Back in 2022, I had the chance to talk with Anthony Rapp—which, for me, was both a thrill and a bit surreal. I’d been following him on Instagram for a while, and one day as I was leaving an audition here in New York I happened to walk right past him. I stopped for a second, unsure if I should say anything. But then I thought, "when am I ever going to run into him again? "So I introduced myself and mentioned that I had a podcast—and that I’d love to talk with him about his Broadway debut. Or more accurately, his almost Broadway debut in a musical called The Little Prince and the Aviator back in 1982.

Now, given how well-known he is—especially in the Broadway world—I figured he probably gets approached a lot. But he later told me that hardly anyone ever brings up The Little Prince. So we set up a time to talk, covering Rent, Star Trek: Discovery, and his other film and stage work. But a big part of our conversation centered on that short-lived 1982 musical that never actually opened on Broadway. I was so grateful to have him on the show… though I’ll admit, the audio wasn’t great at the time, and I didn’t have the tools to fix it. But now I do.

So just recently, on my theater history podcast Closing Night, I did a full deep dive into The Little Prince and the Aviator. That episode draws from two key sources: my conversation with Anthony—now with much-improved audio—and a fascinating memoir written by the show’s producer, Joseph Tandet. And I wanted to share it with you here, a story about a musical that aimed for the stars but never made it.

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Closing Night is a theater history podcast that dives into the stories of Broadway's famous and forgotten shows that closed too soon. And this season we uncover the mysteries of productions that never even made it to opening night. This is the second of two episodes about The Little Prince, where you'll hear firsthand from those involved, revealing just how unpredictable—and unforgiving—the path to Broadway can be.

Theme Music created by Blake Stadnik. Produced by Patrick Oliver Jones and WINMI Media with Dan Delgado as co-producer.

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