On this week's show, we come slithering into your feeds with one of James Gunn's earliest pictures, the gross-out creature feature, Slither. How many sex jokes can you sneak into a movie about how these aliens propagate? How many Grant Grant puns can one of our hosts find? We've got early Nathan Fillion and Elizabeth Banks, with a bonus side of Michael Rooker as we go back in time with the man who's currently running the DCU. 

We're trying something a bit different this week as we open the chatterbox to discuss Mike Flanagan's Netflix mini-series, Midnight Mass. How many monologues can you fit into seven episodes? Is that boat scene one of the best plot twists of all time? And holy crippety crap, that Hamish Linklater performance! We drop all of our thoughts as we do a greatest-hits rip through a series that we all feel pretty strongly about. 

We're knocking out another classic from the horror canon this week as we have ourselves a wee little chat about M. Night Shyamalan's breakout hit, The Sixth Sense. Is this twist right up there with Darth Vader being Luke Skywalker's dad as the worst-kept secret in cinematic history? Does the trailer spoil too much of the movie? And who is giving the best performance in this powerhouse multiple-Oscar nominee? All of that and more on the latest episode of Coffin Fodder. 

While we eagerly await our next proper episode on M. Night Shyamalan's The Sixth Sense, we've quickly cobbled together a nice and easy conversational episode about some of the absolute worst horror movies we've ever seen. Along for the ride are gems like The Wicker Man, Jeepers Creepers 2, The Forgotten, House of the Dead, and many more. 

Hallelujah, friends, our newest episode is here at last, and for our fashionably late return, we're sitting down with previous guest host Dan Worby to talk about Karyn Kusama's absolute knockout psychological thriller, The Invitation. How much research did they do to get this movie so close to feeling like an actual cult? How long can you hold your breath until things finally pop off? And just how many bodies are gonna hit the floor by the end? All of this and more on our latest episode. 

On this week's banner episode of the show, we're discussing Richard Donner's horror classic, The Omen. Just how many of those magic dogs are out there? Is politics indeed the place where the antichrist would most likely appear? And what's the Satanists' endgame after mankind destroys itself? All of this and more in our latest hourish program.

As we return from our summer break, we're back on our Sam Raimi kick with the fun ass Romani curse movie, Drag Me To Hell. How much punishment can poor Alison Lohman go through in this movie, and how much nasty stuff can go either on her face or in her mouth? This one's not for the squeamish. So come on in and sit down with a glass of embalming fluid for a very silly time.

On what is undoubtedly our silliest and stupidest episode thus far, we're talking the third Evil Dead movie, Army of Darkness. It's a neck-and-neckbone competition between skeleton puns, dumbass reaction shots, and ridiculous cartoon logic as we chat about probably the dumbest and most fun movie in Sam Raimi's catalog. Also, please note that we're taking a couple of weeks off to enjoy the summer breeze after this, but rest assured that we'll be back soon for more spooks and scares. 

On our fourth conversational episode, we journey back in time to our formative years to discuss what made us horror fans to begin with. From genre fare like The X-Files and Buffy the Vampire Slayer to our first true horror movies like Scream and I Know What You Did Last Summer, these are the wee seedlings from whence our happy horror show began. 

As we enter the dog days of summer, our wee trio sits down to discuss the new hotness of Curry Barker's surprise horror hit, Obsession. Has there been any performance this year that set the world on fire the way Inde Navarette did here? Is Bear the villain of his own horror movie? And, finally, settle in for one of the best shock kills in years as we dissect this gnarly new vision of horror.