Listening Guide The Work Tempo: Sehr Behaglich (Very Relaxed). Key: G major (ending in E major). Time Signature: 4/4 Form: strophic in 4 verses with a prelude and postlude. Text: Das Himmlische Leben from Des Knaben Wunderhorn (1892) Wir genießen die himmlischen Freuden, D’rum tun wir das Irdische meiden. Kein weltlich’ Getümmel Hört man nicht […]
Listening Guide The Work Tempo: Ruhevoll (poco adagio) (restful). Principal Key: G major Time Signature: 4/4 Form: Double theme and variations (ABABA Coda)
Listening Guide The Work Tempo: In gemächlicher Bewegung. Ohne Hast. (In an easy motion. Without haste). Key: C minor/major (with an F major trio) Time Signature: 3/8 Rhythm: slow ländler Form: scherzo with two trios.
Listening Guide The Work Tempo: Bedächtig, nicht eilen. (Deliberate, without haste) Key: G major. Time Signature: 4/4 (with a few measures in 3/4 and 2/4) Form: Modified sonata form
Listening Guide The Work Date(s) of Composition: 1899-1900; published by Universal (1901, rev. 1903, 1910) Place of Composition: Maiernigg and Vienna Premiere: 25 November 1901, Munich Orchestration: 4 flutes (3rd and 4th doubling with piccolo), 3 oboes, (3rd doubling with English Horn); 3 clarinets in Bb, A and C (2nd doubling with E-flat clarinet, 3rd […]
Listening Guide The Work Tempo: Langsam, ruhevoll, empfunden. (Slow, restful, deeply felt). Key: D major (modulating to F-sharp minor, C sharp minor, etc.) Time Signature: 4/4. Form: Elements of rondo and sonata form with variations on two principal themes.
Listening Guide The Work Tempo: Lustig in Tempo und keck in Ausdruck (In a merry tempo and bold expression). Key: F major (D minor in the middle section) Time Signature: 4/4 Rhythm: lively march. Form: strophic (ABCA) Orchestration: alto solo, women’s and children’s choruses, 4 flutes, 3 horns, 5 clarinets (including bass clarinet), 3 bassoons, […]
Listening Guide The Work Tempo: Sehr langsam. Misterioso. Key: D major/minor Time Signature: 2/2, changing to 3/3 (with one measure of 3/4) Form: through-composed song form (Introduction-ABAB) Text: The Midnight Song from Also Sprach Zarathustra by Friedrich Nietzsche (sung by alto voice) O Mensch! O Mensch! Gib Acht! Gib Acht! Wie spricht die tiefe Mitternacht? […]
Listening Guide The Work Tempo: Comodo. Scherzando. Ohne Hast. (Without Haste). Key: C minor/major (Trio in F major/minor) Time Signature: 2/4 alternating with 6/8 (6/8 in Trio) Rhythm: binary dance form (bourrée) as in Ablösung im Sommer Form: Rondo (ABACABCA)
Listening Guide The Work Tempo: Tempo di Menuetto. Sehr mässig. (Very moderate) Key: A major (with contrasting sections in F-sharp minor) Time Signature: mostly triple meter (3/4, 3/8, 9/8) with occasional duple meter (2/4) Basic rhythm: minuet or slow ländler alternating with quick-step dance rhythms Form: ABABA (rondo with variations)
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We are convinced that lovers of classical music include people who are always looking for(1) music that they have not heard before that might attract them, and (2) the best performance of music that…
they are familiar with and already enjoy.This website was created to help these music lovers achieve both goals. We are uniquely able to fulfill this mission because we bring together two exceptional resources that are not available on any other classical music website: (1) a classical music record collection that includes over 60,000 recordings of more than 35,000 different pieces of music from every corner of the globe, representing every historical period from biblical times to the present — one of the largest collections of classical music in the world; and (2) the expertise of some of the best professional music commentators, musicians, and composers involved in the classical music world.With these unique resources, we present three specialized podcasts and the opportunity to respond to them through our blog: (1) "Buried Treasure" will introduce music from all periods and places, providing an opportunity to explore rarely heard works; (2) panel discussions on the interpretation of classical music in which well-established record critics will review recordings of more familiar works, play excerpts of the performances under review, and explain their individual standards for judging performance; and (3) a podcast in which one of the leading composers in New York interviews notable performers and composers, discussing with them the latest developments in classical music.