This episode I'm joined by my buddy and color grader, Reed Means again to continue our discussion about color, both in movies and stills, and just what the language of color means for the way we express ourselves with our art. 

Colorful language can really be observed in movies (and I'm not talking four-letter words here) because color helps a story along by setting an emotional tone to a scene. So how does that translate to still images? Does it translate to still images?

Stills have a slight disadvantage when it comes to this because they have to package everything into one still frame. Your eye needs to be caught and your emotions grabbed immediately. There are no preceding scenes to get you prepared for what you're about to see.

Expect more episodes with Reed in the future as we continue this great discussion about color.

Show Links:

Reed's mushroom shots:

David LaChapelle's Shot: