In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by comedian Lauren Mitchell (host of the @cavernofsecrets podcast) to discuss Death Cab For Cutie’s enormous 2003 hit Transatlanticism. The podcast will explore bands that performed at The Bait Shop on the hit show The OC, which served as a snapshot and elevator of the early-2000s indie rock scene. Find out more about Ben Gibbard’s workmanlike songwriting approach for Transatlanticism, what character Lauren compares Jake to a grown-up and divorced version of, and what teenage attachments the group has to Death Cab on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are just two boys talking about Just A Girl as they dive deep on No Doubt’s 1995 classic Tragic Kingdom. They’re also joined briefly by Cassie Leigh Clancy (@cassleigh, co-host of the @restingonpod podcast) to discuss the fashion side of Gwen Stefani’s legacy. Find out more about some of the controversy around Stefani’s more problematic choices in that regard, how Stefani became a major pop culture influence coming out of Tragic Kingdom, and how an in-band relationship made for a powerful, if awkward, songwriting process on this week’s podcast.

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We’re that band, Radiohead. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by music and culture writer Josh Terry (@JoshhTerry) to break down Radiohead’s 2007 album In Rainbows. With a handful of interesting Radiohead options, the guys go the In Rainbows route out of deep appreciation, but maybe not because it’s their No. 1 Radiohead album. You, too, surely have a Radiohead album ranking take. Find out more about that choice, how Radiohead stayed ahead of the curve in a dynamic record industry environment in the mid-2000s, and why Scott Tenorman must die on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy circle back to another influential album, The Cure’s 1989 masterpiece, Disintegration. Part two, as Robert Smith tells it, of a three-part trilogy that spans 18 years and eight of their 13 records, Disintegration is The Cure at their best, with Smith’s songwriting and vocals at their peak and the ambition of the overall musical environment pushing the album to a new height for the group. Find out more about which of Smith’s anxieties pushed him toward this sound for the album, the carousel of band members over their 40-plus years together, and whether The Wedding Singer holds up on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy are joined by basketball and culture writer Alex Wong (@steven_lebron, stevenlebron.com) to break down Lil Wayne’s 2008 smash hit, Tha Carter III. At the very peak of his power as the self-proclaimed Best Rapper Alive, Lil Wayne goes way outside of the usual rap album construct to push himself and the listener creatively. There are some misses as a result, but Wayne’s claim to be atop the game in that moment holds up well. Find out more about the long wait between Tha Carter II and III, Lil Wayne’s impact on a number of hip-hop subgenres, and how Lil Wayne provided a pathway for artists controlling their music in the online era on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy realize it was time for them to Give The Drummer Some by diving deep on Travis Barker’s solo album of that name. Yes, Barker had a solo album. Yes, it kind of rules. No, rap-rock will never die. Find out more about Barker’s sad and arduous road to creating his solo project, the incredible list of hip-hop artists Barker finds to rap over his drums and synths, and what weird moment in rap the success of Barker’s partnership with one artist inspired on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into one of a handful of blink side-projects, +44’s lone album, When Your Heart Stops Beating. The unofficial follow-up to blink’s untitled album, +44 sees Mark Hoppus and Travis Barker continue down that same road, with Hoppus trying to extend himself creatively but ultimately reining himself back in. Find out more about where +44 fits in the blink fracture, why they don’t utilize Carol Heller more, and how Barker’s newborn affected the duo’s new found on this week’s podcast.

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Breathing deeply, walking backwards. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive back into one of the seminal works of not only the pop-punk explosion but of all of early-2000s pop culture, Blink-182’s Take Off Your Pants and Jacket. It was time for a blink episode, as a key moment in the podcast’s origin story involved our hosts quite lubricated on the first tour with Matt Skiba. Find out more about how the making of Take Off Your Pants and Jacket was the first fissure for Tom DeLonge and Mark Hoppus, whether it holds up better than Enema of the State or Dude Ranch, and what the best two-song pair on any blink album is on this week’s podcast.

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A can of matches, a can of kerosene, a bad idea. In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy revisit what they agree to be the best Alkaline Trio album, 2003’s Good Mourning. Even with the podcast still in its relative infancy, this almost felt overdue – Jake and Blake began their friendship arguing about the ranking of Alkaline Trio albums on Twitter. Find out more about how challenging Good Mourning was for the band to write and record, how Blake channels Matt Skiba with some voice issues of his own, and the more contentious rankings of Alkaline Trio albums outside of the top two on this week’s podcast.

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In the latest episode of Columbia House Party, hosts Jake Goldsbie and Blake Murphy dive into an album that is inextricable from every episode that’s come before or will come after, the 1989 classic Doolittle from Pixies. It’s just Pixies, by the way. The impact Pixies had on all of alt-rock, pop-punk, and the subgenres between is well established but becomes obvious through a deep re-examining of their most prominent work. Find out more about which modern bands the guys hear Pixies in most, how the relationship between Black Francis and Kim Deal began fracturing, and what the hell Un Chien Andalou is on this week’s podcast.

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