with the 1941 French production, L'assassinat du Père Noël/Who Killed Santa Claus?

    Directed by: Christian-Jaque

    Written by: Charles Spaak; based on the novel by Pierre Véry
    Starring: Harry Baur, Renée Faure, Raymond Rouleau, Robert Le Vigan, Jean Brochard

    Produced by Continental Films

    1 hr 5 min
  • Episode 303: The Naked Kiss (1964)

    The Dames close out Noirvember in pulpy style with Samuel Fuller's still shocking The Naked Kiss, starring Constance Towers as a prostitute who moves to a small town and upends its social and sexual hierarchy by actually being a kind, ethical person.

    (TW for discussions of sexual abuse.)

    1 hr 11 min
  • 302 - Touch of Evil (1958)

    This week, we discuss Orson Welles' noir classic, Touch of Evil. Charlton Heston and Janet Leigh star as a Mexican official and his wife who find themselves embroiled in a drug trafficking scandal that also involves an American detective (Welles) and his questionable methods of bringing people to justice.

    1 hr
  • Episode 301: The Night of the Hunter (1955)

    We kick off Noirvember 2024 in style with Charles Laughton's exceptional directorial effort: The Night of the Hunter, starring Robert Mitchum as a fire and brimstone "preacher" who preys on widows in Depression-era West Virginia, but meets his match in two small children hiding an expensive secret. The Night of the Hunter was Laughton's only film as a director, in which he employed a blend of silent film and stage techniques that make it one of the most unique and effective noirs in cinematic history.

    1 hr 11 min
  • 299: Rosemary's Baby (1968)

    The Dames interrogate one of the more controversial of the great horror films: 1968's Rosemary's Baby, starring Mia Farrow and John Cassavetes, and directed by Roman Polanski.

    A complicated, multi-faceted film that's not always easy to talk about, both for its content and the feelings surrounding its director, there's no doubt that we have a lot to say about this one...including whether it might, maybe, be feminist (or not).

    We'll be back next week with Episode 300, talking The Babadook with a special guest!

    1 hr 14 min

About Citizen Dame

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The podcast for feminists who love film, brought to you by two female critics who want to broaden the conversation.

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