Conversations with Musicians, with Leah Roseman

I was honoured to have this opportunity to record this conversation with the phenomenal violinist Sara Caswell, who is a GRAMMY Nominee for the Best Improvised Jazz Solo. We focused on the recent 9 Horses album, Strum with mandolinist and composer Joseph Brent, and she also spoke to me about some of her other collaborators including esperanza spalding, Chuck Owen, Nadje Noordhuis, and mentors including David Baker, Mimi Zweig and Josef Gingold. She shared how she started playing the 10 stringed Hardanger d’amore, her rich early musical life in Bloomington, and how she is grounded and inspired from her family and friends. 

You can read the transcript or watch the video, both linked here on my website: https://www.leahroseman.com/episodes/sara-caswell

 https://9horses.bandcamp.com/album/strum

https://saracaswell.com/

Merchandise store: https://www.leahroseman.com/beautiful-shirts-and-more Buy me a coffee? https://ko-fi.com/leahroseman Thanks!

Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

Catalog of Episodes: https://www.leahroseman.com/about

photo: Shervin Lainez

Timestamps

(00:00) Intro

(02:19) 9 Horses album Strum, Joe Brent

(07:12) clip from The House that Ate Myself, 9 horses album Strum

(08:30) 9 horses trio and different recording projects

(11:50) clip from Americannia from 9 horses ablum Strum

(13:09) acoustic versus electric violin

(15:06) about Sara’s Hardanger d’amore fiddle

(23:00) clip from Long Time Away 

(25:27) Sara’s approach to teaching jazz

(28:33) GRAMMY nomination, Chuck Owen the Jazz Surge

(32:59) Sara Caswell quartet The Way to You, Nadje Noorduis

(34:26) excerpt from South Shore  Sara Caswell quartet The Way to You by Nadje Noorduis

(37:30) early musical life in Bloomington, David Baker, supportive parents, Mimi Zweig

(40:55) Josef Gingold

(48:14) related episodes and ways to support this project

(48:57) Bloomington years with David Baker, Jamey Abersold, Janis Stockhouse, Stanley Ritchie

(53:32) New York early years, John Blake, Sylvia Rosenberg

(56:47) clip from Jennie Pop Nettle-Eater

(57:22) meeting Joe Brent

(59:18) esperanza spalding

(01:02:54) the joy of collaboration

(01:04:31) clip from Strum

(01:05:19) work-life balance and self-care

Mark Deutsch is a brilliant and unique musician who has devoted the last 3 decades of his life to his instrument the Bazantar, which is unique to him. There is only one Bazantar, which is a double bass hybrid with elements of the sitar:  it has 6 main strings, 4 drone strings, and 29 sympathetic strings. Mark grew up as a multi-instrumentalist, but primarily a classical, jazz and rock bass player, and gave up a successful career as a performer to devote himself to the Bazantar. While studying sitar with Ustad Imrat Khan, Mark begin delving into the universal fundamentals of music and its underlying frequency structures. The nonlinear mathematical patterns that exist in sound are found universally in the natural world, includeng seashells, and Mark goes into some of the math of the overtone series in some detail, as well as fascinating specifics of how the Bazantar and his playing of it have evolved.  You’ll hear Mark talk about how he developed his patented engineering solution to construct a separate housing for the sympathetic strings. In this episode, Mark demonstrated live, and also is sharing not only excerpts from previously released recordings, but a preview from an upcoming album. 

Mark Deutsch website https://bazantar.com/

Podcast website with Transcript and Video link: https://www.leahroseman.com/episodes/mark-deutsch-and-his-bazantar

Buy me a coffee? https://ko-fi.com/leahroseman

Merchandise store to support the podcast: https://www.leahroseman.com/beautiful-shirts-and-more

Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

Timestamps:

(00:00) Intro

(03:16) Mark’s background, sitar, and inspiration for creating the Bazantar

(10:52) Bazantar music: excerpt from Lahja from the Picasso Tunings

(12:13) studying sitar with Imrat Khan

(14:10) Alain Danielou’s book Music and the Power of Sound, the math of frequencies and music

(18:14) building the Bazantar

(22:17) excerpt from Avodah from the album Fool

(23:32) Prehistoric Planet

(25:09) 8Dio samples, different tunings and playing techniques

(34:19) Bazantar demo

(39:37) Other episodes you’ll like and different ways to support this series!

(40:54) sympathetic strings with demo

(44:09) excerpt from The Crooked Road from The Picasso Tunings

(45:04) prototypes and the patented engineering solution to the Bazantar

(55:55) different bridge designs 

(58:46) improvisation plucked Bazantar

(01:04:13) cross-country tour stories with the Bazantar, Mark’s musical interests

(01:08:38) different approaches to improvisation, learning to play what you’re hearing

(01:14:05) Mark’s approach to teaching and playing

(01:21:50) first album “Fool” with both sitar and Bazantar

(01:25:40) excerpt from Painted Bird on Fool

(01:26:58) fasting

(01:29:00) Picasso Tunings albums

(01:31:45) Antique Slippers, 8th movement from the Picasso Tunings

(01:35:25) decision to move to San Franciso, different tunings

(01:39:18) special effect with just the sympathetic strings with demo from unreleased recording Bardo

(01:42:29) Jaron Lanier, Quincy Jones disbelief

(01:44:13) more Bazantar demos, ideas about improvisation, background to Kundalini Rising

(01:51:54) excerpt from Kundalini Rising from Fool

(01:52:55) more demos and the math of the harmonics and frequencies, developing the Bazantar

(02:08:25) Mark’s approach to improvisation

Trumpeter, composer and conductor Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago. He has been acclaimed on four continents for his virtuosity and interpretative depth in recitals, orchestral appearances, chamber music, and multi-media performances.In this interview you’ll hear him talk about some of his mentors including Arnold Jacobs, and Pierre Thibaud. Stephen Burns won several important competitions and awards which helped launch his solo career at a young age,  the Maurice André Concours International de Paris, but touring internationally brings challenges which he discussed candidly with me. Stephen has worked closely with Madeline Bruser and is a certified teacher in the Art of Practicing. 

We talked about mindfulness, the importance of a  student-centered approach to teaching, the deep connection to your audience, programming innovative programs, and specific advice for not only brass players and musicians, but for all of us. See Timestamps below for the topics covered.

 Like all my episodes, you can also watch this on my YouTube channel and I’ve also linked the transcript to my website:

https://www.leahroseman.com/episodes/stephen-burns

Stephen Burns Fulcrum Point: https://www.fulcrumpoint.org/founder

Episode with Madeline Bruser: https://www.leahroseman.com/episodes/madeline-bruser

Telemann: https://www.youtube.com/playlist?list=OLAK5uy_m5b5ZQtTEQjEfrDUAsQv6qjxLVALKEV0E

Hindemith: https://www.youtube.com/watch?v=dmHwJbYls5Y&list=OLAK5uy_nUp5ihSm80-NXa1Zk5nGGEqvsh7PvWQ6o&index=5

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

photo: Josh R Zepka

Timestamps:

(00:00) Intro

(03:13) Madeline Bruser, The Art of Practicing, Buddhist principles

(07:05) Fulcrum Point New Music Project, programming concerts

(16:02)  Hindemith Sonata for Trumpet 2nd mvt Maessig bewegt with David Korevaar on piano

(18:45) middle school band teacher Dan Riley

(26:13) making the decision to pursue music as a career

(33:33) moving to New York

(35:03) Telemann Concerto in D Major, 1st mvt Adagio

(35:18) overcoming injury, Armando Ghitalla, Vince Penzerella

(41:44) realistic goals for musicians, finding what makes you happy

(44:51) the personal challenges of an international touring career

(48:48) moving to Indiana then Chicago

(53:33) teaching Mindfulness for Musicians

(55:48) other episodes of interest and ways to support this series

(56:37) Arnold Jacobs

(01:01:26) Telemann’s Trumpet concert  in D Major; the  last mvt Allegro

(01:01:24) the importance of body awareness, working with dancers Martha Clarke, Ruby Shang, overcoming injuries

(01:07:54) advice for brass players, Pierre Thibaud, Madeline Bruser

(01:15:44) Stephen’s teaching, online challenges

(01:18:40) stage fright, performance anxiety, Arnold Jacobs, Brass playing concepts of sound, building trust

(01:32:58) a life of travel

(01:39:22) the most important aspects of mindset, Bobby Shew, George Zan, Madeline Bruser

This episode is a special short Catch-Up episode with the Klezmer violinist and composer Alicia Svigals. I first spoke with her in 2021 in Season 1 of this podcast, and that wide-ranging in-depth conversation is here: https://www.leahroseman.com/episodes/e15-s1-alicia-svigals-klezmer-violinist-and-composer

Today we are focusing on Alicia’s new album Fidl Afire https://borschtbeat.bandcamp.com/album/fidl-afire, with several excerpts from the album with her insights. 

Alicia Svigals website: https://aliciasvigals.com/home

I have many episodes featuring klezmer musicians such as Polina Shepherd https://www.leahroseman.com/episodes/polina-shepherd

and Marilyn Lerner https://www.leahroseman.com/episodes/marilyn-lerner, and many artists in the folk and world music scene, so please check out my catalog of episodes. https://www.leahroseman.com/about

Like all my episodes, you can also watch this on YouTube, or read the transcript, everything linked here: https://www.leahroseman.com/episodes/alicia-svigals-catch-up-fidl-afire

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Thanks!

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

Timestamps

(00:00)Intro

(01:18)Fidl Afire album

(05:17)excerpt from Alician’s Patsch Tants

(10:38) excerpt from Mayn Mame Ver Ikh featuring Vira Lozinsky

(15:57) excerpt from Dybbuk Honga

(18:57) excerpt from South Fallsburg Bulgar

(21:36) excerpt from Fidl Afire Fantasy

(23:44) excerpt from Levitt Bulgar

Meg Okura is an award-winning Jazz composer and brilliant Grammy-nominated violinist, and the leader and founder of the  Pan Asian Chamber Jazz Ensemble. This episode features several excerpts from Meg’s wonderful recent duo album “Lingering” with the Grammy Award-winning jazz pianist and composer  Kevin Hays. This  was a wide-ranging conversation, including Meg’s musical tribute to Ryuichi Sakamoto, her experiences playing for Cirque du Soleil,  some of the challenges she’s faced, and about her search for a new spiritual community.  She shared with me her thoughts on mentorship and the power of music to create real understanding and connection. 

 Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/meg-okura

Album Lingering: https://megokurakevinhays.bandcamp.com/album/lingering

Meg Okura Website https://www.megokura.com/home

Phantasmagoria: https://open.spotify.com/track/4YG1HjeJF3qgK2AsmiqcXh

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

Timestamps: 

(00:00) Intro

(02:19) meeting Kevin Hays, album “Lingering”

(06:49) Again and Again

(10:18) intro to Maim Korim 

(11:25) Maim Korim

(15:07) Meg’s classical training, early interest in composing was discouraged, Pan-Asian Youth orchestra experience

(19:56) commentary on Will You Hear My Voice 

(21:56) excerpt from Will You Hear My Voice 

(23:06)  finding her own path into jazz in New York, influences and opportunities

(27:41) BMI Jazz composers workshop

(29:30) founding the Pan Asian Chamber Jazz Ensemble 

(40:38) excerpt from Tomiya Pan Asian Chamber Jazz Ensemble from album Ima Ima

(42:09) Ryuichi Sakamoto tribute project

(47:02) Michael Brecker, new album with Randy Brecker

(48:54) ISJAC prize, Silent Screams: an Anthem for the Unheard 

(50:18) commission to write trio Phantasmagoria for Tasha Warren and Dave Eggar, writing for classical ensembles

(56:00) excerpt from Phantasmagoria 

(57:23) parenting decisions, importance of education and community, decision to convert to Judaism

(01:08:42) changes with education and music online

(01:11:36) coommentary on Shamaim 

(01:13:28) excerpt from Shamaim

(01:15:50) different ways you can support this independent podcast

(01:16:43) the importance of intuition and emotion in musical composition and improvisation

(01:23:06) commentary on Lingering, nostalgia and changing sense of self as we age

(01:26:10) excerpt from Lingering

(01:28:02) use of electric violin as a tool for composition and in performances

(01:29:54) Scorchio Quartet, David Bowie, Sirius quartet, Pharaoh’s Daughter

(01:35:10) Cirque du Soleil, decision to return to New York, marriage to Sam Newsome, learning jazz

(01:43:19) the importance of mentorship, community, the healing power of music

I have known the Canadian cellist Julia MacLaine for many years in her role asAssistant Principal Cello of Canada’s National Arts Centre Orchestra, of which I am also a member. In this episode we’re highlighting her gorgeous album Preludes which pairs the Preludes of J.S. Bach for Cello solo and with newly commissioned works for solo cello by Canadian composers.  Julia and I talked about many things, including how best to address  the challenges of maintaining high levels of playing and inspiration, studying the craft of songwriting with the legendary Ian Tamblyn , the intricacies of putting together ambitious projects,  her childhood in Prince Edward Island,  and strategies to cope with performance anxiety. It was really inspiring to hear some of the wisdom Julia gained from her mentors including Timothy Eddy and the late Antonio Lysy. This episode features excerpts of music from Preludes including that of J.S. Bach, Airat Ichmouratov, Carmen Braden, Roy Johnstone and Nicole Lizée. 

 Like all my episodes, you can also watch this on my YouTube channel, and I’ve also linked the transcript to my website, everything linked here: https://www.leahroseman.com/episodes/julia-maclaine

Julia MacLaine website: https://www.juliamaclainecello.com/bio

Preludes album https://www.prestomusic.com/classical/products/9309403--preludes?srsltid=AfmBOoop593ZT29pz3RSsEMawTjbiHPF_8oMICuS2ruzUn1Qo2dkujCn

Preludes album on YouTube https://www.youtube.com/channel/UC80c6WS5jNMk-L5RhXOknCA

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

My episode with Rachel Mercer, Principal Cellist of NACO: https://www.leahroseman.com/episodes/e9-s2-rachel-mercer

Timestamps:

(00:00) Intro

(03:02) J.S. Bach solo Preludes, Julia’s childhood in Singapore and Prince Edward Island

(10:59) Prelude in D minor, Suite number 2 J.S. Bach

(14:43) Antonio Lysy, bow control, intonation

(20:03) boundaries with technology, Julia’s childhood no TV

(22:48) Bonnie Hampton, Julia’s career trajectory, staying in good playing shape

(28:08) commissioning Airat Ichmouratov’s Praeludium with excerpt

(29:30) excerpt from Airat Ichmouratov’s Praeludium

(31:33) commissioning new works inspired by Bach, securing funding

(34:30) Carmen Braden collaboration on interpretation

(37:44) excerpt from Play Time by Carmen Braden

(39:01)more discussion about interpretation and editions

(39:59) Timothy Eddy, Julliard and New York experience

(44:22) different ways you can support this independent podcast!

(45:15) Roy Johnstone

(46:36) clip of No. 6 Post Bach by Roy Johnstone

(47:52) PEI, Matt Zimbel

(48:51) multi-disciplinary project in New York Voice of the Whale

(54:38) songwriting with Ian Tamblyn

(57:48) mental game, perfectionism, performance anxiety 

(01:04:33) Nicole Lizée with clip from Prayers for Ruins

(01:06:44) balancing family life as a musician

(01:10:53) choosing repertoire

(01:14:09) performance anxiety (stagefright), Don Greene

photo: Stewart MacLaine

This special Catch-Up episode with the Dutch singer Ineke Vandoorn focuses on her album with Jasper van ’t Hof, “Dancing on Water”, with lots of music from the album. You’ll also get to hear of her inspirational experience learning from Betty Carter. 

When Ineke Vandoorn won the prestigous Edison Jazz Award for her album ‘Love is a Golden Glue’ the jury wrote:"Ineke Vandoorn distinguishes herself as a singer with her adventurous way of singing. First of all because of her exceptional, striking voice with an extreme range with which she can do anything. Her voice control enables her to cross her limits. Every note is placed at the right spot. Apart from that the singer has a huge amount of guts." I couldn’t agree more! It was such a pleasure to have this opportunity to speak with Ineke again. My 2023 episode with her is here, during which she sang live for the podcast: 2023 Interview https://www.leahroseman.com/episodes/ineke-vandoorn

Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I’ve also linked the transcript to my website, everything linked here: https://www.leahroseman.com/episodes/ineke-vandoorn-dancing-on-water

Ineke's website https://www.inekevandoorn.com/

Dancing on Water album https://baiximrecords.bandcamp.com/album/dancing-on-water

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

Timestamps:

(00:00) Intro

(01:54) about the album “Dancing on Water” with Jasper van ’t Hof

(03:17) Paul Simon song “Quiet” with excerpt

(05:59) process of creating the album

(07:40) meeting Betty Carter

(11:30) Marsch Fur Oelze with excerpt

(13:03) Yayapriya with excerpt

(16:35) please support this indepedent podcast!

(17:18) Quiet American with clips

(21:04) challenges of writing lyrics, The Way She Looks with clip

(24:30) about Dance on the Water, with complete song

(31:27) the satisfying challenge of this project

Joe K. Walsh is an acclaimed master of bluegrass mandolin and a professor at Berklee College, and in this episode you’ll hear about many of his inspiring collaborations including with Darol Anger, Mike Block, Grant Gordy, Alex Hargreaves and Mike Marshall. We are also featuring some music from some of his albums inluding “If Not Now, Who?” We talked about Joe’s approach as an educator, the challenges and joys of the touring life, the importance of innovation and taking chances musically. Joe’s love of music and the mandolin shines brightly in this candid conversation.

Like all my episodes, you can also watch this on my YouTube channel, and I’ve also linked the transcript to my website: https://www.leahroseman.com/episodes/joe-k-walsh

Albums featured in this episode: https://garrisongordyhargreaveswalsh.bandcamp.com/album/bluegrass-and-the-abstract-truth

https://joewalsh.bandcamp.com/album/if-not-now-who

https://joewalsh.bandcamp.com/album/borderland

Joe K. Walsh website: ⁠ https://joekwalsh.com/⁠

Buy me a coffee? https://ko-fi.com/leahroseman Thanks!

Merch store: https://www.leahroseman.com/beautiful-shirts-and-more

Newsletter: https://mailchi.mp/ebed4a237788/podcast-newsletter

Timestamps

(00:00) Intro

(02:28) Aaron Weinstein, Joe’s search for a different approach, “If Not Now, Who?” album

(07:23) Tom from “If Not Now, Who?”

(11:48) recording the album, Joe’s student days at Berklee, teaching approach

(19:01) songwriting

(20:41) Innisfree from “Borderland”

(24:10) Gibson Brothers, experience of touring

(28:40) mandolin family, David Grisman, Daryl Anger, Mr. Sun, Ger Mandolin Ensemble Mike Marshall

(36:12) Joy Kills Sorrow, maturing and working with different generations in the music business

(39:20) Daryl Anger, dangers of perfectionism in recordings

(41:43) please support this independent podcast

(42:35) healthy mindsets, Adam Hurt, creativity, teaching

(50:42) decision to pursue music professionally, early influences

(53:09) Grant Gordy, Mike Block, the value of music for community

(57:31) practicing the mandolin, transcribing, dealing with injuries

(01:02:07) mandolin demo Chinkapin Hunting

(01:04:02) Steve Gilchrist luthier, Bluegrass and mandolin community worldwide

(01:09:47) “Bluegrass and the Abstract Truth”, Alex Hargreaves, memorizing music

(01:15:07) Mahjong from “Bluegrass and the Abstract Truth”

(01:18:03) meeting Joe Walsh story

(01:19:18) reflecting on the mental game

This episode features Bad Snacks, a producer and multi-instrumentalist known for the use of violin, with lofi and dance influences. We talked about her experience when she went viral on Andrew Huang’s “4 Producers Flip the Same Sample” challenge with over 4.5M views, dealing with online boundaries, with sexism, finding inspiration, and  enjoying the learning process. Bad Snacks is also an educator; she coaches fellow producers privately, runs a successful YouTube channel where she posts content related to music technology and beat breakdowns. Due to her love for cutting-edge music tech, she has worked as a key demonstrator with several of the industry’s largest names like Ableton, Roland,  and Moog. She has also taught as an Assistant Professor at Berklee College of Music for Electronic Production & Design. We talked about her unique educational path and choices she’s made along the way to carve out a successful career, and in fact what success really means. She spoke thoughtfully about important topics such as music education, developing creativity, imposter syndrome and keeping a healthy perspective. Video and transcript link: https://www.leahroseman.com/episodes/bad-snacks

Bad Snacks Website: https://www.lilbadsnacks.com/

Bad Snack’s My Pedals for Synth Violin video: https://www.youtube.com/watch?v=2thGDywkg18&t=1s

Original Merch to support the podcast: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? https://ko-fi.com/leahroseman Thanks! ⁠

Complete Catalog of Episodes: https://www.leahroseman.com/about

Newsletter sign-up: https://mailchi.mp/ebed4a237788/podcast-newsletter

photo of Bad Snacks: June Jameson

This is a special stand-alone bonus episode featuring the the inspiring Australian artist, educator and author Maryanne Moodie who’s woven art graces the cover of the Collected Strands album Volume 1, which is being celebrated in the main episode connected to this one. I decided to release this stand-alone bonus for those listeners who are passionate about weaving and want to dive into the interview with Maryanne right away, but I have included a clip of our improvisation Solace as part of this episode, and you will find all the links in the description of this episode to listen to this music, and of course the links to Maryanne Moodie’s art, workshops, and books in the show notes as well. I feel that all my listeners who love music and creativity will find that Maryanne’s personal journey and perspectives will resonate strongly with them, and I hope some listeners in the weaving and art world will also be inspired by the musicians! 

https://maryannemoodie.com/

Transcript https://www.leahroseman.com/blog/maryanne-moodie-interview

Video https://www.youtube.com/watch?v=XUiiflQLnjM

Collected Strands listen here: https://collectedstrands.bandcamp.com/album/volume-1

Streaming:https://distrokid.com/hyperfollow/collectedstrands/volume-1

Collected Strands mailing list: https://mailchi.mp/5bbfa0f0e271/collected-strands-updates

Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more

Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠

https://www.leahroseman.com/episodes/collected-strands-interview-with-maryanne-moodie

Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠

Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠

Linktree for social media: ⁠https://linktr.ee/leahroseman⁠

Timestamps:

(00:00) intro 

(00:45) excerpt from Solace, from Volume 1 by Collected Strands improvising ensemble (which has Maryanne Moodie’s art on the cover)

(01:26) more information

(02:34) interview with Maryanne Moodie: her start in weaving, writing her books, nurturing our creativity

(11:39) creating commissioned pieces, how the audience takes in art, the community of weavers