In this episode, we prescribe Buffy Sainte-Marie's 1964 beautiful folk-drone masterpiece "Cod'ine"(1:08). It's a harrowing tale of opiate addiction, and Buffy delivers a hair-raising, frightening vocal performance that'll scare you straight. Dare we say "it's as relevant today ..."? We also discuss her immense legacy,  especially her incredible appearances on Sesame Street in the 70s. The first garage verzh we present is by Matthew Moore Plus Four, who retitle the song "Codyne (She's Real)" and seem to make the song about a girl?!?! (1:03:02).  These guys set the song in a Stones-y streetscape and we like it. The third dose comes from The Leaves,  those folk-rockers who gave you "Hey Joe" and "Too Many People"  (1:34:25).  Their take is jazzy and space-y: stand-up bass and a lot of kick drum keep this one heavy. The boyish vocals in this one really contrast with Buffy's wizened howls, but they are effective. It's real, three times!!

In this episode, we prescribe Buffy Sainte-Marie's 1964 beautiful folk-drone masterpiece "Cod'ine"(1:08). It's a harrowing tale of opiate addiction, and Buffy delivers a hair-raising, frightening vocal performance that'll scare you straight. Dare we say "it's as relevant today ..."? We also discuss her immense legacy, especially her incredible appearances on Sesame Street in the 70s. The first garage verzh we present is by Matthew Moore Plus Four, who retitle the song "Codyne (She's Real)" and seem to make the song about a girl?!?! (1:03:02). These guys set the song in a Stones-y streetscape and we like it. The third dose comes from The Leaves, those folk-rockers who gave you "Hey Joe" and "Too Many People" (1:34:25). Their take is jazzy and space-y: stand-up bass and a lot of kick drum keep this one heavy. The boyish vocals in this one really contrast with Buffy's wizened howls, but they are effective. It's real, three times!!

In this episode, we prescribe Buffy Sainte-Marie's 1964 beautiful folk-drone masterpiece "Cod'ine"(1:08). It's a harrowing tale of opiate addiction, and Buffy delivers a hair-raising, frightening vocal performance that'll scare you straight. Dare we say "it's as relevant today ..."? We also discuss her immense legacy,&nbsp; especially her incredible appearances on Sesame Street in the 70s. The first garage verzh we present is by Matthew Moore Plus Four, who retitle the song "Codyne (She's Real)" and seem to make the song about a girl?!?! (1:03:02).&nbsp; These guys set the song in a Stones-y streetscape and we like it. The third dose comes from The Leaves,&nbsp; those folk-rockers who gave you "Hey Joe" and "Too Many People"&nbsp; (1:34:25).&nbsp; Their take is jazzy and space-y: stand-up bass and a lot of kick drum keep this one heavy. The boyish vocals in this one really contrast with Buffy's wizened howls, but they are effective. It's real, three times!!

Cod'ine

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Share Cod'ine

Sign up to save your podcasts

Cod'ine

Cod'ine

More shows like In The Past: Garage Rock Podcast

Pivot

The SBL Podcast

Retrospect '60s Garage Punk Show

Pod Save America

Conan O’Brien Needs A Friend

The Al Franken Podcast

Politics War Room with James Carville & Al Hunt

The Daily Beast Podcast

The Rest Is History

The Ezra Klein Show

Fly on the Wall with Dana Carvey and David Spade

The Rest Is Politics

Club Random with Bill Maher

The Rest Is Politics: US

Inside Trump's Head