The Shed, a relatively new multidisciplinary arts institution in Manhattan, has already made a habit of presenting buzzy theater productions — including the current, sold-run of "King Lear" starring Kenneth Branagh. Artistic director Alex Poots talks about how that show grew out of a years-along rapport with Branagh, and how the Shed's theater work fits into the broader landscape of Broadway and New York theater.

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The Tony-winning actor James Monroe Iglehart on how he nails the legendary voice of Louis Armstrong in the new Broadway bio-musical “A Wonderful World” – and why he hopes his involvement as co-director of the show leads to more directing gigs in the future.

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The stars of the new Broadway musical adaptation of "Death Becomes Her" talk comic timing, macabre special effects, and why Hilty always knew "Death Becomes Her" would make a great musical.

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Darren Criss and Helen J. Shen, the stars of the new Broadway musical "Maybe Happy Ending," on cross-cultural storytelling, navigating their show's technologically complex set, and why robots are uniquely suited to telling a very human story.

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In this supersized episode of Stagecraft, we bring you three conversations from Variety's Business of Broadway breakfast, featuring the stars, creators and producers behind some of the biggest shows on Broadway this fall.

In our first conversation, Erik Piecuch of City National Bank moderates a discussion with the producers Hunter Arnold ("Maybe Happy Ending," "Othello"), Caroline Kaplan ("Redwood"), Mara Isaacs ("Gypsy," "Hadestown"), and Sammy Lopez ("How to Dance in Ohio," "JOB").

In our second talk, Variety's Rebecca Rubin talks with four of the stars of the new Broadway revival of "Our Town": Zoey Deutch, Jim Parsons, Ephraim Sykes and Michelle Wilson.

And in our final interview, Variety's Brent Lang talks to two of the creative forces behind the buzzy new revival of "Sunset Boulevard," star Nicole Scherzinger and director Jamie Lloyd.

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The Tony-winning playwright and Oscar and Tony-winning director talk memory, loss and making “The Hills of California,” their latest Broadway play. Plus: the joys and pitfalls of franchise moviemaking.

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The "Lost" and "Hawaii Five-0" actor takes listeners behind the scenes of his return to Broadway, portraying a flawed, fictionalized version of the playwright David Henry Hwang in Hwang's comedy of mistaken racial identities, "Yellow Face."

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Jeanine Tesori, the Tony winning composer of “Kimberly Akimbo” and “Fun Home,”

talks about her upcoming Metropolitan Opera debut, “Grounded,” and what it’s like when a musical theater composer finds herself working with an 80-piece orchestra and 60-voice ensemble. Also discussed: the launch of the “Kimberly Akimbo” national tour, the revisions she and David Lindsay-Abaire made to “Shrek,” and why “Soft Power,” the musical she wrote with David Henry Hwang, is like the Renaissance Faire.

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There's a new tarot deck that brings Broadway to the tarot through the work of legendary caricaturist Al Hirschfeld — and I got a taste of the deck in action with a reading from its creator, Emily McGill, in a conversation about the spirituality of theater, the "casting" of theatrical icons as specific tarot cards, and how theater fans might use the deck for insight and self-reflection.

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Talking with Tony-winning Broadway star, who says she’s playing “an unhinged version of myself” in the new Broadway revival of “Once Upon a Mattress.”

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