Completely Conspicuous

Completely Conspicuous

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Completely Conspicuous episodes

  • Completely Conspicuous 505: Europe '72

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's live triple album Europe '72.

    Show notes:

    - Recorded at CompCon world HQ

    - Triple album documenting the Dead's European tour

    - Displays new Americana sound

    - Mickey Hart's gone, Keith and Donna Godchaux join

    - Full tour was documented on a 73-CD box set

    - Letting it all hang out at an Oregon show

    - Garcia and Weir released solo albums this year

    - The Dead's influenced ranged wide, eventually including members of punk/indie acts like Black Flag and Meat Puppets

    - Greg Ginn, noted Deadhead

    - The greatness of "Jack Straw"

    - Later covered by eventual guest keyboardist Bruce Hornsby

    - Grateful Dead keyboardists : Spinal Tap drummers

    - "A long f-ing album"

    - Unrelated: The Dirtbombs rule

    - "China Cat Sunflower" sounds very different here than the original

    - This is Peak Dead

    - The band captured the communal live experience and attracted a huge following

    - When you party too hard before the show

    - Pigpen's last hurrah

    - "Morning Dew" is stretched out to 10+ minutes of apocalyptic jam

    - Tangent: Janelle Monae is great

    - Variety is important

    - No more guilty pleasures

    - Waaaaaaay off topic

    - The strange career of Robert Palmer

    - Phil: Europe '72 is like comfort food

    - Next up: Wake of the Flood

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    1 hr 13 min
  • Completely Conspicuous 504: American Beauty

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's album American Beauty.

    Show notes:

    - Recorded at CompCon world HQ

    - Cover art could also be read as "American Reality"

    - Also released in 1970; recorded a few months after Workingman's Dead came out

    - Even more countrified, Americana-sounding

    - Mickey Hart was on his way out, less involvement

    - Featured on Freaks and Geeks episode where Lindsay gets into the Dead

    - Half the album features "hits": Box of Rain, Friend of the Devil, Sugar Magnolia, Ripple, Truckin'

    - Very low-key record

    - Play Ripple at Phil's funeral

    - On 50th birthday playlists

    - Phil's idea for a playlist: 5 songs from every year of his life, no repeat artists

    - Around this time, the Dead started really growing their fanbase

    - Dead fans started following them on tour

    - A lot of guests, including David Grisman

    - This album isn't as dark as the previous one

    - Another fairly concise record

    - The Dead played the old Boston Tea Party club (now House of Blues) on New Year's Eve 1969

    - The sound on this album is more timeless than the original acid-rock

    - Jay: Just say no to DMB

    - Phil: More into the Dead's music than the scene

    - Truckin' is autobiographical, all about touring and getting hassled by the Man

    - Ends the album on an upbeat note, with some ripping lead guitar

    - Next up: Europe '72

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    41 min
  • Completely Conspicuous 503: Workingman's Dead

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's 1970 album Workingman's Dead.

    Show notes:

    - Recorded at CompCon world HQ

    - First show of the new year

    - Workingman's Dead is the band's 4th studio album

    - First of two releases in '70

    - Recorded in nine days

    - Stripped down sound, less psychedelic

    - Garcia and Robert Hunter wrote the whole album

    - Folk, country, Americana elements

    - Rock was moving away from psychedelia, toward singer-songwriters and acoustic sounds

    - Bookended by two of the band's biggest songs

    - More of an emphasis on vocals like Crosby, Stills and Nash

    - "Suite Judy Blue Eyes" as a torture device

    - Phil: Prefer live Dead, but still break out the studio albums on occasion

    - Warm sounding record

    - "New Speedway Boogie" is about Altamont

    - Recently covered by Courtney Barnett

    - Hunter's solo releases are all over the place

    - Jay: Only heard two songs before

    - Fairly concise album; not much jamming

    - Moved away from acid blues into a new direction

    - "Easy Wind," sung by Pigpen, was the outlier

    - Like the Entwistle song on a Who album

    - "Casey Jones" evolved in an interesting way over the years

    - Talking about cocaine

    - Next up: American Beauty

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    47 min
  • Completely Conspicuous 502: Telling You How We Really Feel

    Part 3 of my conversation with guest Jay Breitling about our favorite music of 2018.

    Show notes:

    - Recorded at Clicky Clicky world HQ

    - Featuring special guest/studio audience member Ric Dube

    - On to our top 5 selections

    - JK's #5

    - An unexpectedly great album from a member of the Strokes

    - JB's #5

    - Weird shoegaze straight outta Philly

    - JB's #4

    - More excellent Philadelphia indie rock

    - JK's #3

    - Angry, angular UK rock act that has listened to the Fall

    - JB's #3

    - "I had difficulty finding fault with this record"

    - Esteemed YoLa-ologist in the house

    - YLT keeps doing its own thing

    - JK's #2

    - Another fine double album from an interesting Toronto act

    - Where hardcore meets prog

    - Lots of guest vocalists

    - JB's #2

    - Sweeping orchestral material, hot jams

    - Bands still make videos for some reason

    - Picking and choosing from the catalog

    - JK's #1

    - A political record released early in the year that still resonates

    - Fiery live show to go with the album

    - Countering a master of distraction

    - The kids with the vaping and the pot smoking and the whatnot

    - It's a strange time to be alive

    - JB's #1 and JK's #4

    - Bit of a grower

    - A darker, moodier album than her previous work

    - Terrific live performer

    - Dube: Became a fan by complete accident

    - Doobs recommends the Salad Boys

    - New stuff on the horizon: Bob Mould, Pedro the Lion, Mike Krol, Swervedriver, Telekinesis

    - Johnny Foreigner reunion seems unlikely

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    53 min
  • Completely Conspicuous 501: Make With the Counting Down Already

    Part 2 of my conversation with guest Jay Breitling about our favorite music of 2018.

    Show notes:

    - Recorded at Clicky Clicky world HQ

    - Featuring special guest/studio audience member Ric Dube

    - JB's #10/JK's #9

    - On-again, off-again band led by Steve Hartlett

    - Ah, the old "sweatpants-with-beers-stuffed-down-the-legs" deal

    - Reminiscent of "Bug"-era Dino Jr.

    - JK's #10

    - Labelmates of Parquet Courts with similar sound

    - The downside of "Music Limited"

    - JB's #9

    - Boston act traffics in "millennial mopery"

    - Lo-fi, self-released effort

    - Stickin' it to the Man with his Bandcamp URL

    - JK's #8

    - Released on 1/1/18

    - Fueled by political frustration and anger

    - A "fun protest album"

    - JB's #8

    - Brand new record from a UK supergroup

    - Long-awaited followup to 2007 debut

    - Rhythmically diverse look at British culture

    - Whither Gorillaz?

    - JK's #7

    - The 12th studio album from power-pop masters

    - Four songwriters who each wrote three songs

    - Consistently great

    - The fun of hunting down B-sides and rarities before artists started releasing compilations/reissues

    - The ability to fall asleep on your feet while at a rock concert

    - JB's #7

    - A good record from a guitar wizard

    - Less volume than his main gig

    - "Relatively understated throughout"

    - JK's #6

    - An expansive effort from a prolific indie act

    - Branching out their sound with more danceable songs

    - Voicing political outrage

    - JB's #6

    - Venturing into jazzier realms

    - Led by one of the more interesting guitarists of last 25 years

    - Avant-rock/jazz; "it's not like Kenny G"

    - Next: The top 5

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    48 min
  • Completely Conspicuous 500: Less Rock, More Talk

    Part 1 of my conversation with guest Jay Breitling about our favorite music of 2018.

    Show notes:

    - Recorded at Clicky Clicky world HQ

    - Featuring special guest/studio audience member Ric Dube

    - The decline of rock's popularity

    - Album sales are way down

    - That time the Melvins hit the Top 200 albums chart

    - Apple's going to work with the Amazon Echo soon

    - Breitling pays for the Amazon Music "Talky Talky"

    - The youths don't pay for physical media anymore

    - Ric's family has Spotify, he has dedicated streaming of his own collection

    - Modern country is doing big business, relatively speaking

    - Pop music is doing well

    - Most rock acts make money through touring, not albums

    - The Stones are still touring

    - Mick and Keith were considered "old" in their mid-30s

    - Breitling: The year's music really picked up in the second half

    - New Mary Lattimore release is enjoyable

    - Ric: Enjoying Brian Eno's latest release, which is a $30 app

    - Kumar: Honorable mentions include Tony Molina, Slaves, Thin Lips, Arthur Buck, Buffalo Tom, Joyce Manor, Swearin, Stove, Screaming Females

    - Breitling: Master System, Palm, Superchunk, Frankie Cosmos, Kurt Vile

    - Next: We count down our top 10 albums

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    1 hr 5 min
  • Completely Conspicuous 499: Live/Dead

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's first official live album, Live/Dead.

    Show notes:

    - Recorded at CompCon world HQ

    - Live/Dead was released in 1969

    - There weren't a lot of live albums released then

    - The band did it as a make-good to the label after some poor-selling albums

    - Recorded at the Fillmore West

    - Songs evolved in live setting

    - At the time, it was unusual to play extended jams

    - Music fans really focused on albums back in the heyday of vinyl

    - The first thing you hear on the album is 23-minute "Dark Star"

    - Now for the tuning section

    - Phil: Have listened to 250-300 Dead bootlegs

    - Bootleg tape trading was huge in the '70s and '80s

    - Archive.org, Nugs.net have tons of Dead shows

    - On a lot of '70s-era live albums, bands went in and re-recorded songs or parts of songs

    - Some bands perfectly recreate their studio sound

    - "Death Don't Have No Mercy" is reminiscent of Zeppelin's "Since I've Been Loving You"

    - When this album came out, FM radio was in a very experimental place

    - Some stations would play album sides or even entire records

    - "St. Stephen" is a standout

    - Jay: I've been impressed so far

    - Phil explains the Dead to his kids

    - Seeing a dude doing coke off his dashboard at a Dead show

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    51 min
  • Completely Conspicuous 498: Aoxomoxoa

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's third album, Aoxomoxoa.

    Show notes:

    - Recorded at CompCon world HQ

    - Aoxomoxoa was released in 1969

    - A big year for rock music

    - Tons of legendary albums came out: Zeppelin, Who, Beatles, Neil Young, Stooges, MC5, Stones

    - First two Dead albums were commercial failures

    - Went way over budget in studio, stuck to their guns

    - Very experimental sound

    - Robert Hunter contributed lyrics to most of the album

    - Songs featured eccentric characters, way out lyrics

    - Plenty of drugs were part of the process

    - The old West, the devil, the rose were recurring themes

    - First album ever recorded using 16-track technology

    - Band spent $180k on the album

    - Jay: A lot to like about this album

    - "Dupree's Diamond Blues" sounds like a Kinks song

    - "What's Become of the Baby" is 8 minutes of weirdness that should have been left off album

    - When bands release unnecessary hits compilations

    - There was a definite '60s resurgence in the mid-80s that led to growth in popularity of the Dead at colleges

    - And then jam bands really caught on: Phish, Allman Brothers, Blues Traveler, Widespread Panic

    - Iconic Dead skull and lightning bolt logo was released in '69

    - Phil: Band was very good at mobilizing fanbase

    - Dead merch is so unique and well-known

    - The confounding popularity of "Africa"

    - "China Cat Sunflower" is a Dead classic

    - Some songs evolve in concert, some don't get played at all

    - Aoxomoxoa sounds like the Dead

    - Jay: Jams can be fun, but you don't necessarily want to put them on a record

    - We'll listen to more live stuff vs. studio albums going forward

    - Next up: Live/Dead

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    49 min
  • Completely Conspicuous 497: Anthem of the Sun

    I'm joined by guest Phil Stacey as we discuss the Grateful Dead's second album, 1968's Anthem of the Sun.

    Show notes:

    - Recorded at CompCon world HQ

    - Anthem of the Sun was recorded in 1967, released in '68

    - Very experimental, similar to Zappa's song splicing in the '70s

    - Studio and live performances mixed together

    - An early concept album

    - Songs would evolve through the years in performance

    - Robert Hunter makes his first appearance as a lyricist on this album

    - Producer grew frustrated with the band and left during the recording

    - The sound of "thick air"

    - Triple kazoo attack

    - The Dead must have been a shock to fans of bubblegum pop

    - Live, the Dead mixed up their shows every night

    - This album sounds more jammy, like you would expect a Dead album to sound

    - A lot of covers of bluegrass, country, jug bands, blues

    - Pearl Jam adopted the Dead practice of releasing official bootlegs of shows

    - The Dead used to do more audience banter, but recent incarnations of the group just play with minimal talking

    - Anthem of the Sun was the next step in the evolution of the band's sound

    - Next up: Aoxomoxoa

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    30 min
  • Completely Conspicuous 496: Dead Ahead

    I'm joined by guest Phil Stacey as we dig into the catalog of the Grateful Dead, starting with the band's 1967 debut.

    Show notes:

    - Recorded at CompCon world HQ

    - Other podcasts have focused on catalogs of U2, R.E.M., Phish, The Tragically Hip

    - Looking at the Dead album by album

    - Phil's a tie-dyed in the wool Deadhead, Jay has only superficial knowledge of the band

    - Phil: Got into the Dead in the mid-'80s, saw them live in '89

    - Attracted by the musicianship, lyrics

    - Live is where the band really shines

    - Every show was different

    - The solo work from Jerry Garcia and Bob Weir was pivotal as well

    - Songs would be played live years before it showed up on an album

    - Band's biggest hit, "Touch of Grey," was first played live in '82 but became a single five years later

    - Jay: More into hard rock, metal as a kid

    - Got into alternative and punk

    - Would hear some Dead songs on classic rock radio

    - The tribute comp Deadicated introduced me to more Dead songs

    - Self-titled debut has a different sound than the one they evolved into

    - Recorded in four days

    - Only got up to #73 on album charts

    - Mostly covers of folk and jug band songs

    - Band took a lot of speed during recording, which shows in the songs

    - Garcia rips on guitar throughout

    - Not too much jamming on record

    - Psychedelic rock was starting to happen in general

    - Live versions of these songs were much longer

    - Most Dead shows were 2.5 to 3 hours

    - Jay: Really liked "Cold Rain and Snow," "Viola Lee Blues"

    - "Sitting on Top of the World" bears some resemblance to Allman Brothers

    - Phil: Garcia was very prolific, always playing guitar

    - Bob Weir gave up the short shorts for cargo pants

    - John Mayer plays with Dead and Co. now

    - Surviving Dead guys are in their 70s now

    - Not your typical Dead album

    - The band didn't like how it was recorded

    - Next up: Anthem of the Sun

    Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!

    The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

    37 min

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