Listening Guide The Work Key: C minor (F major middle section) Tempo: Behäbig. Mit Humor (Comfortably; with humor) [eighth-note=138 in the piano version] Time Signature: 3/8 Form: Strophic rondo (AABA) Premiere: 1905 (sung by Anton Moser, baritone) Antonius zur Predigt Die Kirche find’st ledig. Er geht zu den Flüssen Und predigt den Fischen. Sie schlag’n […]
Listening Guide The Work Key: E-flat minor (Phrygian mode) centered on the dominant and with numerous modulations. Tempo: Unheimliche bewegt (With sinister agitation) Time Signature: 2/4 Form: Strophic Premiere: 1900 (sung by Selma Kurz, soprano) Mutter, ach Mutter, es hungert mich. Gib mir Brot, sonst sterbe ich! Warte nur, warte nur, mein liebes Kind, Morgen […]
Listening Guide The Work Key: F major Tempo: Mit heiterem Behagen (With easy gaiety) Mit Behaglichkeit (nicht eilen) (with ease–not fast), eighth-note=160 in the piano version Time Signature: 3/8 Form: Strophic Tanzlied (ABABA) Premiere: 1893, sung by Clementine Prosska, coloratura soprano Dort oben am Berg in dem hohen Haus, Da gucket ein fein’s lieb’s Mädel […]
Listening Guide The Work Key: A major (the maiden’s sections nearly in G major) Tempo: Verwegen (Durchaus mit prägnantestem Rhythmus) [Bold. With the most precise rhythm throughout]; half-note=100 in the piano score. Time Signature: 6/8 and 2/4 Form: Rondo (AABA) Premiere: 1893 (sung by Paul Bulss, baritone) HUSAR Wohlan! Die Zeit ist kommen! Mein Pferd […]
Listening Guide The Work Key: A major/minor Tempo: Gemächlich, heiter (easily, gaily) [quarter-note=132 in the piano version] Time Signature: 3/8 Form: Strophic Tanzlied Premiere: 1892 (sung by Amalie Joachim, alto) Büble wir! Büble wir wollen aussegehe! Wollen wir? Unsere Lämmer besehe! Gelt! komm, komm’! lieb’s Büberle, Närrisches Dinterle, ich mag es halt nit! Närrisches Dinterle, […]
Listening Guide The Work Key: B-flat major (middle section in G) [C Major with middle section in A in piano version] Tempo: Marschartig (March tempo); Langsamer (Slower) Time Signature: 4/4 with secondary section in 6/4 (including incidental measures of 3/4 and 4/4) Form: Rondo dialogue (ABABAB) Premiere: 1893 (sung by Paul Bulss, baritone) Ich kann […]
Listening Guide The Work Dates of composition: 1888-1898 Places of composition: Hamburg and Vienna Type of composition: 12 “Lieder und Gesänge” for solo voice in versions with piano and orchestral accompaniment. Orchestration: piccolo, 2 flutes, 2 oboes, English horn, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 2 trumpets, trombone, tuba, timpani, triangle, rute, military drum (tamburo […]
Listening Guide The Work Key: E minor; C major; F major; F minor (also F minor; D-flat major, ending In G-flat major/minor) Time Signature: 4/4 (3 measures in 5/4) Tempo: Mit geheimnissvol schwermüthigem Ausdruck. Ohne Sentimentalität (With mysterious and sad expression; without sentimentality) in the orchestral version (the Kritische Gesamtausgabe adds Alla Marcia in brackets). […]
Listening Guide The Work Key: D minor; G minor; E-flat minor (B minor in Rose manuscript) E minor in the piano version (for the high voice) Time Signature: 9/8 (4/4 at the close) Tempo: Stürmisch, wild (Stormy, wild) in orchestral score; Schnell und wild (fast and wild) in the piano score Form: Through-composed art-song form […]
Listening Guide The Work Key: D minor with a middle section in E-flat major (E minor and F major in the piano version for high voice) and ends in G minor. Tempo: Schneller; Langsamer (Faster; Slower) (Allegro; Langsam in the piano version) Time Signature: 2/4 (middle section in 6/8 with a single measure of 3/8) […]
Support the show
10 min
About Classical Podcasts
From the publisher's feed
We are convinced that lovers of classical music include people who are always looking for(1) music that they have not heard before that might attract them, and (2) the best performance of music that…
they are familiar with and already enjoy.This website was created to help these music lovers achieve both goals. We are uniquely able to fulfill this mission because we bring together two exceptional resources that are not available on any other classical music website: (1) a classical music record collection that includes over 60,000 recordings of more than 35,000 different pieces of music from every corner of the globe, representing every historical period from biblical times to the present — one of the largest collections of classical music in the world; and (2) the expertise of some of the best professional music commentators, musicians, and composers involved in the classical music world.With these unique resources, we present three specialized podcasts and the opportunity to respond to them through our blog: (1) "Buried Treasure" will introduce music from all periods and places, providing an opportunity to explore rarely heard works; (2) panel discussions on the interpretation of classical music in which well-established record critics will review recordings of more familiar works, play excerpts of the performances under review, and explain their individual standards for judging performance; and (3) a podcast in which one of the leading composers in New York interviews notable performers and composers, discussing with them the latest developments in classical music.