Listening Guide The Work Tempo: Allegro, keck, aber nicht zu schnell (brazen, but not too fast) Key: A major, with subsidiary theme in F and excursions into D-flat major/minor, etc. Time signature: 4/4 (with a few bars of 2/4) Form: ABA song form Wenn nur ein Traum das Leben ist, warum denn Müh und Plag? […]
Listening Guide The Work Tempo: Comodo Dolcissimo Principal Key: G major with modulations into E, G, C, A-flat, F, D and B-flat major Time signature: shifting between 3/4, 4/4 and occasional bars of 2/4 Form: sonata form (ABA’) Junge Mädchen pflücken Blumen, pflücken Lotosblumen an dem Uferrande. Zwischen Büschen und Blättern sitzen sie, sammeln Blüten […]
Listening Guide The Work Tempo: Behaglich heiter (comfortably cheerful) Principal Key: B-flat major (with a contrasting sections in G minor and major) Time Signature: alla breve Form: Song form (ABA) Mitten in dem kleinen Teiche steht ein Pavillon aus grünem und aus weissem Porzellan. Wie der Rücken eines Tigers wölbt die Brücke sich aus Jade […]
Listening Guide The Work Tempo: Etwas schleichend. Ermüdet. (Somewhat lingering, worn out). Key: D minor/major with contrasting sections in B-flat major Time Signature: 3/2 (occasionally altering with 2/2 and 4/2) Form: Strophic with elements of sonata form Herbstnebel wallen bläulich überm See; vom Reif bezogen stehen alle Gräser; man meint, ein Künstler habe Staub von […]
Listening Guide The Work Tempo: Allegro Pesante (Ganze Takte, nicht schell) (alla breve, not fast) Principal Key: A minor Time Signature: 3/4 Form: Modified Sonata form Schon winkt der Wein im golden Pokale, doch trinkt noch nicht, erst sing ich euch ein Lied! Das Lied vom Kummer soll auflachend in die Selle euch klingen. Wenn der […]
Listening Guide The Work Dates of composition: 1907-1909; published posthumously by Universal Editions, Vienna in 1912 Place of composition: Toblach (in the Tyrolian Mountains, then part of Austria, now known as Dobbiaco) Premiere: Munich, 20 November 1911, under the direction of Bruno Walter Orchestration: piccolo, 3 flutes (third doubling with piccolo), 3 oboes (third doubling with English […]
Listening Guide The Work Tempo: Beginning with Poco adagio and making numerous tempo changes some of which will be mentioned below. Key: E-flat minor (Introduction) with several intermittent key changes and ending in E-flat major. Time Signature: 4/4 with occasional meter shifts. Form: Introduction and combination of sonata elements (Exposition and Development) with variations and strophic forms that […]
Listening Guide The Work Tempo: Allegro impetuoso; etwas gemässigter, immer sehr fliessend (somewhat more moderate, always very fleeting); etwas gehalten (somewhat held back) Key: E-flat major (second theme in D-flat major; third theme in D minor, with excursions into E major and minor, D-flat and A-flat major, etc.) Time signature: 4/4 (with intervening duple and triple meters in […]
Listening Guide The Work Date of composition: summer, 1906; orchestrated in 1907; published by Universal Editions, February 1911. Place of composition: Maiernigg Premiere: Munich, 12 September 1910, Mahler conducting. Orchestration: Piccolo (or double as 5th flute), 4 flutes, 4 oboes, English horn; clarinet in E-flat, 3 clarinets in B-flat, bass clarinet in B-flat, 4 bassoons, contrabassoon, 8 horns, 4 […]
Listening Guide The Work Tempo: Allegro ordinario ; Maestoso; Sempre l’istesso tempo; Gemessen! Nicht Schnell! (Measured! Not fast!); Grazioso; Immer noch Tempo II (still in Tempo II), etc. Key: C major (opening briefly in E minor); second subject in A-flat major with occasional ventures into A, G-flat, B-flat and B major and a brief incursion […]
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We are convinced that lovers of classical music include people who are always looking for(1) music that they have not heard before that might attract them, and (2) the best performance of music that…
they are familiar with and already enjoy.This website was created to help these music lovers achieve both goals. We are uniquely able to fulfill this mission because we bring together two exceptional resources that are not available on any other classical music website: (1) a classical music record collection that includes over 60,000 recordings of more than 35,000 different pieces of music from every corner of the globe, representing every historical period from biblical times to the present — one of the largest collections of classical music in the world; and (2) the expertise of some of the best professional music commentators, musicians, and composers involved in the classical music world.With these unique resources, we present three specialized podcasts and the opportunity to respond to them through our blog: (1) "Buried Treasure" will introduce music from all periods and places, providing an opportunity to explore rarely heard works; (2) panel discussions on the interpretation of classical music in which well-established record critics will review recordings of more familiar works, play excerpts of the performances under review, and explain their individual standards for judging performance; and (3) a podcast in which one of the leading composers in New York interviews notable performers and composers, discussing with them the latest developments in classical music.