Recorded at the Battle of Ideas festival 2025 on Saturday 18 October at Church House and the Abbey Centre, Westminster.

ORIGINAL INTRODUCTION

From Yes Minister to The Thick of It, the political class has always been a go-to topic for comedians and satirists. But in a world in which political developments have become so extreme and self-satirising, is it still so easy to find laughs in the corridors of power?

Regardless, politics seems to impact on how we assess comedy too. When British comedian Sam Nicoresti became the first transgender person to win the £10,000 award for Best Comedy Show at the Edinburgh Fringe, some questioned if this was more political virtue-signalling than an assessment of comedic brilliance. Nicoresti’s statement added fuel to this disquiet: ‘I did this for the queers making weird art, and it’s a privilege to share this moment with the first all-female line-up of award winners.’

Mixing comedy and politics can be a double-edged sword. In an era of identity politics and offence culture, irreverence about political orthodoxies often collides with everything from hate-speech laws to cultural taboos, leading to cancelled shows, boycotts or social media storms. Ricky Gervais’s infamous monologues mocking ‘woke’ culture regularly draw ire from celebrities and media, even if loved by millions.

While humour can critique politicians effectively, be an edgy way of holding power to account and even spark public debate by saying the unsayable in an engaging way, what happens if comedy itself becomes politically partisan? After all, alternative comedy’s embrace of progressive, right-on, liberal orthodoxies has arguably become a ubiquitous way of squeezing out dissenting comic voices. What happens if anti-woke comedians stop making good jokes and simply ‘sing to the choir’?

With the stakes seemingly higher than ever, and comedians taking robust political stances of their own, does comedy risk become simply another form of propaganda?

SPEAKERS

Nicholas De Santo

Leo Kearse

Intel Lady

CHAIR