Copinya de Volta Verda

playllista :

-Desperado

-Doolin-Dalton

-Hollywood waltz

-Lyin' eyes

-My man

-Ol' 55

-One of these nights

-Peaceful easy feeling

-Saturday night

-Take it easy

-Take it to the limit

-Tequila sunrise

-The best of my love

-Twenty-one

playllista :

-103rd Street Gospel Choir (Kumbaya)

-Clarence Williams (Lord deliver Daniel)

-Dorothy Love Coates (Get away Jordan, When I reach my heavenly home)

-Edwin Hakwins Singers (He's wonderful)

-Golden Gate Quartet (Somebody's knockin at your door)

-Highwaymen (Michael row the boat ashore)

-Joan Baez (Swing low sweet chariot)

-Kate & Anna McGarrigle (Old waits carol)

-Mahalia Jackson (His eye is on the sparrow, Search me Lord, Trouble of the world) IMATGE

-Marion Williams (My way is cloudy)

-Pete Seeger (Jesus bleibet meine freude)

-Soul Stirrers (By and by)

-Tennessee Ernie Ford (O holy night, The old rugged cross)

playllista :

-Klaus Schulze (Mental door, Ways of changes)

-Tangerine Dream (Rubycon part 1, The red blood connection)

playllista :

-Argent (God gave rock'n'roll to you)

-Emerson Lake and Palmer (From the beginnig, Hoedown, Jeremy Bender / The sheriff, Tank, Touch and go)

-Gong (The isle of everywhere)

-Hawkwind (Lost Johnny)

-Mansun (Dark Mavis / An open letter to the lyrical trainspotter)

playllista :

-Atom heart mother (Live Montreux)

-Echoes (Wembley 1974)

-Fat old sun (BBC 1971)

-One of these days (BBC 1971)

playllista :

-Blur (For tomorrow, Resigned/Commercial break) IMATGE

-Daniel Lanois (Still learning how to crawl, The messenger)

-Hothouse Flowers (Gypsy fair, Isn't it amazing)

-Lemonheads (Big gay heart)

-Pet Shop Boys (Different point of view, One and on make five)

-UB40 (Higher ground, Promises and lies)

Moby had struggled to find music that helped him sleep better, so he decided to compose some himself. He intended the music to also help people calm down, reduce anxiety, and aid in their own sleep issues. "LA15" is an extended version/remix of "LA8" from Long Ambients 1, while "LA16" is an extended version of "LA10".

The other four pieces are entirely new to this album. Moby explained, "Most of the music in my life I’ve made with an audience in mind, but this long ambient music I originally just made for myself."

playllista :

-BERNARD HERRMANN / VERTIGO (By the fireside, Carlotta's portrait, Farewell and the tower) IMATGE

-ELMER BERNSTEIN / RAMPAGE (Anna, Chep falls, Jungle)

-HENRY MANCINI / THE MOLLY MAGUIRES (Main theme)

-HENRY MANCINI / THE PINK PANTHER (Something for Selllers)

-HUGO FRIEDHOFER / AN AFFAIR TO REMEMBER (End title/Our love affair, Revelation, Villefranche/On the chapel)

-JOHN WILLIAMS / CLOSE ENCOUNTERS OF THE THIRD KIND (Barnstorming, Outstretch hands, The escape)

-NINO ROTA / DEATH ON THE NILE (Arrival at Wode Hall, Journey on the Nile, The conclusive evidence)

-RACHEL PORTMAN / THE CIDER HOUSE RULES (Main titles)

-VICTOR YOUNG / SCARAMOUCHE (Lenore's farewell/Roses and Napoleon/Cast, Pinned to the wall/Why)

playllista :

-DIAMONDS ARE FOREVER (Main theme)

-LOVE AMONG THE RUINS (Main theme)

-MARY QUEEN OF SCOTS (Main theme, This way Mary)

-MOONRAKER (Flight into space)

-OCTOPUSSY (Bond meets Octopussy/Bond look alike/The palace fight)

-ROBIN AND MARIAN (John bursts in)

-THE LAST VALLEY (Death of captain, End title, Entry to the last valley)

-THE LION IN WINTER (Main theme)

-THE MAN WITH THE GOLDEN GUN (Main theme)

-UNTIL SEPTEMBER (It's love)

-WALKABOUT (Back of nature, The three of us)

-ZULU (First zulu appearance and assault)

Originally issued as a self-release by Conrad Schnitzler in 1984, »Con 84« is dedicated to euphony rather than musical excess. This is made quite clear by the sacral opener, in which strangely beautiful sound unfolds. Schnitzler’s sound designs nevertheless walk a fine line between nerve-robbing dullness and a compelling red thread. »28.6.84 Blasen« is one of the numbers – and with a playtime of over seven minutes the longest – which makes concentrated listening difficult, but at the same time radiates the dusty mysticism of those first science fiction films