Consequence UNCUT

Lost & Found finds Jorja Smith making a name for herself with presence and poise. Throughout these 12 songs, she commands a mastery of various styles, with enough experiments to flesh out a varied, captivating album. 

An album review by David Sackllah, read by Cap Blackard.

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Moby is selling his entire record collection in the name of charity. Ahead of the big purge, the legendary producer meditates on his time collecting vinyl and explains why he's relieved to let them all go. He also offers a sneak peek at the rare finds, choice gems, and embarrassing relics everyone will find when the collection goes online at Reverb.

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18-year-old Lindsey Jordan has been steadily gaining a growing following over the last few years and with Lush, she finally delivers her debut album, a master class in how to grow out of a DIY scene without losing any of the raw charm that turned heads in the first place.

An album review by Steven Edelstone, read by Cap Blackard.

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With No Shame, Lily Allen has eschewed making an Irish exit from her days as a party girl and instead delivered a eulogy that gracefully buries the past while continuing to seek the sunshine of the future.

An album review by Zack Ruskin, read by Eleanor Edwards.

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so sad so sexy demonstrates Lykke Li’s refined prowess for communicating romantic turmoil, and the synth-heavy instrumentation of the record gives the indie-pop artist a new musical space within which to operate. Li understands how to use this electronic ambiance to her advantage, as the album is full of memorable hooks and sleek production. Although the trap-influenced style wears thin at times, so sad so sexy is a superb reinvention of Lykke Li.

An album review by Grant Sharples.

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On the latest Track by Track, Virginia singer-songwriter Natalie Prass explains how she rummaged through the thrift shops of music history for her sophomore album, The Future and the Past, dusting off artifacts of funk, soul, Brazilian tropicalia, indie folk, and bedazzled LA rock.






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Age Of is the most collaborative Oneohtrix Point Never album yet, with contributions from James Blake, Prurient, Kelsey Lu, and Anohni building on both the serene beauty and abject horror.

An album review by David Sackllah, read by Cap Blackard.

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Only seven tracks long, coke rap’s poet laureate continues to amaze with age as he pontificates on the hustle and grind.

An album review by Gary Suarez, read by Pat Freely.

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After America got the Bad Ending on its playthrough of the 2016 presidential election, Richmond singer-songwriter Natalie Prass scrapped the intended follow-up to her stunning 2015 debut in favor of a new collection of songs inspired in equal parts by feminine resilience and a box of Janet Jackson 45s.

An album review by Tyler Clark. 

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Love Is Dead is a collection of songs about grand concepts like openness, heartbreak, disappointment, and generally growing up. But without the benefit of specificity or a sharp perspective, the result is that it may be the most impersonal record that CHVRCHES have ever produced. Pain without specificity sounds a lot like numbness. 

An album review by Kayleigh Hughes, read by Cap Blackard.

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