The latest installment of Chris Ruggiero's monthly Preservation Sound Radio show brought forth members of Hamden/New Haven's Blake Street Gut Band including Bobo Lavorgna and DeArmond Mourgen, with Brendan Toller along for the interview ride. 

Ruggiero featured the band's newly released 1969 demo The Kaleidescope Sessions recorded locally at Kaleidescope Studio, Dixwell Avenue in Hamden, CT the week of December 22, 1969. The show also dove into rare Connecticut music from the 60s and 70s. A must-listen for anyone curious about the Connecticut rock 'n' roll scene of the 60s and 70s. Available for your listening pleasure through...

Archived here on the Connecticut Music Oral History Podcast due to the historic nature of the content at hand!

Hank Hoffman, now retired, was the former executive director and programming director for Best Video Film & Cultural Center in Hamden. An archivist of the New Haven original rock music scene since the late 1970s, Hank has cassette and digital recordings he's made at hundreds of shows. Along with being a fan and supporter of the local music scene, Hank has been a musical participant as both a live performer and recording artist with the psychedelic pop group Happy Ending and punk band Dada Banks. In addition, Hank released two studio mini-albums of psychedelic pop in 2020 under the name The Alex Butter Field, backed by a who's who of local music luminaries.

This episode features, Karen Ponzio, arts and culture journalist for the New Haven Independent. Karen has shared her poems, displayed her artwork, and hosted a variety of live shows at venues throughout the New Haven area over the past ten years as well as the CygnusRadio.com show The Word According to KP which featured both poetry and music. Here’s our conversation…

https://www.karenponzio.com/

Welcome to another installment of the Connecticut Music Oral History Podcast. This episode features Westport’s own Barbara Reis, a musician, composer, and music therapist whose travels took her to Julliard, High School of Music and Arts, University of Michigan, Tanglewood, the Brill Building, Westport Country Playhouse and theater committee. Barbara’s story is truly inspirational and vital to anyone who considers themself an artist.

The Connecticut Music Oral History Podcast returns with an interview conducted all the way back In February of this year (2023). It’s a complete deep dive with hip hop artist and documentary filmmaker, Jim Slice. From growing up in and around the advent of hip hop culture, performing all over the globe with New Haven’s Stezo, and now documenting Connecticut’s Skinny Boys and the legend of 70s funk band, Skull Snaps; Jim Slice’s story is integral to the foundation and evolution of hip hop. Enjoy the ride…

Buckle up for Gary of Gee’s Records wild ride through true hip-hop culture as a producer, promoter, and record dealer. From roller rink hip-hop shows, to house parties, to 1212 Studios with Paul C, to Jazzy Jay at Strong City, to producing tracks with Beatnuts, and Afrika Bambaataa, recording with Grandmaster Flash, and selling sought-after break-beat records to Q-Tip, Large Professor, and Questlove, Gary is an innovator and conduit.

Rob Fraboni is a renowned producer and engineer. Fraboni is well-known for his work with the Rolling Stones, Bob Dylan, Buckwheat Zydeco, Hubert Sumlin, John Martyn, Etta James, Bonnie Raitt, and Melissa Ethridge, and served as VP of Island Records in its heyday.   

Fraboni, leant his expertise to the Verso hybrid analog recording studio, having built Bob Dylan and the Band’s Shangri La Studios to their specifications in 1976. At the turn of the century, Fraboni built Keith Richards home studio just miles away from Verso Studios.

https://christineohlman.net/home.html

This queen of blue-eyed rock n’ soul, who grew up loving equally the sweetness of a Memphis horn line and the raunch of an electric guitar riff, whether played by Muddy Waters, Keith Richards, or Pop Staples, teased her blonde hair into a beehive in honor of Ronnie Spector and never looked back, picking up a guitar and forging a career as a songwriter in the process. She’s the current, long-time vocalist with the Saturday Night Live Band (SNL40’s anniversary post-show concert also featured her star turn onstage with Jimmy Fallon, Elvis Costello and the B-52s), whose latest CD, The Deep End, was honored on five national Top Ten lists and features special guests/duet partners Ian Hunter, Dion DiMucci, and Marshall Crenshaw, plus Levon Helm, GE Smith, Andy York, Eric “Roscoe” Ambel, Catherine Russell, Big Al Anderson, and others. Ohlman topped the Alternate Root.com’s Readers’ Poll as top Americana vocalist, joining other winners Paul Thorn, The Mavericks and Rodney Crowell.

http://www.lysguillorn.com/ 

Lys Guillorn is a singer/songwriter, multi-instrumentalist, and multi-disciplinary artist based in Shelton, Connecticut. She is of the same musical school as Laura Veirs, and Kristin Hersh, with a little Emmylou Harris thrown in: dreamy, lyric-driven, melodically interesting, and undefinable. She calls her genre of music "Avant-Twang."

Connecticut music legend!  

https://bigalanderson.com/ 

He’s been known as one of  rock n’ roll’s greatest guitar players. Listed as one of the top 100 guitar players of the 20th century by Musician Magazine and with over 900 cuts internationally, Big Al’s music career was destined. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling West Virginia late at night, he would devour all genres of music from Hank Williams, The Everly Brothers, The Ventures, Chet Atkins, Elvis, Little Richard, Ray Charles, Motown and Stax paving the way for what would be a giant life in music.  

While Al loves to tell people, “…my junior year in high school were the worst three years of my life,” his real education was coming up in the black clubs in the north end of Hartford.  “…There was a camaraderie, a brotherhood, among all the musicians- black or white it didn’t matter. If the music was good, you were in.”  His first band “The Sixpacks” became “The Wildweeds,” recording a regional hit “No Good To Cry” that went on to chart nationally. With a change in record labels (from Chess to Vanguard) and a change in musical direction, Al caught the attention of the members of NRBQ. In 1971, Al left Connecticut for New York’s to enroll at the “University of Q” — a 22 year planetary course in all things musical. Al’s exposure to a evener wider range of musical genres served him well in the “Q.” His mind and string-bending guitar playing coupled with his giant stage presence had become legendary, and in the course of recording over a dozen albums with them, he had written some of the band’s most memorable songs — ‘Ridin in My Car’, ‘Never Take The Place of You,’ It Was An Accident,’ ‘Comes to Me Naturally,’ ‘What a Nice Way to Go,’ ‘Feel You around Me,’ and many more.  After over two decades of hard touring, hard living and encyclopedic musical knowledge, Al was ready to change his already prodigious song writing talent into a full-time venture.  

Two years before he left NRBQ, he wrote a song with Carlene Carter, “Every Little Thing” that she took to top 5 all over the world. That song, and meeting music publisher Pat Daniel McMurry (Escott), were the turning points in Al’s career and life. With the support, guidance and belief that Pat provided, Al became unstoppable. At the same time that Al signed with Pat, he decided to quit drinking and suddenly became one of the most prolific writers in Nashville. “I went from 3 songs a year to writing sometimes 3 a day”.  The parade of hits is long and include singles and cuts by Vince Gill, Bonnie Raitt, Trisha Yearwood, Jimmy Buffett, Martina McBride, Patty Loveless, George Jones, Sheryl Crow, Leann Rimes, Tim McGraw, George Strait, Rascall Flatts, Zac Brown, Anthony Hamilton, Harry Connick Jr and many others.  He latest love is Music City’s premier rock band “The World Famous Headliners” rounded out with top tier penmen/artists/musicians extraordinaire Pat McLaughlin, Shawn Camp, Michael Rhodes and Greg Morrow.