Susan Sontag for almost forty years was the most recognisable public intellectual in America. She inspired an entire generation of critics to read more widely, think and feel more deeply, and stay attuned to the transformative power of art. In her numerous critical essays on art, politics, and our technologically mediated ways of seeing, Sontag built up her own distinctive aesthetic and moral sensibility, one that merged the moral seriousness of high art and the joyful eroticism of so-called low cultural products. Her debut collection, Against Interpretation, made her an almost overnight intellectual celebrity fueled by such iconoclastic essays like Notes on 'Camp'. In this episode, critic and art historian, A.V. Marraccini guest hosts to discuss the legacy and enduring importance of Sontag's writing, orbiting around a discussion of the early Notes on 'Camp' and the mid-period definitive takedown of fascist aesthetics, Fascinating Fascism. Ultimately we argue that a reconsideration of these essays are indispensable to understanding our own neo-fascist moment in which a new breed of grifters and cynical aesthetes are attempting to blind us to history and obscure the baleful influence of the fascist aesthetic’s romantic longings. Re-reading Sontag reminds us of the interwovenness of art and politics and ask us to confront urgent moral questions of the critic's and artist's role during tumultuous political times. How do we avoid complicity in a society in the grip of political nihilism and spellbound by fantasies of domination and purifying violence?

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