Two centuries ago, pastor Charles Simeon drew this lesson from the parable of the prodigal son: “Even the vilest sinners find their hopes not only realized but far exceeded. They come for pardon and obtain joy, for deliverance from hell and get a title to heaven. Their utmost ambition is to be regarded as the meanest of God’s servants, and they are exalted to all the honors and happiness of his beloved children.”

What role does clothing play in this well-known parable? The clothes prominently featured in the welcome home scene symbolize God’s grace and the celebration that occurs when a lost soul is found (v. 10).

After he had run far from home, the prodigal son “came to his senses” (v. 17). He decided to go home, confess his sin, and ask for mercy (vv. 18–19, 21). He only dared to ask to be taken back in a servant’s role. His loving father, however, welcomed him home immediately, with no conditions (v. 20). He barely seemed to listen to his son's rehearsed speech. What’s more, the welcome was extravagant! He called for the “best robe,” a ring, sandals, and a “fattened calf” for a feast (vv. 22–24). The ring may have been a signet ring, restoring him to full sonship. Why? “This son of mine was dead and is alive again; he was lost and is found,” the father exclaimed (v. 32).

The father in the story, represents God who has poured forth love and grace. Unlike human love, there is nothing limited or half-hearted about God’s love. The prodigal son in no way deserved to be welcomed back, much less with abundant celebration. This is the very reason God the Father sent His Son: “The Son of Man came to seek and to save the lost” (Luke 19:10).

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