Citizen Reporter

It was one of those beautiful nights in Beirut were I found myself sitting at a table with new friends sharing stories, teaching each other about the world, and finding humor in unexpected places.  And even after a long day of teaching and rehearsing, Alexandre Paulikevitch is a natural at all these things.  As we sat around the table of the outdoor cafe he talked about projects he’s working on and the challenges that keep coming his way, and after several minutes of conversation he looked at me and my portable recorder and said “OK Mark, I understand what you’re doing and what kind of conversations you are seeking.” A clear and reassuring statement I wish I would tell myself every now and then.

This would end up being one of my favorite conversations of the entire journey, as the young but already legendary Baladi Dancer and human rights activist patiently moved from the beginnings of his interest in dancing and gender expression to his eventual realization of both who he is and what his performance art is all about.  Even beyond the stage, we discuss the issues he is active with in both Lebanon and in other parts of the Middle East.

Listen and enjoy to what I believe is an important conversation and an education when it comes to challenging conventional wisdom and self expression throughout the world.

You can watch a performance by Alexandre from earlier this year on youtube. 

In the lead up to and during those days in the military, Ahmed El Gendy wrote notes to himself and when the rare chance presented itself, on facebook.  He wrote as he thought about his own life, his experience as a soldier, and how it relates to what is happening outside.  And when he finally got out, his writings eventually became part of a theater piece, set along side letters from a political prisoner incarcerated during that same time period.

Beyond the theater and since his military service, Ahmed has also become part of a small but growing group of young Egyptians involved in contemporary dance.  Something that a few years prior was virtually non existent.

Today we sit down with Ahmed El Gendy in a little garden high above Zamalek, Cairo, to talk about military service during the revolution, creating a theater piece based on that experience, and the evolution of his young career in contemporary dance.

The Play: No Time for Art III directed by Laila Soliman

The Dance: Celebration of Differences and Existence (CDN2)

Jenny Montasir is an Egyptian-American who came to Egypt to learn more about her family and her heritage, in the process she also began working on raising awareness and documenting things happening in Egyptian today, including domestic abuse.

Follow Jenny’s work on Trigger Happy Media or via twitter

Youth has long been the buzz word connecting to the uprisings in North Africa and in the Middle East in the spring of 2011. A demographic shift, we’ve been told, combined with economic and social conditions, resulted in a new resistence culture with new strategies and goals for their respective countries.  Tunisia was one such country, where the median age is 30, and multi-lingual, interconnected youth played an essential role in spearheading the pressure that would lead Ben Ali to flee the country.  Now they are also an important part of safeguarding and assessing the changes that are taking place.  On today’s podcast, we sit in a part in Tunis, together with 3 young people working in the field of non-profit watch dog organizations.  In our 40+ minute conversation you will hear from Amir Kamergi, Khaoula Mhatli, and Yosra Mkadem, regarding the work they are doing and their individual and collective experiences and opinions regarding what is up with Tunisia today, how far we’ve come, and what to make of the future.

“It’s like shock therapy. Something happened that we never expected…  it’s getting better each day, people are growing up… and that’s the great thing about our revolution… we know what we want.” – Yosra Mkadem

I Watch Organization

Ask Katherine Maher to describe the Beirut that she loves and you get stories of a place that sounds like Brooklyn, Berlin, London and Rio de Janeiro crumpled up and dropped onto the map in a region filled with anxiety, trauma, and uncertain futures.  A place where life is lived to the fullest, by day and by night. And if you want art, you’ve come to the right place.

On one fine October afternoon in Amsterdam, Katherine sat down with me to tell me of Beirut and the things a visiting journalist seeking storytellers and artists should keep in mind along the way.

“Now is a very interesting time… there is an incredible level of activity and activism among civil society that I have not seen in any comparative form in the last ten years.”

With our upcoming journey to Tunisia and Egypt, our challenge is to get past those tendencies and see beyond our own natural limitations. To best do that, we turn to our Egyptian friends in-country and from the diaspora, and ask about their experiences and what they most wish journalists would take note of and stay open to while doing their work.

Today on the podcast I speak with a new friend of the program, herself an Egyptian living abroad and living-breathing the revolution everyday even if she isn’t on the streets or in the square; Hanna Yousef is my special guest as part of a conversation to learn her beautiful story and ask what advice she would give to a outsider-journalist like myself, heading to her beloved country for the first time, in search of stories. In many ways this is the preparatory conversation that every journalist should have yet we rarely get to hear as its considered unworthy for your ears; too candid and imperfect. exactly the type of conversation that makes me love podcasting.

The Daily Show and South Park, along with The Colbert Report, are the 1-2 (3) punch of socio-political satire in America and have been for well over a decade. Some dismiss them as childish clowns with limited significance while in fact, they are among the most trusted sources of news and entertainment wielding tremendous power from the reputation they have built as uncompromising provacateurs.

Brian Dunphy is a lecturer at Brooklyn College, a citizen of the world, and a keen observer of satire in all its forms in the United States.  He starts each day with a bowl of cereal and Jon Stewart, and his in-depth research and analysis reveals that there is a lot more happening here than just a bunch of funny impressions and the occasional fart joke.  There is real speaking of truth to power and challenging people to think and look carefully at the actions of the powerful decision makers of this world.  Today on the podcast, Brian gives us a taste of this topic that he has been bringing to audiences in North America and Northern Europe over the past year.

On today’s podcast I’m joined by none other than Olaf Koens, as we sit along the Amstel river in a windy afternoon, we talk about some of those adventures in that magical region of the world.

His book, (.nl) Koorddansen in de Kaukasus

To better explain the hows and whys of our bold new project, Christopher Lydon joins me to discuss our kickstarter campaign “Arab Artists in a Revolution”.  A dream we are in the process of making a reality, one which we hope you will support by donating to our campaign. (And thanks to those who already have!)

Once again, our kickstarter campaign, click, support, spread the word!