What shapes music — the artist, the audience, or the architecture?
This week, we dive into How Music Works by David Byrne and explore the deeper currents behind sound itself. From cathedral ceilings to village drum circles, we unpack how environment, technology, and culture shape what gets composed — and what gets heard. We also discuss our own pasts with music, playing, and current projects.
Drawing on the ideas of Marshall McLuhan and Walter J. Ong, we examine the shift from oral to written traditions, from communal rhythm to isolated composition, from acoustic space to electric media.
Why did symphonies bloom inside churches?Why did polyrhythms flourish in open air communities?And how has recording technology rewired the way we experience music?
This conversation moves across continents and centuries.