Grant and Jeremy offer both praise and criticism of Murray Rothbard's well-known essay, "Anatomy of the State." Also discussed are Grant's mother heckling a comedian, the evil of the insurance industry, terrible Alaskan driver's licenses, and more.

After some discussion of the Kyle Rittenhouse trial and some other current events, the buys discuss Grant's favorite novel, To Live by Yu Hua.

Grant and Jeremy tackle Camille Paglia's magnum opus, Sexual Personae (1990). Discussed are Paglia's descriptions of the relationship of the artist to experiences of the sexes and whether of not they reflects reality, Paglia's misunderstanding of church history, whether the boys think the work achieves what it sets out to do, and more.

Jeremy and Grant discuss one of Michel Foucault's most influential works, Madness and Civilization (1961). Also discussed are the downstream effects of the Protestant Revolt, the linguistic failings of both the political right and left to delineate their ideas, how the French postmodernists dressed so damn well, and more.

Grant and Jeremy discuss Michael Knowles' Speechless: Controlling Words, Controlling Minds,  (ding, ding) the Daily Wire host's recent book about the history of political correctness in the West.

The boys let their long-time friend, Joe, into the studio to record what turned out to be the most insane and meaningless (and hilarious) episode of Contra Gentiles yet.

As news of renewed mask mandates is announced in Anchorage, Jeremy and Grant offer their honest opinions of what they think needs to happen. Then, the boys discuss the ideal government, the metaphysics of actualization, and more.

The boys discuss the recent school shooting in Texas, the morality of euthanasia and assisted suicide, historical figures known for losing, the nature of government corruption, the catharsis of writing by hand, and more.

Jeremy and Grant struggle to talk about anything before finding a foothold in the Anchorage restaurant scene. Later, Anne-Marie joins the boys in talking about film quotes and the possible justification of trauma. Finally, Jeremy goes completely undeterred when Grant loses his shit about math, and things get intense. 

The Contra Gentiles boys engage in Round 2 of musical fisticuffs and Grant takes it upon himself to explain exactly what a furry is to Jeremy. Later, the pair pursue an introspective, psychoanalytic deep-dive into their separate aesthetic and rational experiences of art and God.