En este disco de 1980 Nick Lowe se asocia con Dave Edmunds. Sus dos caracteres compositivos, tan pop y melódico el de Lowe, y bastante más rockero el de Edmunds, dan lugar a uno de los mejores discos de principios de la década, variado, fresco y contundente (como el diseño de portada). Lowe está en plena forma y enlaza un hit tras otro, especialmente la fenomenal "Heart", con reminiscencias del mejor pop de principios de los años 60 potenciado por la energía de las guitarras de la nueva ola

playlist:

PAU RIBA

-Mareta bufona

-Vostè (tu, tu mateixa)

ICEBERG

-La flamenca elèctrica

-Màgic

FUSIOON

-Llaves del subconsciente I. Parte mente

-Llaves del subconsciente II. Parte cerebro

-Preludi i record

MÀQUINA

-I believe

-Look away outr happiness

-Why?

playlist:

PETER HAMMILL-My favourite, You can't want what you always get, Amnesiac, Stranger still, The birds, Earthbound

PETER GABRIEL-Games without frontieres, I don't remember,

No self control, Lead a normal life, Mother of violence

GENESIS-Harold the barrel, Seven stones

playlist:

WM:

Lir

Multiple 12

No testament

The scene

MN:

All imperfect things

Endgame

The departure

The Piano concert suite (excerpts)

Water dances dipping

playlist:

Jackson Browne (love needs a heart)

James Taylor (bartender's blues)

Kansas (nobody home)

Meat Loaf (heaven can wait)

Mink DeVille (one way street)

Peter Gabriel (slowburn)

Queen (who needs you)

Randy Newman (rider in the rain)

Supertramp (even in the quietest moments)

Talking Heads (happy day)

Thin Lizzy (soldier of fortune)

Foreigner (headknocker)

Graham Parker (the heat in harlem)

The one word virtually everyone can agree on in any discussion of the work of composer John Zorn is "prolific" in the strictest sense of the definition. Though he didn't begin making records until 1978 (School, with guitarist Eugene Chadbourne), the recordings under his own name number well over 100, and the sheer number of works he has performed on, composed, or produced easily doubles that number. Zorn's compositional diversity is staggering. He has written elaborate "game pieces" (Cobra), fused hardcore punk and avant jazz on Spy vs. Spy: The Music of Ornette Coleman -- the first of six recordings with his Naked City band, penned two books of compositions (under the Masada umbrella) in a plethora of styles influenced by the music of his Jewish heritage, penned dozens of soundtracks to independent films performed by groups of virtually every size, solo organ works, chamber pieces, rock, jazz exotica recordings (Dreamers), and even songs

playlist:

Another Harry's bar

Big riff and mando

Broadford bazaar

Clasp

Fly by night

Flying dutchman

For a thousand mothers

From a dead beat to an old greaser

Kissing Willie

Nursie

Stuck in the august rain

War child

Warm sporran

playlist:

M

-Assassing

-Heart of Lothian

-Jigsaw

-Kayleigh

-Ocean cloud

-The lap of luxury

FISH

-Big wedge

-Fortunes of war

participen:

Diamanda Galas, Residents, Orbital, Plastic People fo the Universe, Mariscal Romero, etc...

playlist:

-Baby please come home

-Couldn't love you more

-Don't think twice it's alright

-Don't want to know

-Dreams by the sea

-Go down easy

-Golden girl

-Hold on my heart

-I'd rather be the devil

-Our love

-Run honey run

-Sweet honesty

-Woodstock

-Would you believe me