Club Fusion by Party Favorz

This Club Fusion mix collects electro, house and progressive floor-fillers from BPM Edition 2010 Volume 4, assembled for peak-hour DJ sets and radio play in 2010. Running just over 90 minutes, the set strings together extended club mixes, remixes and a few mashups that pivot pop into the dancefloor. Highlights include David Guetta & Chris Willis with Fergie & LMFAO’s extended Gettin' Over You, a club-ready Jody den Broeder take on Christina Aguilera’s Not Myself Tonight, and Estelle’s Disco Fries remix. You’ll also find RuPaul’s Cover Girl mashup, a Wideboys remix of Gypsy Woman and an Almighty Club Mix of Usher’s OMG among the standouts.

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Electro, house and progressive selections from the BPM Edition 2010 series — Volume 4, Take 1 — presented as a continuous, club-ready mix. This 2010 compilation is built for peak-hour energy and singalong hooks, useful for DJs and home listeners who favor big-room remixes and extended edits.

Highlights include Karmatronic’s club overhaul of Train’s “Hey Soul Sister,” Mark Picchiotti’s Dirty South extended take on The Temper Trap’s “Sweet Disposition,” and The Gator Keeper remix of Lady Gaga vs. Starkillers’ “Alejandro.” Lazy Rich’s 2010 revamp of Fatboy Slim’s “Weapon Of Choice,” Boy George in the Sharp Boys extended club mix, and Roger Sanchez’s “2Gether” provide recognizable peaks while deeper progressive moments from Prok & Fitch and original extended mixes help the set breathe.

The mix moves between electro-driven edits and progressive grooves across 78 minutes, making it easy to drop into a Dance/Club set or listen straight through for an energetic snapshot of 2010 club sounds.

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Club Fusion mix BPM Edition 2010 Volume 3, Take 2 (2010) leans into electro-pop, progressive and funky house for late-night floors and radio-friendly club play. This OTH set was released as the curator prepared a brief sabbatical and a site refresh, offering a mainstream snapshot of early 2010 dance styles. Highlights include Chicane’s Come Back anchoring the progressive thread — the mix points out the chorus lift from Paul Young’s 1983 hit — plus electro-pop warmth from Jes’s Lovesong and Sophie Ellis-Bextor’s Bittersweet (Freemasons Club Mix). Club-ready turns arrive courtesy of Kelis (Acapella David Guetta Extended Mix), Beverley Knight (Bimbo Jones Club Mix) and Iyaz (Joey B Extended Remix), keeping the set vocal-forward and melodic. Running just over 79 minutes, the mix balances uplifting progressive passages with funkier house grooves and tight, radio-friendly edits. Expect smooth transitions, vocal hooks up front, and a concise, dancefloor-minded collection that reflects the era’s mainstream club sensibility.

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This Club Fusion mix — BPM Edition 2010 Volume 3, Take 1 — is a 2010 dancefloor set that leans into electro, house and progressive while deliberately tipping toward mainstream club cuts. The nearly two‑hour mix opens smooth, shifts about a third of the way in to harder, head‑banging party energy, and then eases into brighter, happy‑house finishes.

Highlights include Cahill’s club reworks of Inna and Agnes up front, Kaskade’s extended take on Lady Gaga’s “Telephone,” and crossover edits from DJ Dan and Wideboys sprinkled among pop‑leaning turns by Rihanna and Ke$ha. The sequence favors familiar vocal hits retooled for peak‑time impact but keeps variety through a broad range of remix producers, from funkier disco remixes to acid‑tinged club takes. This is the first half of a two‑part BPM Edition and reads as a confident, party‑ready selection for big‑room moments rather than deep underground exploration.

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This 2010 electro and house mix from the Black and Blue series collects club-ready remixes and progressive edits across a 91-minute set. Volume 2 leans on pop-to-club conversions and peak-time reworks designed to keep the floor moving, with multiple Dave Aude club mixes anchoring the sequence. Highlights include Tommie Sunshine’s 5am remix of The Ting Tings, Liam Keegan’s take on Eminem and Rihanna, and Fred Falke’s revision of Dido. The package also features a Freemasons club mix of Hurts, a David Guetta-linked remix of Flo Rida, plus turns from DJ Dan and The Ones for old-school and electro-house variety.

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Club Fusion electro and house mix Black and Blue Volume 1 (2010) gathers 90 minutes of peak-floor remixes and progressive edits built for dancefloors and radio-friendly DJ sets. The mix leans into producer-driven reworks that bridge mainstream pop and underground club energy, moving from vocal anthems to festival-ready instrumentals. Highlights include Avicii’s extended vocal edits on Tim Berg and Robyn, Tiësto’s remixes of Robbie Rivera and Dirty South, and an extended take from Armin van Buuren with Sophie Ellis-Bextor. Kaskade’s Sultan & Ned Shepard remix of “Fire In Your New Shoes” and Donna Summer’s DJ DLG Lazor Disco Mix add melodic house and disco-leaning textures that keep the flow dynamic. This compilation works as a snapshot of 2010’s crossover remix culture and a practical reference for set programming—useful for DJs assembling peak-time blocks or listeners who want a focused electro/house journey with recognizable vocals and club-ready drops.

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This Club Fusion mix — BPM Edition 2010 Volume 2, Take 3 (2010) — is a peak-hour collection of electro, house and progressive cuts built for big-room late-night floors. The set leans into darker progressive moods while keeping melodic hooks front and center across roughly 79 minutes of club-ready material.

Highlights include Mr. Malo’s update of S'Express and System F’s Out Of The Blue 2010 as reworked by Hi-Tack, both nodding to their originals while beefing up the synth drama for contemporary floors. Ultra Nate’s Free 2010 (Teo Moss & Daniel Shems remix) takes a progressive tack, while Giuseppe D.’s Tune-Adiks remix of Company B’s Fascinated and Gramaphonedzie’s remix of The Young Punx’ Ready For The Fight add gritty, late-night depth. The Behrouz remix of Toni Braxton’s Make My Heart provides a soulful house counterpoint amid the darker momentum.

Overall, the mix favors late-night intensity and layered melodies over radio edits, ideal for listeners who want peak-hour energy with familiar hooks and updated remakes.

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This Club Fusion episode — BPM Edition 2010 Volume 2, Take 2 — is a 2010 dancefloor-minded mix built for electro, house and progressive sets. Clocking in just under 78 minutes, the set is designed for mixing and CD burning, rolling through vocal club edits and remixes that sit between peak-time energy and radio-friendly hooks.

Highlights include the Jump Smokers-tinged Vassy opener, Paloma Faith’s Cahill club rework, and a Dave Aude take on Mary J. Blige that keeps the momentum moving. Delerium’s Sultan & Ned Shepard remix of “Dust In Gravity” and the Bob Sinclar & Sahara cut featuring Shaggy add melodic breadth, while the Redlight remix of Ke$ha’s “Blah Blah Blah” brings a darker, club-ready finish. The mix favors strong vocal remix work and progressive builds, making it a versatile listen for DJs and fans of polished 2010 club production.

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Club Fusion presents BPM Edition 2010 Volume 2, a 2010 electro/house/progressive mix built for peak-floor energy and radio-to-club crossover play. This take gathers club-ready remixes and upbeat reworks meant to slot into DJ sets and parties while showcasing remix craft from the era.

Highlights include Lifehouse’s Halfway Gone reworked by Jody Den Broeder, Adam Lambert’s Whataya Want From Me in the Fonzerelli club version, and Kelis’s Acapella rebuilt by Dave Aude. The set also leans into party-minded cuts like Spankers’ Sex On The Beach, School Gyrls’ Something Like a Party, and Rachel Ellektra’s Playing With Knives featuring Angie Brown, balancing familiar vocal hooks with hard-hitting house production.

Clocking in around 80 minutes, this volume is a concise snapshot of 2010 club tendencies—dancefloor-focused, remix-forward, and ready for DJs looking to bridge pop and club energy.

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This Club Fusion mix is BPM Edition 2010 v1 Take 3 from 2010 — a high-energy electro/house/progressive DJ set built to push the heart rate and keep the dancefloor moving. The mix leans on club-ready remixes and punchy edits, only letting up in the final tracks to cool the pace.

Highlights include DJ Fast Eddie’s Can U Dance (Hatiras Remix), Goldfrapp’s Rocket (Tiesto Remix), and Deepswing’s In the Music (Cristian Marchi Perfect Remix), with Samantha James’ Waves Of Change (Kaskade Extended Remix) closing things out on a smoother note. Peak-hour moments come courtesy of Seamus Haji vs. Mark Knight & Funkagenda’s Good Times and Kristine W’s The Power of Music, while bootlegs and reworks keep the energy relentless across the roughly 98-minute runtime. For listeners who like focused, workout-friendly mixes with tight transitions, this Take 3 delivers a serviceable, club-oriented ride through early-2010 dancefloor sounds.

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