This first adventure with the guitar on Classical For Everyone features quite a bit of music from Spain.. probably the country that was most closely identified with the instrument until companies in America popularised the electric guitar. But as well as Spain there’s music from Austria-Hungary, Italy and Brazil with works by Albeniz, Mudarra, Haydn, Granados, Rodrigo, Scarlatti, Villa-Lobos and Falla.

Sometimes music can just be for pleasure and if that is the composer and the performers’ intention, then good for them… and good for us listeners. If most music is created to make you ‘feel’… then some music can just be to make you feel good. And from time to time happiness can be in short supply… and if that is the case then I hope the music I am going to play you over the next hour can at least give you a smile. In service of that objective… in this episode will be music by Beethoven, Rossini, Bach, Schubert, Westlake, Bizet, Mozart, Gershwin and Vivaldi. Enjoy.

Much music has been inspired by love, passion or obsession…  but only in a handful of cases has the person who was the inspiration… the muse… become publicly linked to a work. Here are the stories of six of them… Alma Schindler, Josephine Brunsvik, Kamila Stösslová, Peter Pears, Clara Wieck and Mathilde Wesendonck. And the music they inspired… by Gustav Mahler, Ludwig van Beethoven, Leos Janacek, Benjamin Britten, Johannes Brahms and Richard Wagner.

A percussion instrument is pretty much anything that can be hit, tapped, scraped, scratched or banged. In an orchestra it is generally the responsibility of the individual or small group of people up the back… the ones who get to make the most noise and have to master the most instruments and who, in this episode, help give us armies fighting on an ice covered lake, a peasant girl dancing herself to death, big gates, small rocks and a visit to The Overlook Hotel… with works from the composers Prokofiev, Sculthorpe, Bartok, Stravinsky and Mussorgsky.

If you’ve ever been puzzled why once you scratch the surface of classical music the name Johann Sebastian Bach seems to just keep turning up… this episode might offer some clues… beyond the fact that the music is pretty good. With the assistance of The English Concert, Maurizio Pollini, John Eliot Gardiner, Wolfgang Rübsam, Masaaki Suzuki, Glenn Gould, Itzhak Perlman, Christophe Rousset, Helena Rathbone & Richard Tognetti.

Amongst all the instruments in the modern string family… violins, violas, cellos and double basses… it is the cello that most closely approximates the range of the human voice… from the lowest bass to the highest soprano and that may be one reason why it seems especially popular. Music from Josef Haydn, Ludwig van Beethoven, Edward Elgar, Sergei Prokofiev, Samuel Barber, Dmitri Shostakovich;  and, to finish, something for solo cello by Johann Sebastian Bach.

This episode of Classical For Everyone includes musicians slowly leaving the stage… lovers separated by the call of duty…  music for beginning a journey…  and music for a sad and very final farewell. A section of a symphony by Josef Haydn, eight minutes of a Wolfgang Amadeus Mozart opera, a Felix Mendelssohn overture, maybe one of the saddest farewells ever written… from Henry Purcell, and the Adagio For Strings by Samuel Barber.

This episode is all music written by people who have the particular distinction of still breathing. I think it’s important to say that nowhere near all classical music is written by dead men from Vienna. One of the unintended consequences of a whole genre of music being called ‘classical’ is that associations with past eras can disguise the fact that exciting and brilliant new music is being written and performed every day and here are works by Jennifer Higdon, John Adams, Gillian Whitehead, Ross Edwards and Brett Dean.

There’s a string quartet written by the American composer Morton Feldman in the 1980s that is about 6 hours long. ‘Einstein on the Beach’, the opera by Phillip Glass and Robert Wilson, is about five hours long and is performed without an interval. There is of course plenty of classical music that is well under these eye-watering durations. A Vivaldi concerto can be over in ten minutes… Aaron Copland’s ‘Fanfare for the Common Man’ is under four minutes and most Chopin Nocturnes are three to five minutes long. But there is still a perception and an understandable one… that classical music is long. And it is a quick leap to the conclusion that it is too long. Well, there might be another way of looking at it.

This episode of Classical For Everyone is all about Night.. music that evokes the night… that captures the different moods of nighttime, and music written to be performed at night. Night in the Gardens of Spain, Moonlight over the Suffolk Coast, Midnight in a Chapel, Goblins in the bedroom, a walk in a deep, dark forest at night… a Nocturne… and a little night music. Sixty minutes of music by Manuel De Falla, Frederic Chopin, Benjamin Britten, Marc-Antione Charpentier, Maurice Ravel, Arnold Schoenberg and Wolfgang Amadeus Mozart.